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Swedish design Jotex launches in The Netherlands
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Swedish design Jotex launches in The Netherlands

Design Creating a personal and unique home just got easier. Jotex, the Nordic region's leading e-commerce interior design brand is now launching in Europe. Shortly, The Netherlands will be able to access the creative range of products.     Jotex is a brand that does things differently. With a wide range of high fashion interior design, the brand inspires its customers to go their own way. No matter if the customer is looking for monochrome colour schemes, mixing and matching of patterns or stand out details, Jotex can deliver. After all, there are as many styles as there are people, and a house is not a home without that personal touch.      With creative campaigns, inspiring influencer collaborations and a feel for the latest trends, Jotex is constantly challenging the conventions of interior design. As a mono-brand with its own production, the brand can offer a wide range of unique products. A concept that has proven to be successful, with more than 1 million customers and over 30 million visits each year.      After a year when the home has played such a big part of people's lives, Jotex will offer a refreshing new look to the European market in general and The Netherlands in particular. Stay tuned!  Creating a personal and unique home just got easier. Jotex, the Nordic region's leading e-commerce interior design brand is now launching in Europe. Shortly, The Netherlands will be able to access the creative range of products.     Jotex is a brand that does things differently. With a wide range of high fashion interior design, the brand inspires its customers to go their own way. No matter if the customer is looking for monochrome colour schemes, mixing and matching of patterns or stand out details, Jotex can deliver. After all, there are as many styles as there are people, and a house is not a home without that personal touch.      With creative campaigns, inspiring influencer collaborations and a feel for the latest trends, Jotex is constantly challenging the conventions of interior design. As a mono-brand with its own production, the brand can offer a wide range of unique products. A concept that has proven to be successful, with more than 1 million customers and over 30 million visits each year.      After a year when the home has played such a big part of people's lives, Jotex will offer a refreshing new look to the European market in general and The Netherlands in particular. Stay tuned! 

INNOVATING THE PRESENT FOR A SUSTAINABLE FUTURE
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INNOVATING THE PRESENT FOR A SUSTAINABLE FUTURE

Things to do Bvlgari hosted the fourth installment of the "INNOVATING THE PRESENT FOR A SUSTAINABLE FUTURE" webinar series, spotlighting the Roman Jeweler's continuous commitment to the promotion of socially responsible initiatives.     With a strong focus on women's fundamental role in building new benchmarks across different fields, the talk concentrated on three main conversation points: Bvlgari's initiatives in the fight against COVID-19, the female scientists of today and tomorrow, and women in the Bvlgari Community. For the occasion, Bvlgari CEO Jean-Christophe Babin was joined by the webinar moderator Fairchild Media President Amanda Smithand an outstanding group of all-female panelists, including Katie Ewer, Associate Professor and Senior Immunologist at the University of Oxford's Jenner Institute; Leslie Vosshall, HHMI Investigator and the Robin Chemers Neustein Professor of Neurogenetics and Behavior at The Rockefeller University; and Eleonora Rizzuto, Chief Ethics & Compliance Officer - CSR Director Bvlgari Group &LVMH Italian Brands. Bvlgari hosted the fourth installment of the "INNOVATING THE PRESENT FOR A SUSTAINABLE FUTURE" webinar series, spotlighting the Roman Jeweler's continuous commitment to the promotion of socially responsible initiatives.     With a strong focus on women's fundamental role in building new benchmarks across different fields, the talk concentrated on three main conversation points: Bvlgari's initiatives in the fight against COVID-19, the female scientists of today and tomorrow, and women in the Bvlgari Community. For the occasion, Bvlgari CEO Jean-Christophe Babin was joined by the webinar moderator Fairchild Media President Amanda Smithand an outstanding group of all-female panelists, including Katie Ewer, Associate Professor and Senior Immunologist at the University of Oxford's Jenner Institute; Leslie Vosshall, HHMI Investigator and the Robin Chemers Neustein Professor of Neurogenetics and Behavior at The Rockefeller University; and Eleonora Rizzuto, Chief Ethics & Compliance Officer - CSR Director Bvlgari Group &LVMH Italian Brands.

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Louis Vuitton presents XS Handbags
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Louis Vuitton presents XS Handbags

Men   This season’s new pattern, the Damier motif is revamped, stretched, mirrored within the black and white checks inspired by Ska, a musical movement that originated in Jamaica in the 50s before becoming all the rage in England. Against a black and white background, the LV logo proudly displays its sa ron shade, like a nod to the brand’s distinctive colours.     As a final touch, the little animals created by Virgil Abloh and his team are tied here and there to the models: Zoooom and its friends – optimistic, mischievous creatures – show up on these miniature versions of the Keepall or Steamer, in a three-dimension knitted version or as embroidered badges on the canvas, making every handbag a unique piece with a distinctive character.   This season’s new pattern, the Damier motif is revamped, stretched, mirrored within the black and white checks inspired by Ska, a musical movement that originated in Jamaica in the 50s before becoming all the rage in England. Against a black and white background, the LV logo proudly displays its sa ron shade, like a nod to the brand’s distinctive colours.     As a final touch, the little animals created by Virgil Abloh and his team are tied here and there to the models: Zoooom and its friends – optimistic, mischievous creatures – show up on these miniature versions of the Keepall or Steamer, in a three-dimension knitted version or as embroidered badges on the canvas, making every handbag a unique piece with a distinctive character.

SAINT LAURENT PRESENTS THEIR NEW MEN'S CAMPAIGN FOR SPRING & SUMMER
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SAINT LAURENT PRESENTS THEIR NEW MEN'S CAMPAIGN FOR SPRING & SUMMER

Men SAINT LAURENT MEN’S SPRING SUMMER 21 #YSL37 BY ANTHONY VACCARELLO Art Direction : Anthony Vaccarello Director : David Sims   #YSL #SaintLaurent #YvesSaintLaurent @anthonyvaccarello @davidsimsofficial SAINT LAURENT MEN’S SPRING SUMMER 21 #YSL37 BY ANTHONY VACCARELLO Art Direction : Anthony Vaccarello Director : David Sims   #YSL #SaintLaurent #YvesSaintLaurent @anthonyvaccarello @davidsimsofficial

VIC MENSA IS OUR NEXT DIGITAL COVER STAR
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VIC MENSA IS OUR NEXT DIGITAL COVER STAR

Music The African in America is an over the shoulder watcher   a look 4-ways before he cross the street-er   She is a barked command curver   curvy unapologetic hip switcher   He is a long-lost homeland forgetter    amnesiac pain burying law breaker    She is a louisiana gumbo cooker    houseless street walking home maker   The African in America is a stolen jewel, a grave robbed masterwork    beckoning to a past unknown   As we spill our blood in attempts to wash our hands clean of the scars and calluses accumulated from carrying America’s secrets, generation after generation of displaced Africans have radically envisioned Exodus. From Marcus Garvey to Sun Ra to Bob Marley, the innate longing to return has magnetically pulled Black people away from the tainted soil of our Lands of the free, often through the medium of artistic imagination. In our brush strokes, our rhythms and our silhouettes we have retained a cultural identity so intrinsically unbreakable that even we, at times, have been ignorant to its origins. I placed myself in a street scene in Ghana wearing Telfar beneath a sign reading Dignity & Respect as cultural acknowledgement of the synergy between the brand, my identity and the birthplace of my father. Telfar’s impact on the zeitgeist is undeniably African (unsurprising given his Liberian heritage), as well as unapologetically Black, Queer and non-conformist. It is worth noting that a utopian view of Africa eschews reality, and many of the oppressive constructs of American society are also deeply entrenched in the continent; homophobia, misogyny & neocolonialism to name a few. Yet, I believe, visualizing ourselves and our art within the context of our native heritage enables us to inject our ideals and our dreams of freedom into the imperfect present day iteration of the closest thing we know to liberation.    This summer as 47th Street bellowed in flames and Chicago’s Black Belt was once again engulfed in the rage of a caged people, images of Bronzeville’s historic past flashed through my mind like fuzzy white lightning, a beautiful illustration across a tormented sky. Desperation from a world-stopping pandemic, multiplied by traumatizing images of white supremacist terrorism created the conditions of a perfect storm, and widespread looting and rioting ravaged the South Side, where 95% of the population is Black but less than 10% of the business are Black owned. The historical precedent is there, and many of the remnants of the 1968 riots in the wake of Dr. King’s assassination still litter the streets; boarded up, decrepit buildings that look more like a war-torn third world country than America’s third largest city. And yet, things were not always this way. I’ve always marveled over the images of the bustling corners of 47th street, once the epicenter of a community known as the Black Metropolis. One of the most famous images is a black and white photograph of a group of young boys perched on the hood of a 1940’s automobile, dressed impeccably in their Easter best and poised with a regal confidence, if not a haunting dissociation in their eyes, as if they could foresee the troubled times to come. I placed myself at their helm, imagining myself leading a reversed funeral procession to a future where the streets of the Low End clamored not with gunshots and homelessness, but with enterprise and ownership.    Separate but equal; one of America’s many last ditch attempts to maintain her legal stranglehold on the so-called sons of Job in the aftermath of her bitter loss of traditional chattel slavery. Of course we are aware that slavery was never truly abolished, but rather redirected into mass incarceration through the final sentence of the 13th Amendment, however, in the first half of the 20th century the societal chains were far more blatantly visible than they may be now, at least to the naked eye. It is within the very shackles of this social bondage that the predecessors of our current movements learned to thrive, to innovate and to resist. One such figure is Sister Rosetta Tharpe, the lesser known Black musician often credited as the “Godmother of Rock & Roll”, and one of the primary inspirations for my friend Kerby Jean Raymond’s Pyer Moss Collection 3. We imposed an image of me wearing Pyer Moss while drinking from a White Only water fountain to represent both the adversities our forebears overcame to shape the world as we know it, as well as the radical significance of our existence as artists on the highest levels of hierarchies not intended for us.  - VIC MENSA     Team credits: talent: Vic Mensa photography: Ray's Corrupted Mind stylist: Donte Mcguine editor: Timotej Letonja   The African in America is an over the shoulder watcher   a look 4-ways before he cross the street-er   She is a barked command curver   curvy unapologetic hip switcher   He is a long-lost homeland forgetter    amnesiac pain burying law breaker    She is a louisiana gumbo cooker    houseless street walking home maker   The African in America is a stolen jewel, a grave robbed masterwork    beckoning to a past unknown   As we spill our blood in attempts to wash our hands clean of the scars and calluses accumulated from carrying America’s secrets, generation after generation of displaced Africans have radically envisioned Exodus. From Marcus Garvey to Sun Ra to Bob Marley, the innate longing to return has magnetically pulled Black people away from the tainted soil of our Lands of the free, often through the medium of artistic imagination. In our brush strokes, our rhythms and our silhouettes we have retained a cultural identity so intrinsically unbreakable that even we, at times, have been ignorant to its origins. I placed myself in a street scene in Ghana wearing Telfar beneath a sign reading Dignity & Respect as cultural acknowledgement of the synergy between the brand, my identity and the birthplace of my father. Telfar’s impact on the zeitgeist is undeniably African (unsurprising given his Liberian heritage), as well as unapologetically Black, Queer and non-conformist. It is worth noting that a utopian view of Africa eschews reality, and many of the oppressive constructs of American society are also deeply entrenched in the continent; homophobia, misogyny & neocolonialism to name a few. Yet, I believe, visualizing ourselves and our art within the context of our native heritage enables us to inject our ideals and our dreams of freedom into the imperfect present day iteration of the closest thing we know to liberation.    This summer as 47th Street bellowed in flames and Chicago’s Black Belt was once again engulfed in the rage of a caged people, images of Bronzeville’s historic past flashed through my mind like fuzzy white lightning, a beautiful illustration across a tormented sky. Desperation from a world-stopping pandemic, multiplied by traumatizing images of white supremacist terrorism created the conditions of a perfect storm, and widespread looting and rioting ravaged the South Side, where 95% of the population is Black but less than 10% of the business are Black owned. The historical precedent is there, and many of the remnants of the 1968 riots in the wake of Dr. King’s assassination still litter the streets; boarded up, decrepit buildings that look more like a war-torn third world country than America’s third largest city. And yet, things were not always this way. I’ve always marveled over the images of the bustling corners of 47th street, once the epicenter of a community known as the Black Metropolis. One of the most famous images is a black and white photograph of a group of young boys perched on the hood of a 1940’s automobile, dressed impeccably in their Easter best and poised with a regal confidence, if not a haunting dissociation in their eyes, as if they could foresee the troubled times to come. I placed myself at their helm, imagining myself leading a reversed funeral procession to a future where the streets of the Low End clamored not with gunshots and homelessness, but with enterprise and ownership.    Separate but equal; one of America’s many last ditch attempts to maintain her legal stranglehold on the so-called sons of Job in the aftermath of her bitter loss of traditional chattel slavery. Of course we are aware that slavery was never truly abolished, but rather redirected into mass incarceration through the final sentence of the 13th Amendment, however, in the first half of the 20th century the societal chains were far more blatantly visible than they may be now, at least to the naked eye. It is within the very shackles of this social bondage that the predecessors of our current movements learned to thrive, to innovate and to resist. One such figure is Sister Rosetta Tharpe, the lesser known Black musician often credited as the “Godmother of Rock & Roll”, and one of the primary inspirations for my friend Kerby Jean Raymond’s Pyer Moss Collection 3. We imposed an image of me wearing Pyer Moss while drinking from a White Only water fountain to represent both the adversities our forebears overcame to shape the world as we know it, as well as the radical significance of our existence as artists on the highest levels of hierarchies not intended for us.  - VIC MENSA     Team credits: talent: Vic Mensa photography: Ray's Corrupted Mind stylist: Donte Mcguine editor: Timotej Letonja  

Valentine’s Day campaign Savage X Fenty features Rihanna, Miguel, Nazanin Mandi, Alek Wek, Chinqpink and Lulu Bonfils
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Valentine’s Day campaign Savage X Fenty features Rihanna, Miguel, Nazanin Mandi, Alek Wek, Chinqpink and Lulu Bonfils

Fashion Savage X Fenty is excited to announce the launch of the Valentine’s Day collection. The highly anticipated drop features 4 playful collections – Candy Hearts, Seamless Fishnet, Linking Hearts and the latest additions to men’s underwear and sleepwear styles – so whether this Valentine’s Day is for you, for bae or for play, Savage X has something for every mood.     With sheer dotted mesh, ruby red lace, satin lace-up ties & open-back styles, the new Candy Hearts collection is red hot. Cheeky candy heart-shaped messages bring a playful and sassy attitude a collection that is a naughty as it is sweet. Dare to bare in the curve hugging Valentine’s Seamless Fishnet mock neck slip in black caviar and goji berry red. No matter what V-Day looks you pair them with, the Linking Hearts Embroidery styles are the perfect match with an unlined balconette bra, garter belt and g-string.     Building on the launch of men’s underwear and sleepwear styles last year, this newest assortment of styles continues to push the boundaries of individuality with versatile pieces that can be worn by every-BODY. Designed to be layered or worn as separates, the latest additions include an oversized satin sleep smoking jacket and matching boxer in the iconic Savage X lavender color, a satin sleep smoking jacket in solid black caviar, satin boxer in solid goji berry red, and woven boxers in monogram prints.     Shot by Dennis Leupold, the Valentine’s Day campaign features Miguel, Nazanin Mandi, Alek Wek, Chinqpink and Lulu Bonfils.     With sizes from 32A – 42DD and XS – 3X, customers can shop the collection at Savage X Fenty Prices for the Valentine’s Day collection range from $12.95 - $79.95.     #SAVAGEXFENTY #XXSAVAGEX   Savage X Fenty is excited to announce the launch of the Valentine’s Day collection. The highly anticipated drop features 4 playful collections – Candy Hearts, Seamless Fishnet, Linking Hearts and the latest additions to men’s underwear and sleepwear styles – so whether this Valentine’s Day is for you, for bae or for play, Savage X has something for every mood.     With sheer dotted mesh, ruby red lace, satin lace-up ties & open-back styles, the new Candy Hearts collection is red hot. Cheeky candy heart-shaped messages bring a playful and sassy attitude a collection that is a naughty as it is sweet. Dare to bare in the curve hugging Valentine’s Seamless Fishnet mock neck slip in black caviar and goji berry red. No matter what V-Day looks you pair them with, the Linking Hearts Embroidery styles are the perfect match with an unlined balconette bra, garter belt and g-string.     Building on the launch of men’s underwear and sleepwear styles last year, this newest assortment of styles continues to push the boundaries of individuality with versatile pieces that can be worn by every-BODY. Designed to be layered or worn as separates, the latest additions include an oversized satin sleep smoking jacket and matching boxer in the iconic Savage X lavender color, a satin sleep smoking jacket in solid black caviar, satin boxer in solid goji berry red, and woven boxers in monogram prints.     Shot by Dennis Leupold, the Valentine’s Day campaign features Miguel, Nazanin Mandi, Alek Wek, Chinqpink and Lulu Bonfils.     With sizes from 32A – 42DD and XS – 3X, customers can shop the collection at Savage X Fenty Prices for the Valentine’s Day collection range from $12.95 - $79.95.     #SAVAGEXFENTY #XXSAVAGEX  

REINE DE NAPLES CŒUR ETERNAL LOVE BY BREGUET
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REINE DE NAPLES CŒUR ETERNAL LOVE BY BREGUET

Watches With delicacy and subtlety, and as Valentine's Day approaches, Breguet enlivens the face of the Reine de Naples with a new invention: a hand in the shape of a changing heart. Its curves expand or contract, as if by magic and very gently, as it makes its way around the elongated oval dial. Rose gold and diamonds add to the radiance of this sleek creation, with a hint of vermilion. This exclusive Cœur, or Heart edition, limited to 28 numbered pieces and accompanied by a matching clutch as its case, is reserved for a selection of Breguet boutiques.     The first wristwatch ever made, the model no. 2639 was a treasure trove of ingenuity right from its origins in 1810. Breguet was inspired by this innovative watch and by the client, Caroline Murat, Queen of Naples, who commissioned it, for its iconic contemporary collection. Today, for its new creation dedicated to women and to love, the House of Breguet has designed a new system protected by several patents. The magic of an innovative mechanism changes the heart shape of the minute hand – off-center at 6 o’clock – depending on its position on the oval dial. Breguet, which has always developed special watches dedicated to women, is thus faithful to its history and its practice. For this new creation, its curves stretch as the hand moves across the top half of the dial, and become more rounded at the bottom. A real heart that beats... A pared-down dial highlights the delicate elegance and great romanticism of this piece. Touches of vermilion red add to the intensity of the lines of the hours chapter, the leather strap, and the crown, which is adorned with a ruby. This luxurious and exclusive composition is brought to perfection with rose gold and diamonds. This model, reserved for brand boutiques, is presented in an envelope clutch bag finished in grained calfskin leather and dyed vermilion red to match the strap of the Reine de Naples Coeur.     Celebrating Delicacy and Romance:     For the face of this new Reine de Naples, Breguet has opted for understated elegance. The heart-shaped minute hand moves over a sapphire-crystal dial, lacquered in white for a very soft and subtle translucent effect. Its tip, marked by a subtle red heart, indicates the minutes on the hours chapter, punctuated by tiny hearts every five minutes. For better readability, something dear to Breguet, the quarter numerals are distinguished by their size and their outline, lacquered with vermilion. The hour, indicated by a drop of purple lacquer, appears in the center through a window. The rose gold of the dial flange and bezel is set with 128 diamonds. The setting of the folding buckle, also in gold, echoes the brilliance of the case, amounting to a total of approximately 0.94 carats.     The Magic of a Vibrant Heart, an ode to love:     The latest invention of the House of Breguet is a minute hand composed of two independent arms, capable of twisting thanks to an ingenious set of gears to create a heart that is extended at 12 o’clock and more rounded at 6 o’clock. Equipped with an oval-shaped cam – mirroring the curves so characteristic of the Reine de Naples – the mechanism allows each of these arms to move at different speeds. This innovation, created exclusively for the Reine de Naples, is protected by four patents. The gears of this complication, like all the components of the caliber, are all carefully hand-finished in the Breguet tradition – whether visible or invisible to the eye. The sapphire-crystal caseback of the rose gold case reveals the movement of the caliber, the 78A0. On the gold rim, the individual number of the watch is engraved, recorded in the archives of the House of Breguet, which have been maintained since the end of the eighteenth century.     With the Reine de Naples Cœur, Breguet conjures up the magic of love, thanks to an innovative hand that traces a heart of ever-changing shape. The delicate and unexpected combination of technique and romanticism.   With delicacy and subtlety, and as Valentine's Day approaches, Breguet enlivens the face of the Reine de Naples with a new invention: a hand in the shape of a changing heart. Its curves expand or contract, as if by magic and very gently, as it makes its way around the elongated oval dial. Rose gold and diamonds add to the radiance of this sleek creation, with a hint of vermilion. This exclusive Cœur, or Heart edition, limited to 28 numbered pieces and accompanied by a matching clutch as its case, is reserved for a selection of Breguet boutiques.     The first wristwatch ever made, the model no. 2639 was a treasure trove of ingenuity right from its origins in 1810. Breguet was inspired by this innovative watch and by the client, Caroline Murat, Queen of Naples, who commissioned it, for its iconic contemporary collection. Today, for its new creation dedicated to women and to love, the House of Breguet has designed a new system protected by several patents. The magic of an innovative mechanism changes the heart shape of the minute hand – off-center at 6 o’clock – depending on its position on the oval dial. Breguet, which has always developed special watches dedicated to women, is thus faithful to its history and its practice. For this new creation, its curves stretch as the hand moves across the top half of the dial, and become more rounded at the bottom. A real heart that beats... A pared-down dial highlights the delicate elegance and great romanticism of this piece. Touches of vermilion red add to the intensity of the lines of the hours chapter, the leather strap, and the crown, which is adorned with a ruby. This luxurious and exclusive composition is brought to perfection with rose gold and diamonds. This model, reserved for brand boutiques, is presented in an envelope clutch bag finished in grained calfskin leather and dyed vermilion red to match the strap of the Reine de Naples Coeur.     Celebrating Delicacy and Romance:     For the face of this new Reine de Naples, Breguet has opted for understated elegance. The heart-shaped minute hand moves over a sapphire-crystal dial, lacquered in white for a very soft and subtle translucent effect. Its tip, marked by a subtle red heart, indicates the minutes on the hours chapter, punctuated by tiny hearts every five minutes. For better readability, something dear to Breguet, the quarter numerals are distinguished by their size and their outline, lacquered with vermilion. The hour, indicated by a drop of purple lacquer, appears in the center through a window. The rose gold of the dial flange and bezel is set with 128 diamonds. The setting of the folding buckle, also in gold, echoes the brilliance of the case, amounting to a total of approximately 0.94 carats.     The Magic of a Vibrant Heart, an ode to love:     The latest invention of the House of Breguet is a minute hand composed of two independent arms, capable of twisting thanks to an ingenious set of gears to create a heart that is extended at 12 o’clock and more rounded at 6 o’clock. Equipped with an oval-shaped cam – mirroring the curves so characteristic of the Reine de Naples – the mechanism allows each of these arms to move at different speeds. This innovation, created exclusively for the Reine de Naples, is protected by four patents. The gears of this complication, like all the components of the caliber, are all carefully hand-finished in the Breguet tradition – whether visible or invisible to the eye. The sapphire-crystal caseback of the rose gold case reveals the movement of the caliber, the 78A0. On the gold rim, the individual number of the watch is engraved, recorded in the archives of the House of Breguet, which have been maintained since the end of the eighteenth century.     With the Reine de Naples Cœur, Breguet conjures up the magic of love, thanks to an innovative hand that traces a heart of ever-changing shape. The delicate and unexpected combination of technique and romanticism.  

Meet the transformative texture of newly formulated Studio Fix Tech Cream-To-Powder Foundation
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Meet the transformative texture of newly formulated Studio Fix Tech Cream-To-Powder Foundation

Beauty Featuring a tri-system blend of water, emollients and powder, innovative Studio Fix Tech Cream-To-Powder Foundation glides on as a lightweight, soft, creamy emulsion to provide medium, buildable, long-wearing coverage with a natural matte finish.     Get ready for all-day excellence with this latest addition to Studio Fix — our iconic bespoke collection of Pro-crafted shades and textures that addresses every skin tone, every lifestyle, every climate...and Every Shade of You.     “As a working makeup artist, I rely on the Studio Fix collection for everything I need to create beautiful complexions,” says M·A·C Senior National Artist Fatima Thomas.       Made to perform. Made by Artists. Made for YOU. Find your perfect match now.     STUDIO FIX TECH CREAM-TO-POWDER FOUNDATION BENEFITS ARE FOR ALL SKIN TYPES: · 12-hour, colour-true wear, · Immediate and long-term moisturization, · Light-diffusing properties that soften lines, · Sweat- and humidity-resistant, · Non-acnegenic. Featuring a tri-system blend of water, emollients and powder, innovative Studio Fix Tech Cream-To-Powder Foundation glides on as a lightweight, soft, creamy emulsion to provide medium, buildable, long-wearing coverage with a natural matte finish.     Get ready for all-day excellence with this latest addition to Studio Fix — our iconic bespoke collection of Pro-crafted shades and textures that addresses every skin tone, every lifestyle, every climate...and Every Shade of You.     “As a working makeup artist, I rely on the Studio Fix collection for everything I need to create beautiful complexions,” says M·A·C Senior National Artist Fatima Thomas.       Made to perform. Made by Artists. Made for YOU. Find your perfect match now.     STUDIO FIX TECH CREAM-TO-POWDER FOUNDATION BENEFITS ARE FOR ALL SKIN TYPES: · 12-hour, colour-true wear, · Immediate and long-term moisturization, · Light-diffusing properties that soften lines, · Sweat- and humidity-resistant, · Non-acnegenic.

Exclusive editorial by Fabien Montique
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Exclusive editorial by Fabien Montique

Fashion Exclusive new digital editorial, captured by Fabien Montique.     TEAM CREDITS:  Photo: Fabien Montique  Styling: Joana Dacheville Photo Assistant - Jean-Romain Pac Casting Director: Remi Felipe Models: Mahany Pery @Oui , Emma Sainte-Rose @Oui, Marieme @Makers  Movement director: Pierre Podevyn,   Hair: Yumiko Hikage @ASG  Make up:  Yvane Rocher  @ASG  Props: Sylvain Cabouat @Walter Schupfer  Production : William Romeo , Montique & Co “Post-Production & Retouch - ink” fashion assistants :  Léo Rouault , Agathe Philippart and Joana Mahafaly   Exclusive new digital editorial, captured by Fabien Montique.     TEAM CREDITS:  Photo: Fabien Montique  Styling: Joana Dacheville Photo Assistant - Jean-Romain Pac Casting Director: Remi Felipe Models: Mahany Pery @Oui , Emma Sainte-Rose @Oui, Marieme @Makers  Movement director: Pierre Podevyn,   Hair: Yumiko Hikage @ASG  Make up:  Yvane Rocher  @ASG  Props: Sylvain Cabouat @Walter Schupfer  Production : William Romeo , Montique & Co “Post-Production & Retouch - ink” fashion assistants :  Léo Rouault , Agathe Philippart and Joana Mahafaly  

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