Roses as a symbol of beauty, joy, love.

It is starting from a blooming of roses found in the archives that in this collection new flowerings are imagined, pursuing the most classic of symbols associated with the rose: love.

At the center of this creative path is a woman who is both strong and delicate, who has reconciled herself with fragility and imperfections, and indeed plays with both. She is cloaked in warm and earthy colors ranging from rust to intense browns, with touches of mauve, very light green, pale gray; she shines with luminescent and metallic flashes. Such a woman finds herself in multiplicity, poised between bodycon, long silhouettes and the decisive volumes of masculine tailoring.

The play of proportions is constant, in both garments and patterns, in the amalgamation and alternation of micro and macro, from blousons to fiammato, from dresses to argyle patterns. Touch and sight meet in the three-dimensionality of the material: knit, of course, woven as to become fur; velvet; faux fur, also in an astrakhan version. Knitwear is enveloping and comfortable, with coats and jackets that are variations around the cardigan. Fiammato, zig zags and then a riot of roses, that get wild when blended with animal spots. Long earrings, shielding sunglasses, high heels complete this tale of roses.