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With Rendez-Vous, opening 1 June, Museum Voorlinden focuses on the concept of the encounter
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With Rendez-Vous, opening 1 June, Museum Voorlinden focuses on the concept of the encounter

Art When Voorlinden reopens on 1 June, there will be a brand-new exhibition on display: Rendez-Vous. This presentation of selected works from the museum's own collection will centre on encounters: those between Voorlinden and its visitors, between the art and viewers and between the artists and the works themselves.In Rendez-Vous, works of art come together like lovers, embracing and lending one another strength – and occasionally clashing as well. These encounters walk a fine line between convergence and confrontation, between duet and duel.   What unites these works is their sensual aspect: they invite you to come closer and allow yourself to be swept away by their scents, sounds and movements. A physical encounter is the only way to understand what makes these pieces so remarkable, as they let you feel what it means to be human.   Now that the retrospective on British artist Antony Gormley has been moved to summer 2021, Voorlinden has seized this opportunity to conduct a new experiment with the works in its collection. Unlike a typical collection presentation, this exhibition has not been assembled under a single overarching theme. Instead, it features an assemblage of different themes that will bring visitors face-to-face with a new encounter in every gallery. While there will be opportunities to appreciate new works, of course, museum-goers can also look forward to reunions with several visitor favourites.   Rendez-Vous features works by artists including Etel Adnan, Francis Alÿs, Oliver Beer, John DeAndrea, Berlinde De Bruyckere, Erik Dietman, Tracey Emin, Leandro Erlich, Lara Favaretto, Dan Flavin, Anya Gallaccio, Shilpa Gupta, William Kentridge, Guillermo Kuitca, Maha Malluh, Jacco Olivier, Pablo Picasso, Abraham Poincheval, Jeff Wall and Jonas Wood.   Director Suzanne Swarts: "The works on display in Rendez-Vous offer a tantalising glimpse of exactly what we've all been craving recently: they entice us to draw near and surrender to an encounter with their sensory qualities." When Voorlinden reopens on 1 June, there will be a brand-new exhibition on display: Rendez-Vous. This presentation of selected works from the museum's own collection will centre on encounters: those between Voorlinden and its visitors, between the art and viewers and between the artists and the works themselves.In Rendez-Vous, works of art come together like lovers, embracing and lending one another strength – and occasionally clashing as well. These encounters walk a fine line between convergence and confrontation, between duet and duel.   What unites these works is their sensual aspect: they invite you to come closer and allow yourself to be swept away by their scents, sounds and movements. A physical encounter is the only way to understand what makes these pieces so remarkable, as they let you feel what it means to be human.   Now that the retrospective on British artist Antony Gormley has been moved to summer 2021, Voorlinden has seized this opportunity to conduct a new experiment with the works in its collection. Unlike a typical collection presentation, this exhibition has not been assembled under a single overarching theme. Instead, it features an assemblage of different themes that will bring visitors face-to-face with a new encounter in every gallery. While there will be opportunities to appreciate new works, of course, museum-goers can also look forward to reunions with several visitor favourites.   Rendez-Vous features works by artists including Etel Adnan, Francis Alÿs, Oliver Beer, John DeAndrea, Berlinde De Bruyckere, Erik Dietman, Tracey Emin, Leandro Erlich, Lara Favaretto, Dan Flavin, Anya Gallaccio, Shilpa Gupta, William Kentridge, Guillermo Kuitca, Maha Malluh, Jacco Olivier, Pablo Picasso, Abraham Poincheval, Jeff Wall and Jonas Wood.   Director Suzanne Swarts: "The works on display in Rendez-Vous offer a tantalising glimpse of exactly what we've all been craving recently: they entice us to draw near and surrender to an encounter with their sensory qualities."

CHIMI x H&M announce a collaboration
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CHIMI x H&M announce a collaboration

Accessories With summer around the corner, H&M announces a collaboration with CHIMI, the Stockholm-based brand known for their colorful and creative eyewear. The collection features unique sunglasses, but also stylish clothing and accessories – the first ever by CHIMI. Retro-inspired silhouettes get a modern streetwear update, while the signature colour choices of CHIMI include a range of edgy pastels and classic black. The CHIMI x H&M collection is a global online exclusive and will be available on hm.com from 4 June 2020.       The CHIMI x H&M collaboration is a capsule collection featuring three unique styles of sunglasses, each made from chunky acetate. There is also a short-sleeved shirt, drawstring shorts and bucket hat in linen-Tencel blends and sporty polyesters, plus pool slides and a bag. Details such as wider shirt collars and slightly higher hem on the shorts show a sense of playfulness while being fashion-forward. Designed together by H&M and CHIMI, all pieces in the collection have the distinctive CHIMI color choice – pastel yellow, blue, pink and purple. A cool grey for the clothes and accessories, pastel yellow, green, purple, and black for the sunglasses.      “With this H&M collaboration, we wanted to encourage people to see beauty in places around them, creating good summer memories in a joyous way. In these peculiar times, we thought this positive message could give an extra spark to people’s lives. Each piece in the collection puts a twist on an iconic item, from our signature sunglasses to bowling shirts, and we believe that with H&M we’ve created something new and exciting.” - Charlie Lindström and Jonas Löhr, Co-Founders of CHIMI.     “We’ve always admired CHIMI for their vibrant spirit, versatility and eye for color so it’s fantastic that we could join forces to collaborate on this capsule collection. It feels great to offer our customers both iconic eyewear and clothes in this range, but mostly to introduce a little happiness through fashion and colour during this extraordinary time. The design process with CHIMI was a lot of fun and I think that really comes through with each piece in the collection – it’s upbeat, accessible style for all.”- Ross Lydon, Head of Menswear Design at H&M     With summer around the corner, H&M announces a collaboration with CHIMI, the Stockholm-based brand known for their colorful and creative eyewear. The collection features unique sunglasses, but also stylish clothing and accessories – the first ever by CHIMI. Retro-inspired silhouettes get a modern streetwear update, while the signature colour choices of CHIMI include a range of edgy pastels and classic black. The CHIMI x H&M collection is a global online exclusive and will be available on hm.com from 4 June 2020.       The CHIMI x H&M collaboration is a capsule collection featuring three unique styles of sunglasses, each made from chunky acetate. There is also a short-sleeved shirt, drawstring shorts and bucket hat in linen-Tencel blends and sporty polyesters, plus pool slides and a bag. Details such as wider shirt collars and slightly higher hem on the shorts show a sense of playfulness while being fashion-forward. Designed together by H&M and CHIMI, all pieces in the collection have the distinctive CHIMI color choice – pastel yellow, blue, pink and purple. A cool grey for the clothes and accessories, pastel yellow, green, purple, and black for the sunglasses.      “With this H&M collaboration, we wanted to encourage people to see beauty in places around them, creating good summer memories in a joyous way. In these peculiar times, we thought this positive message could give an extra spark to people’s lives. Each piece in the collection puts a twist on an iconic item, from our signature sunglasses to bowling shirts, and we believe that with H&M we’ve created something new and exciting.” - Charlie Lindström and Jonas Löhr, Co-Founders of CHIMI.     “We’ve always admired CHIMI for their vibrant spirit, versatility and eye for color so it’s fantastic that we could join forces to collaborate on this capsule collection. It feels great to offer our customers both iconic eyewear and clothes in this range, but mostly to introduce a little happiness through fashion and colour during this extraordinary time. The design process with CHIMI was a lot of fun and I think that really comes through with each piece in the collection – it’s upbeat, accessible style for all.”- Ross Lydon, Head of Menswear Design at H&M    

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Christian Louboutin expands the Nude Collection for 2020
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Christian Louboutin expands the Nude Collection for 2020

Accessories Widely regarded as a pioneering act in the world of fashion, the Nudes collection has always embodied the ever-present idea of diversity in Christian Louboutin’s designs. For the designer, Nude isn’t just a colour – it’s a concept. Originally launched in 2013 with five shades, the collection has steadily evolved into something much bigger, becoming an ode to inclusivity, regardless of gender, and a core part of the Maison’s values.        “The Nudes shoe doesn’t dress the leg but continues to undress it. The shoe disappears in favor of the silhouette of the leg, like an illusion. The leg is no longer wearing a shoe: it simply dissolves into a shoe and that’s what gives it its radiance.” -Christian Louboutin     From five shades to eight, the Nudes family is now bigger than ever, with Spring-Summer 2020 introducing new styles for women and for the first time ever, a selection of men’s pieces, including two unisex models. Designed to make the perfect companion for this year’s summer adventures, the first is the Pool Stud, its thick rubber soles and signature studs ideal for pool-side lounging. Back in the city, the Louis Jr low top sneaker keeps things chic with its pared back lines and sleek contours. Over on women’s, the Cheeky Point booty is sure to win hearts over with a mesh upper, patent toe cap and dainty bow, its ladylike appeal an elegant twist on the Nudes theme.      No collection would be complete without a range of bags for stashing those all-important essentials, and this year there’s something for everyone. Designed for both the masculine and the feminine wardrobe, you can always count on the Nude LoubiLab bag to provide style on-the-go with its signature studs and contrasting Louboutin red body strap. Broadening the offer further, three of the Maison’s most iconic women’s styles including the Elisa, have also been given the Nudes treatment.     Launching exclusively online worldwide from May 27th , the Nudes collection will be available on Christian Louboutin’s European and US online boutiques, as well as in the new boutique opening in mid-July in rue Saint-Honoré, in Paris. And believe us when we say, everyone will be welcome! Widely regarded as a pioneering act in the world of fashion, the Nudes collection has always embodied the ever-present idea of diversity in Christian Louboutin’s designs. For the designer, Nude isn’t just a colour – it’s a concept. Originally launched in 2013 with five shades, the collection has steadily evolved into something much bigger, becoming an ode to inclusivity, regardless of gender, and a core part of the Maison’s values.        “The Nudes shoe doesn’t dress the leg but continues to undress it. The shoe disappears in favor of the silhouette of the leg, like an illusion. The leg is no longer wearing a shoe: it simply dissolves into a shoe and that’s what gives it its radiance.” -Christian Louboutin     From five shades to eight, the Nudes family is now bigger than ever, with Spring-Summer 2020 introducing new styles for women and for the first time ever, a selection of men’s pieces, including two unisex models. Designed to make the perfect companion for this year’s summer adventures, the first is the Pool Stud, its thick rubber soles and signature studs ideal for pool-side lounging. Back in the city, the Louis Jr low top sneaker keeps things chic with its pared back lines and sleek contours. Over on women’s, the Cheeky Point booty is sure to win hearts over with a mesh upper, patent toe cap and dainty bow, its ladylike appeal an elegant twist on the Nudes theme.      No collection would be complete without a range of bags for stashing those all-important essentials, and this year there’s something for everyone. Designed for both the masculine and the feminine wardrobe, you can always count on the Nude LoubiLab bag to provide style on-the-go with its signature studs and contrasting Louboutin red body strap. Broadening the offer further, three of the Maison’s most iconic women’s styles including the Elisa, have also been given the Nudes treatment.     Launching exclusively online worldwide from May 27th , the Nudes collection will be available on Christian Louboutin’s European and US online boutiques, as well as in the new boutique opening in mid-July in rue Saint-Honoré, in Paris. And believe us when we say, everyone will be welcome!

Notes from the silence by Alessandro Michele
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Notes from the silence by Alessandro Michele

Fashion ROME - 29 MARCH, 2020 - WE TURNED OUT TO BE SO SMALL These days of confinement, in a suspended time that we can hardly imagine as free, I try to ask myself what is the meaning of my actions. It’s a vital and urgent questioning for me, which demands a careful pause and a delicate listening. It’s trying to name, with the precision of love, my fears and my desires. It’s the possibility to face the aphasia that every trauma provokes. After all, the tragedy we are living is providing new reflections. We could never have imagined to feel so connected to life through a bond of trembling and heartbreaking tenderness. We could never have thought to reconnect, so deeply, with the fragility of our creatural destiny. Our need for reciprocity. We turned out to be so small. A miracle of nothing. Above all, we understood we went way too far. Our reckless actions have burned the house we live in. We conceived of ourselves as separated from nature, we felt cunning and almighty. We usurped nature, we dominated and wounded it. We incited Prometheus, and buried Pan. So much haughtiness made us lose our sisterhood with the butterflies, the flowers, the trees and the roots. So much outrageous greed made us lose the harmony and the care, the connection and the belonging. We ravaged the sanctity of life, neglectful of our being a species. At the end of the day, we were out of breath.     ROME - 7 APRIL, 2020 - ABOUT WHAT WE WOULD NOT WANT TO BE THE SAME AS IT WAS Now that the devastation caught us unprepared, we have to think about what we would not want to be the same as it was. Because the greatest risk, for our tomorrow, is abdicating our responsibility for a true and necessary discontinuity. Our history is littered with crises that taught us nothing. With economic collapses and social devastations that were tackled by imposing the same recipes from which they originated. With wounds that were not able to regenerate our minds. With a mourning that we were not able to live in order to change ourselves and our relationships. This crisis represents a fundamental test for us all. It’s a test, because there is sorrow, exertion, danger. But also because there is an evaluation and a judgment. Through sorrow we can look at our recent past with a critical eye. At our list of debts, misunderstandings, false notes, mistakes. At our missteps and recklessness. At the thunderous absence of thoughts we dared not express. This present, then, entrusts us with important responsibilities. Everyone can take on responsibilities, according to one’s role and actions, to play a part in a constellation of molecular and widespread changes. As for me, in my own small way, I feel the urgent need to change a lot of things in the way I work. I have always been professionally inclined to change, after all, bringing with me a natural and joyful creative restlessness. But this crisis has somehow amplified such transformative urgency, which can’t be deferred anymore.     ROME - 27 APRIL, 2020 THE MOTIVE OF A CHOICE The change I imagine involves the capacity to reconnect with the deepest reasons that inspired my entry into the fashion realm. I feel the need to renew a bond, purifying the essential by getting rid of the unnecessary. I crave the authentic motive of a choice. The full set of reasons that set me on my way. I understood, as time went by, that these motives have different names and different intensities, but they inevitably gather around the same urgency: the possibility to tell. This possibility, so ancestral and powerful, always gave me the chance to build expressive passages, to make room for that core of the unspeakable that shakes my dreams, to celebrate the nostalgia for the imperfection, to praise the beauty that blossoms from shape to shape. This possibility allows me to catch, with bites of infinity, the daily falling in love with the existence.   ROME - 2 MAY, 2020 - A NEW CREATIVE UNIVERSE I am fully realizing though, that this possibility to tell cannot be constrained by the tyranny of speed. Now we know that too furious was our doing, too insidious was our ride. In this renewed awareness, I feel the need of a different time, released from other-imposed deadlines that risk to humiliate creativity. A time that can stand still, awaiting; that can go through the gift of inactivity, slowly. A time that can bring forth the promise of an epiphany, and that can linger on the dream, on the play, on the prefiguration. A time that now, more than ever, is necessary to build new and more powerful narrations. That is why I decided to build a new path, away from deadlines that the industry consolidated and, above all, away from an excessive performativity that today really has no raison d’être. It’s a foundational act, audacious but necessary, that aims at building a new creative universe. A universe that essentialises itself in the subtraction of events and that oxygenates through the multiplication of sense.     ROME - 3 MAY, 2020 - THE SACRED POWER OF PRODUCING REVERBERATIONS Therefore, I will abandon the worn-out ritual of seasonalities and shows to regain a new cadence, closer to my expressive call. We will meet just twice a year, to share the chapters of a new story. Irregular, joyful and absolutely free chapters, which will be written blending rules and genres, feeding on new spaces, linguistic codes and communication platforms. And beyond. I would like to leave behind the paraphernalia of leitmotifs that colonized our prior world: cruise, pre-fall, spring-summer, fall-winter. I think these are stale and underfed words. Labels of an impersonal discourse that lost its meaning. Containers that progressively detached themselves from the life that generated them, losing touch with reality. I believe that we can build our tomorrow also starting from a renewed capacity of denomination. Here comes the desire to baptize our new encounters by naming them after a language that has marvelously ancient roots: classical music language. Accordingly, there will be symphonies, rhapsodies, madrigals, nocturnes, overtures, concerts and minuets in the constellation of my creative path. Music, after all, has the sacred power to produce reverberations and connections. It travels beyond the borders, reconnecting the fragility to the infinity.     ROME - 5 MAY, 2020 - COMMUNITY OF PURPOSE In this silence, that is a living thing, my listening embraces all the extraordinary people that I’m connected with. Recalibrating time, to set the pace at a human level, wants to be a promise of revived care towards this amazing community of purpose I proudly belong to. It’s my project, pro-jectum: the art of extending the existence in the future. A plural future, where “we” provides a foundation. A future that contains the hug that today we cannot give each other, but to which we will return with an expanded comprehension. With a herd understanding and recovered breath. It will be the time when we will learn to listen for the sound of the forest growing, at night.     ROME - 16 MAY, 2020 - IN THE THROES OF WHAT IS MISSING Now that we are still apart, my love for fashion burns. Our species, after all, is like that: we love like crazy in the throes of what is missing.     Images courtesy of GUCCI ROME - 29 MARCH, 2020 - WE TURNED OUT TO BE SO SMALL These days of confinement, in a suspended time that we can hardly imagine as free, I try to ask myself what is the meaning of my actions. It’s a vital and urgent questioning for me, which demands a careful pause and a delicate listening. It’s trying to name, with the precision of love, my fears and my desires. It’s the possibility to face the aphasia that every trauma provokes. After all, the tragedy we are living is providing new reflections. We could never have imagined to feel so connected to life through a bond of trembling and heartbreaking tenderness. We could never have thought to reconnect, so deeply, with the fragility of our creatural destiny. Our need for reciprocity. We turned out to be so small. A miracle of nothing. Above all, we understood we went way too far. Our reckless actions have burned the house we live in. We conceived of ourselves as separated from nature, we felt cunning and almighty. We usurped nature, we dominated and wounded it. We incited Prometheus, and buried Pan. So much haughtiness made us lose our sisterhood with the butterflies, the flowers, the trees and the roots. So much outrageous greed made us lose the harmony and the care, the connection and the belonging. We ravaged the sanctity of life, neglectful of our being a species. At the end of the day, we were out of breath.     ROME - 7 APRIL, 2020 - ABOUT WHAT WE WOULD NOT WANT TO BE THE SAME AS IT WAS Now that the devastation caught us unprepared, we have to think about what we would not want to be the same as it was. Because the greatest risk, for our tomorrow, is abdicating our responsibility for a true and necessary discontinuity. Our history is littered with crises that taught us nothing. With economic collapses and social devastations that were tackled by imposing the same recipes from which they originated. With wounds that were not able to regenerate our minds. With a mourning that we were not able to live in order to change ourselves and our relationships. This crisis represents a fundamental test for us all. It’s a test, because there is sorrow, exertion, danger. But also because there is an evaluation and a judgment. Through sorrow we can look at our recent past with a critical eye. At our list of debts, misunderstandings, false notes, mistakes. At our missteps and recklessness. At the thunderous absence of thoughts we dared not express. This present, then, entrusts us with important responsibilities. Everyone can take on responsibilities, according to one’s role and actions, to play a part in a constellation of molecular and widespread changes. As for me, in my own small way, I feel the urgent need to change a lot of things in the way I work. I have always been professionally inclined to change, after all, bringing with me a natural and joyful creative restlessness. But this crisis has somehow amplified such transformative urgency, which can’t be deferred anymore.     ROME - 27 APRIL, 2020 THE MOTIVE OF A CHOICE The change I imagine involves the capacity to reconnect with the deepest reasons that inspired my entry into the fashion realm. I feel the need to renew a bond, purifying the essential by getting rid of the unnecessary. I crave the authentic motive of a choice. The full set of reasons that set me on my way. I understood, as time went by, that these motives have different names and different intensities, but they inevitably gather around the same urgency: the possibility to tell. This possibility, so ancestral and powerful, always gave me the chance to build expressive passages, to make room for that core of the unspeakable that shakes my dreams, to celebrate the nostalgia for the imperfection, to praise the beauty that blossoms from shape to shape. This possibility allows me to catch, with bites of infinity, the daily falling in love with the existence.   ROME - 2 MAY, 2020 - A NEW CREATIVE UNIVERSE I am fully realizing though, that this possibility to tell cannot be constrained by the tyranny of speed. Now we know that too furious was our doing, too insidious was our ride. In this renewed awareness, I feel the need of a different time, released from other-imposed deadlines that risk to humiliate creativity. A time that can stand still, awaiting; that can go through the gift of inactivity, slowly. A time that can bring forth the promise of an epiphany, and that can linger on the dream, on the play, on the prefiguration. A time that now, more than ever, is necessary to build new and more powerful narrations. That is why I decided to build a new path, away from deadlines that the industry consolidated and, above all, away from an excessive performativity that today really has no raison d’être. It’s a foundational act, audacious but necessary, that aims at building a new creative universe. A universe that essentialises itself in the subtraction of events and that oxygenates through the multiplication of sense.     ROME - 3 MAY, 2020 - THE SACRED POWER OF PRODUCING REVERBERATIONS Therefore, I will abandon the worn-out ritual of seasonalities and shows to regain a new cadence, closer to my expressive call. We will meet just twice a year, to share the chapters of a new story. Irregular, joyful and absolutely free chapters, which will be written blending rules and genres, feeding on new spaces, linguistic codes and communication platforms. And beyond. I would like to leave behind the paraphernalia of leitmotifs that colonized our prior world: cruise, pre-fall, spring-summer, fall-winter. I think these are stale and underfed words. Labels of an impersonal discourse that lost its meaning. Containers that progressively detached themselves from the life that generated them, losing touch with reality. I believe that we can build our tomorrow also starting from a renewed capacity of denomination. Here comes the desire to baptize our new encounters by naming them after a language that has marvelously ancient roots: classical music language. Accordingly, there will be symphonies, rhapsodies, madrigals, nocturnes, overtures, concerts and minuets in the constellation of my creative path. Music, after all, has the sacred power to produce reverberations and connections. It travels beyond the borders, reconnecting the fragility to the infinity.     ROME - 5 MAY, 2020 - COMMUNITY OF PURPOSE In this silence, that is a living thing, my listening embraces all the extraordinary people that I’m connected with. Recalibrating time, to set the pace at a human level, wants to be a promise of revived care towards this amazing community of purpose I proudly belong to. It’s my project, pro-jectum: the art of extending the existence in the future. A plural future, where “we” provides a foundation. A future that contains the hug that today we cannot give each other, but to which we will return with an expanded comprehension. With a herd understanding and recovered breath. It will be the time when we will learn to listen for the sound of the forest growing, at night.     ROME - 16 MAY, 2020 - IN THE THROES OF WHAT IS MISSING Now that we are still apart, my love for fashion burns. Our species, after all, is like that: we love like crazy in the throes of what is missing.     Images courtesy of GUCCI

At home with Alessandro Calzoni
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At home with Alessandro Calzoni

Men   At home with Alessandro Calzoni, exclusively photographed by Zeb Daemen.   Who are you and what is your profession?   Who am I ahah, the most difficult question you can ask to a person. It reminds me a bit of the first days at university when in order to impress your classmates or the professor you had to come up with something cool, but at the end you always start with your name and conclude with a clumsy “that’s it ahah”.  Generally speaking I don’t like to define myself but I’ll give you few adjectives my closest friends used to describe me, should I consider that cheating ahahah? They see me as an honest person, a loyal one. Extremely stubborn and determined. Too altruist, I usually tend to not put myself first and yes, it can be good but it has its side effects.  What I can tell you from my side is that I’m a kind of a mixture between a strategic mind and an aesthete. This caused lot’s of trouble in my life but I’m so grateful to be who I am and to had to deal with this kind of a contrast. It shaped me, it pushed me to explore. I have started university 3 years later compared to my peers, I never believed in it’s entity, in it’s structure. I’m not saying that studying is not fundamental of course. It’s more a critique to the system. I come from a small village in Umbria, Italy, composed of 1000 souls maybe even less. I couldn’t find my way.  So at a certain point of my life, 6 years ago, also due to lot’s of health problems that were hitting my family, I decided to leave Italy, I needed to breath fresh air. I didn’t know a word of English. It was my first time taking a flight (I was 19) and I could have lost my hearing due to problems I had when I was a child, so I called my doctor few moths before and I said, “I have to take a flight to go to London”. Of course he was quite concerned but I decided to rick it and.. yeah it was quite painful for 4 days I could barely hear people talking. But that’s another long story. After years of attempts now I’m working at Startupbootcamp FashionTech in Milan while I’m attending my last year at university. I’m focusing on Marketing and Business Development and now you may ask yourself where’s creativity in all this and to reply to that question I will ask the help of a superior entity: Albert Einstein “Creativity is intelligence having fun”. I love what I do and considering that I’m just at the beginning I’m sure it will get better and better every day.      How do you think Covid-19 will affect the fashion industry both long-term and short-term?  How do you see the impact of Corona crisis on the general perception of fashion? Do you believe everything will just go back to normal after Covid-19, or how do you see it will be?   I guess there are already lot’s of people heavily expressing themselves on this topic, everyone from Fashion “experts” to politician trying to predict, trying to say something, but the funny thing is that nobody knows what the future will look like I’m not talking about weeks, moths I’m talking about seconds.  I don’t want to add another prediction or opinion on that pile.  I can maybe tell you what are my wishes, what I will try to sustain in the future through my work and my projects, what I believe could be a great ecosystem to live in. I was walking to meet a manager from Prada 2 year ago and I was listening to the words of Kate Raworth, professor at Oxford University, on a TED talk titled “A healthy economy should thrive not grow”.  That morning I understood what leader should do, what visionary leaders do. I understood how badly involved we are in this system built upon consumerism and false values. I understood how dependant we are from growth, financially, politically and socially speaking. I believe now we have the chance to restart from zero. Now that we are experiencing the cracks in our society. Now that we are rediscovering the human value. We should stop treating economy and finance as a science. We should stop depending on growth. We should choose a higher ambition, as Kate R. says: “humanity's 21st century challenge is clear: to meet the needs of all people within the means of this extraordinary, unique, living planet so that we and the rest of nature can thrive”. I strongly believe we need a financial, political and social innovation in order to overcome this structural dependency on growth and instead focus on finding the right balance between us and this planet.     How do you spend your Quarantine time and are you still able to create while being quarantined?   Before the lockdown started I moved back to my hometown, I was going through a though time personally and professionally speaking and I could have never stand the life in Milan. This months have been crazy. Work and my last exams are taking it all, but I promised myself that as soon as I finish my thesis I will restart to dedicate more time to my creative side and my body.  I kind of need it.      What is in your planning or was in your planning for this year and how will Covid-19 effect that?   Luckily, my plans didn’t change that much. Apart from the fact that I will have a digital graduation ceremony, nothing really changed. I’m trying to focus on what I have and thankfully I’m surrounded by nature and so when I have 10 free minutes I just get out and enjoy it.      What is your daily beauty routine like? And what beauty products you cannot go without?   Ahaha I guess you will be disappointed by this but, I do not have a specific beauty routine and I don’t use any product apart from lukewarm water 2/3 times a day to deterge my face. I have a close friend that works as beautician and well, she tried multiple times to give me advices and tips but.. still, I toil on.     What is the coolest new thing you have learnt since being quarantined and how did you learn it?   I don’t know if we can define it cool, but.. I’ll leave it to you to judge. As I was saying before, few months ago I started to face quite a though period, but though from my point of view doesn’t mean negative, it’s just part of the game of life.  In the past 4 years I have been sacrificing a lot. I never went on vacation and I didn’t get out on Friday nights just to have fun. It sounds surreal and you may not believe me but that’s what happened. I have dedicated every second I had to accomplish good results in my professional career, zeroing my personal life.  This past December I was quite exhausted, so I decided to spend 4 days with few friends and my former partner in Corvara in the Dolomites. I promised I wouldn’t have touched anything regarding work or university. So I did. It was good being there, but at the same time I felt more like a “spectator” of the scene instead of “character”. I wasn’t active, it wasn’t me. I wasn’t able to be silly, to be light. I was trapped in the cage of duty.  This and other events made me think a lot. …and to go back to your question I guess during this quarantine I’m learning how to balance my professional and personal life. I’m reshaping my way of intending success.  I’m defining what I would love my future to look like, but this time including also my personal life. I’m rethinking my way of approaching life.        Tell us something about yourself that isn't on your resume.   Mmmm I guess I have to think about this one. I’m really good at gardening ahaha. Since I was a child I’ve always been close to nature, I lived most of my childhood with my grandparents and they plunged me in their world that was composed for the 98% of agriculture.  My uncleenvy me so much because he says everything I plant, even a dry branch come to life ahah.  He doesn’t know the trick: I just exchange the almost dead wood with a new one after few weeks that nothing happens ahaha.     What's the first place you'd want to go when it's safe again to travel and go out of our homes and why there?   I guess I will not value the physical place that much.  I want to meet again with people I haven’t met in a while.  I also hope to meet a special person that lives a bit more far from my hometown.  Instead if we want to talk about places I want to visit in the future, I love to go and explore those places where nature is extreme, in colors, shapes and weather. I would love to visit Shiprock,  New Mexico – Wadi Rum, Jordan – the Namib desert.  But I guess I will have to wait a bit more for all this.     9. What is your favorite song at the moment and why? Do you have a playlist that you would like to share with us?   Few weeks ago I was writing the first part of my thesis and I bumped into an album from Milky Chance, called Mind the Moon. Since then I never stopped listening to it. Go check it out.      What is the first thing you like to do when you wake up, and last thing you like to do before going to bed?   First thing I do when I wake up, even before breakfast, I try to understand how I will split my time in relation to my to do list. So I take a peace of paper and I start to separate it in 3 columns, one is about university, another one about work and the third one is about my IG profile and everything that’s related to that.  But if I have to stick to the question “what I would LIKE to do..” everything changes: I would love to wake up, maybe close to someone special, eat something and then workout before the day starts. At night, before bed time, I usually dedicate what’s left of the day, so between 8.30 and 10.30, to my close friends. I’m not the most social person on earth even if I know lot’s of people I have the tendency to get quite close just with the chosen few ahah. These are the people who pushe me to do always better, the ones I’m working hard for, the once I would love to share the best and the wort of my entire life.       Have you ever been to Amsterdam? If yes, describe your experience of Amsterdam in one sentence.   Unfortunately not! But I would love to. Soooo.. I’ll wait for your invitation now.        What is your go-to work-out for staying in shape? What does working out mean to you?   It can have so many meanings. I believe it really depends on the mood and on the phase of the life you are in.  Usually for me it’s a mixture of personal aesthetic and a way to get distracted. Let’s say 80/20%.  I don’t enjoy it that much but I know it’s important in order to balance myself and given my nature I can’t stand my body falling apart. It’s been 4 years since the last time I worked out properly, consistently.     What is your favorite painting and has it inspired you for any of your work thus far?   I have discovered just 2 years ago this New York based artist: Leonardo Drew. I love his way of juxtaposing materials. It’s exactly what I usually try to express through my aesthetic.  I love everything that’s raw.        INSTAGRAM: @alessandrocalzoni    At home with Alessandro Calzoni, exclusively photographed by Zeb Daemen.   Who are you and what is your profession?   Who am I ahah, the most difficult question you can ask to a person. It reminds me a bit of the first days at university when in order to impress your classmates or the professor you had to come up with something cool, but at the end you always start with your name and conclude with a clumsy “that’s it ahah”.  Generally speaking I don’t like to define myself but I’ll give you few adjectives my closest friends used to describe me, should I consider that cheating ahahah? They see me as an honest person, a loyal one. Extremely stubborn and determined. Too altruist, I usually tend to not put myself first and yes, it can be good but it has its side effects.  What I can tell you from my side is that I’m a kind of a mixture between a strategic mind and an aesthete. This caused lot’s of trouble in my life but I’m so grateful to be who I am and to had to deal with this kind of a contrast. It shaped me, it pushed me to explore. I have started university 3 years later compared to my peers, I never believed in it’s entity, in it’s structure. I’m not saying that studying is not fundamental of course. It’s more a critique to the system. I come from a small village in Umbria, Italy, composed of 1000 souls maybe even less. I couldn’t find my way.  So at a certain point of my life, 6 years ago, also due to lot’s of health problems that were hitting my family, I decided to leave Italy, I needed to breath fresh air. I didn’t know a word of English. It was my first time taking a flight (I was 19) and I could have lost my hearing due to problems I had when I was a child, so I called my doctor few moths before and I said, “I have to take a flight to go to London”. Of course he was quite concerned but I decided to rick it and.. yeah it was quite painful for 4 days I could barely hear people talking. But that’s another long story. After years of attempts now I’m working at Startupbootcamp FashionTech in Milan while I’m attending my last year at university. I’m focusing on Marketing and Business Development and now you may ask yourself where’s creativity in all this and to reply to that question I will ask the help of a superior entity: Albert Einstein “Creativity is intelligence having fun”. I love what I do and considering that I’m just at the beginning I’m sure it will get better and better every day.      How do you think Covid-19 will affect the fashion industry both long-term and short-term?  How do you see the impact of Corona crisis on the general perception of fashion? Do you believe everything will just go back to normal after Covid-19, or how do you see it will be?   I guess there are already lot’s of people heavily expressing themselves on this topic, everyone from Fashion “experts” to politician trying to predict, trying to say something, but the funny thing is that nobody knows what the future will look like I’m not talking about weeks, moths I’m talking about seconds.  I don’t want to add another prediction or opinion on that pile.  I can maybe tell you what are my wishes, what I will try to sustain in the future through my work and my projects, what I believe could be a great ecosystem to live in. I was walking to meet a manager from Prada 2 year ago and I was listening to the words of Kate Raworth, professor at Oxford University, on a TED talk titled “A healthy economy should thrive not grow”.  That morning I understood what leader should do, what visionary leaders do. I understood how badly involved we are in this system built upon consumerism and false values. I understood how dependant we are from growth, financially, politically and socially speaking. I believe now we have the chance to restart from zero. Now that we are experiencing the cracks in our society. Now that we are rediscovering the human value. We should stop treating economy and finance as a science. We should stop depending on growth. We should choose a higher ambition, as Kate R. says: “humanity's 21st century challenge is clear: to meet the needs of all people within the means of this extraordinary, unique, living planet so that we and the rest of nature can thrive”. I strongly believe we need a financial, political and social innovation in order to overcome this structural dependency on growth and instead focus on finding the right balance between us and this planet.     How do you spend your Quarantine time and are you still able to create while being quarantined?   Before the lockdown started I moved back to my hometown, I was going through a though time personally and professionally speaking and I could have never stand the life in Milan. This months have been crazy. Work and my last exams are taking it all, but I promised myself that as soon as I finish my thesis I will restart to dedicate more time to my creative side and my body.  I kind of need it.      What is in your planning or was in your planning for this year and how will Covid-19 effect that?   Luckily, my plans didn’t change that much. Apart from the fact that I will have a digital graduation ceremony, nothing really changed. I’m trying to focus on what I have and thankfully I’m surrounded by nature and so when I have 10 free minutes I just get out and enjoy it.      What is your daily beauty routine like? And what beauty products you cannot go without?   Ahaha I guess you will be disappointed by this but, I do not have a specific beauty routine and I don’t use any product apart from lukewarm water 2/3 times a day to deterge my face. I have a close friend that works as beautician and well, she tried multiple times to give me advices and tips but.. still, I toil on.     What is the coolest new thing you have learnt since being quarantined and how did you learn it?   I don’t know if we can define it cool, but.. I’ll leave it to you to judge. As I was saying before, few months ago I started to face quite a though period, but though from my point of view doesn’t mean negative, it’s just part of the game of life.  In the past 4 years I have been sacrificing a lot. I never went on vacation and I didn’t get out on Friday nights just to have fun. It sounds surreal and you may not believe me but that’s what happened. I have dedicated every second I had to accomplish good results in my professional career, zeroing my personal life.  This past December I was quite exhausted, so I decided to spend 4 days with few friends and my former partner in Corvara in the Dolomites. I promised I wouldn’t have touched anything regarding work or university. So I did. It was good being there, but at the same time I felt more like a “spectator” of the scene instead of “character”. I wasn’t active, it wasn’t me. I wasn’t able to be silly, to be light. I was trapped in the cage of duty.  This and other events made me think a lot. …and to go back to your question I guess during this quarantine I’m learning how to balance my professional and personal life. I’m reshaping my way of intending success.  I’m defining what I would love my future to look like, but this time including also my personal life. I’m rethinking my way of approaching life.        Tell us something about yourself that isn't on your resume.   Mmmm I guess I have to think about this one. I’m really good at gardening ahaha. Since I was a child I’ve always been close to nature, I lived most of my childhood with my grandparents and they plunged me in their world that was composed for the 98% of agriculture.  My uncleenvy me so much because he says everything I plant, even a dry branch come to life ahah.  He doesn’t know the trick: I just exchange the almost dead wood with a new one after few weeks that nothing happens ahaha.     What's the first place you'd want to go when it's safe again to travel and go out of our homes and why there?   I guess I will not value the physical place that much.  I want to meet again with people I haven’t met in a while.  I also hope to meet a special person that lives a bit more far from my hometown.  Instead if we want to talk about places I want to visit in the future, I love to go and explore those places where nature is extreme, in colors, shapes and weather. I would love to visit Shiprock,  New Mexico – Wadi Rum, Jordan – the Namib desert.  But I guess I will have to wait a bit more for all this.     9. What is your favorite song at the moment and why? Do you have a playlist that you would like to share with us?   Few weeks ago I was writing the first part of my thesis and I bumped into an album from Milky Chance, called Mind the Moon. Since then I never stopped listening to it. Go check it out.      What is the first thing you like to do when you wake up, and last thing you like to do before going to bed?   First thing I do when I wake up, even before breakfast, I try to understand how I will split my time in relation to my to do list. So I take a peace of paper and I start to separate it in 3 columns, one is about university, another one about work and the third one is about my IG profile and everything that’s related to that.  But if I have to stick to the question “what I would LIKE to do..” everything changes: I would love to wake up, maybe close to someone special, eat something and then workout before the day starts. At night, before bed time, I usually dedicate what’s left of the day, so between 8.30 and 10.30, to my close friends. I’m not the most social person on earth even if I know lot’s of people I have the tendency to get quite close just with the chosen few ahah. These are the people who pushe me to do always better, the ones I’m working hard for, the once I would love to share the best and the wort of my entire life.       Have you ever been to Amsterdam? If yes, describe your experience of Amsterdam in one sentence.   Unfortunately not! But I would love to. Soooo.. I’ll wait for your invitation now.        What is your go-to work-out for staying in shape? What does working out mean to you?   It can have so many meanings. I believe it really depends on the mood and on the phase of the life you are in.  Usually for me it’s a mixture of personal aesthetic and a way to get distracted. Let’s say 80/20%.  I don’t enjoy it that much but I know it’s important in order to balance myself and given my nature I can’t stand my body falling apart. It’s been 4 years since the last time I worked out properly, consistently.     What is your favorite painting and has it inspired you for any of your work thus far?   I have discovered just 2 years ago this New York based artist: Leonardo Drew. I love his way of juxtaposing materials. It’s exactly what I usually try to express through my aesthetic.  I love everything that’s raw.        INSTAGRAM: @alessandrocalzoni 

At home with McKenna Hellam
298

At home with McKenna Hellam

Fashion At home with McKenna Hellam at IMG, exclusively photographed by Xavier Avery.     Who are you  and what is your profession?   I am mckenna Hellam, a typical southern girl next door. I also am an independent business woman that is in fashion marketing by playing dress up!   How do you think Covid-19 will affect the fashion industry both long-term and short-term?  How do you see the impact of Corona crisis on the general perception of fashion? Do you believe everything will just go back to normal after Covid-19, or how do you see it will be?   I think things in th fashion world will change and lead more toward social media and creative type shoots from a distance. Face masks will become a fashion accessory for sure! I think the world return to a new normal-I’m not sure what that will look like but I hope the distancing rules lighten some, I’m going to an aunt and I want to be there for everything!     How do you spend your Quarantine time and are you still able to create while being quarantined?   I have been spending my time quarantined with my best friend and my family. Ive been able to do a few FaceTime photoshoots! While they are a great way to still create, they don't compare to shooting in person.      What is your first memory with fashion? And how did you start modeling?   My first memory of fashion is playing dress up in my mom and older sisters clothes. Especially trying on their heels if they had any.     What is your daily beauty routine like? And what beauty products you cannot go without?   My beauty routine is fairly simple. I wake up wash my face, moisturize, and put sunscreen on. Sometimes ill put makeup on for something to do. I wash my face at night and then moisturize. If I'm feeling like wanting to do a little more I'll put on some type of face mask.     What is the coolest new thing you have learnt since being quarantined and how did you learn it?   In quarantine I have kinda learned how to do a headstand. I learned by watching someones video on instagram and just kept practicing. I'm still not very good at it yet.      Tell us something about yourself that isn't on your resume.    I can do voices, especially a really good stitch impersonation.     What's the first place you'd want to go when it's safe again to travel and go out of our homes and why there?   Back to my apartment in Brooklyn. I'd go back there because I'm starting to miss NYC and my comfortable bed!     What is your favorite song at the moment and why? Do you have a playlist that you would like to share with us?    One of my favorite songs at the moment is Freakin' Out On The Interstate by Briston Maroney. I just love the way it sounds and it's just super cute. I have a few playlist on Spotify of my favorite songs and artists!     What is the first thing you like to do when you wake up, and last thing you like to do before going to bed?    The first thing I like to do when I wake up is make coffee! Before bed I like to try and read a book!     Have you ever been to Amsterdam? If yes, describe your experience of Amsterdam in one sentence.   I have been to Amsterdam a couple of times but unfortunately it was just a fly into a job then leave right after, but I definitely want to return and explore it more!     What is your favorite painting and has it inspired you for any of your work thus far?   My favorite painting is the creation of man by Michaelangelo. Soft colors and the simple suggestion of human touch and beginning of time with way bigger implications.     What made you start creating masks with your mother for the nurses and everyone on the front lines?    We started creating masks because my mom came home from her doctors office where she works and said that they were have to reuse masks and protective gear. So, we took it upon ourselves to help and makes some masks to temporarily use! At home with McKenna Hellam at IMG, exclusively photographed by Xavier Avery.     Who are you  and what is your profession?   I am mckenna Hellam, a typical southern girl next door. I also am an independent business woman that is in fashion marketing by playing dress up!   How do you think Covid-19 will affect the fashion industry both long-term and short-term?  How do you see the impact of Corona crisis on the general perception of fashion? Do you believe everything will just go back to normal after Covid-19, or how do you see it will be?   I think things in th fashion world will change and lead more toward social media and creative type shoots from a distance. Face masks will become a fashion accessory for sure! I think the world return to a new normal-I’m not sure what that will look like but I hope the distancing rules lighten some, I’m going to an aunt and I want to be there for everything!     How do you spend your Quarantine time and are you still able to create while being quarantined?   I have been spending my time quarantined with my best friend and my family. Ive been able to do a few FaceTime photoshoots! While they are a great way to still create, they don't compare to shooting in person.      What is your first memory with fashion? And how did you start modeling?   My first memory of fashion is playing dress up in my mom and older sisters clothes. Especially trying on their heels if they had any.     What is your daily beauty routine like? And what beauty products you cannot go without?   My beauty routine is fairly simple. I wake up wash my face, moisturize, and put sunscreen on. Sometimes ill put makeup on for something to do. I wash my face at night and then moisturize. If I'm feeling like wanting to do a little more I'll put on some type of face mask.     What is the coolest new thing you have learnt since being quarantined and how did you learn it?   In quarantine I have kinda learned how to do a headstand. I learned by watching someones video on instagram and just kept practicing. I'm still not very good at it yet.      Tell us something about yourself that isn't on your resume.    I can do voices, especially a really good stitch impersonation.     What's the first place you'd want to go when it's safe again to travel and go out of our homes and why there?   Back to my apartment in Brooklyn. I'd go back there because I'm starting to miss NYC and my comfortable bed!     What is your favorite song at the moment and why? Do you have a playlist that you would like to share with us?    One of my favorite songs at the moment is Freakin' Out On The Interstate by Briston Maroney. I just love the way it sounds and it's just super cute. I have a few playlist on Spotify of my favorite songs and artists!     What is the first thing you like to do when you wake up, and last thing you like to do before going to bed?    The first thing I like to do when I wake up is make coffee! Before bed I like to try and read a book!     Have you ever been to Amsterdam? If yes, describe your experience of Amsterdam in one sentence.   I have been to Amsterdam a couple of times but unfortunately it was just a fly into a job then leave right after, but I definitely want to return and explore it more!     What is your favorite painting and has it inspired you for any of your work thus far?   My favorite painting is the creation of man by Michaelangelo. Soft colors and the simple suggestion of human touch and beginning of time with way bigger implications.     What made you start creating masks with your mother for the nurses and everyone on the front lines?    We started creating masks because my mom came home from her doctors office where she works and said that they were have to reuse masks and protective gear. So, we took it upon ourselves to help and makes some masks to temporarily use!

Adidas and Allbirds announced a collaborative project
296

Adidas and Allbirds announced a collaborative project

Accessories Adidas and Allbirds announced a collaborative project to accelerate solutions to reduce the 700M metric tons of carbon dioxide emitted by the footwear industry annually1. The partnership aims to innovate on manufacturing and supply chain processes in addition to exploring renewable material resources, resulting in the creation of the lowest carbon footprint ever recorded for a sports performance shoe.      To achieve this unprecedented goal, Adidas and Allbirds will open the doors to each other's suite of sustainable innovations and unlock the opportunity to set a new industry standard in the fight against climate change.       "Our brands don't want to just participate in the sustainability conversation, we want to continue being catalysts and creators of substantial improvement," says James Carnes, VP of Adidas Brand Strategy. "The recent progress that our brands have made in the name of sustainable innovation has created the perfect momentum for this partnership to influence industry practices forever.       "There is an urgent need to reduce our global carbon number, and this mission is bigger than just Allbirds or Adidas," says Tim Brown, co-CEO of Allbirds. "Whether we realize it or not this is a race that we are all running together as a planet and it is one that trumps the day-to-day competition of individual companies. I am hopeful that this partnership will be an example for others to follow as we pursue a more sustainable, net zero carbon future."       Everything has a carbon footprint-the production of a product emits carbon dioxide (along with other greenhouse gasses) that contributes to climate change. To create a product with the lowest carbon footprint possible, the collaboration will explore innovations across the entire supply chain-from material choices to manufacturing facilities and transportation methods that utilize renewable energy and fuels. Currently, the average running shoe has a carbon footprint of approximately 13.6 kg CO22.      "While we are prioritizing the planet, we're staying committed to improving the athlete's experience," says Carnes. "That means the end result should yield no compromises for athletes or the planet."     The project is dedicated to creating an athletic shoe that meets Adidas performance standards, which are among the most stringent in the industry. To ensure we are holding ourselves to the highest standards, the shoe's carbon footprint will be analyzed using Allbirds's life cycle assessment tool, which measures the end-to-end carbon emissions.       "Our great hope is that this partnership will catalyze other people to share both their best ideas and research so that we can work together in the fight to live more sustainably," says Brown. "This is a problem that won't be solved by one company alone."       Adidas has committed to a 30% reduction in its carbon footprint by 2030 and achieving carbon neutrality by 2050 as part of its End Plastic Waste initiative. Allbirds's "Tread Lighter" program represents its ongoing practices to measure and reduce emissions across the entirety of the business, offsetting anything remaining to maintain a 100% carbon neutral business.       To find out more about Adidas' End Plastic Waste initiative, visit www.adidas.com/sustainability. To learn more about Allbirds's "Tread Lighter" program and the company's carbon reduction initiatives, visit www.allbirds.com/sustainability. Adidas and Allbirds announced a collaborative project to accelerate solutions to reduce the 700M metric tons of carbon dioxide emitted by the footwear industry annually1. The partnership aims to innovate on manufacturing and supply chain processes in addition to exploring renewable material resources, resulting in the creation of the lowest carbon footprint ever recorded for a sports performance shoe.      To achieve this unprecedented goal, Adidas and Allbirds will open the doors to each other's suite of sustainable innovations and unlock the opportunity to set a new industry standard in the fight against climate change.       "Our brands don't want to just participate in the sustainability conversation, we want to continue being catalysts and creators of substantial improvement," says James Carnes, VP of Adidas Brand Strategy. "The recent progress that our brands have made in the name of sustainable innovation has created the perfect momentum for this partnership to influence industry practices forever.       "There is an urgent need to reduce our global carbon number, and this mission is bigger than just Allbirds or Adidas," says Tim Brown, co-CEO of Allbirds. "Whether we realize it or not this is a race that we are all running together as a planet and it is one that trumps the day-to-day competition of individual companies. I am hopeful that this partnership will be an example for others to follow as we pursue a more sustainable, net zero carbon future."       Everything has a carbon footprint-the production of a product emits carbon dioxide (along with other greenhouse gasses) that contributes to climate change. To create a product with the lowest carbon footprint possible, the collaboration will explore innovations across the entire supply chain-from material choices to manufacturing facilities and transportation methods that utilize renewable energy and fuels. Currently, the average running shoe has a carbon footprint of approximately 13.6 kg CO22.      "While we are prioritizing the planet, we're staying committed to improving the athlete's experience," says Carnes. "That means the end result should yield no compromises for athletes or the planet."     The project is dedicated to creating an athletic shoe that meets Adidas performance standards, which are among the most stringent in the industry. To ensure we are holding ourselves to the highest standards, the shoe's carbon footprint will be analyzed using Allbirds's life cycle assessment tool, which measures the end-to-end carbon emissions.       "Our great hope is that this partnership will catalyze other people to share both their best ideas and research so that we can work together in the fight to live more sustainably," says Brown. "This is a problem that won't be solved by one company alone."       Adidas has committed to a 30% reduction in its carbon footprint by 2030 and achieving carbon neutrality by 2050 as part of its End Plastic Waste initiative. Allbirds's "Tread Lighter" program represents its ongoing practices to measure and reduce emissions across the entirety of the business, offsetting anything remaining to maintain a 100% carbon neutral business.       To find out more about Adidas' End Plastic Waste initiative, visit www.adidas.com/sustainability. To learn more about Allbirds's "Tread Lighter" program and the company's carbon reduction initiatives, visit www.allbirds.com/sustainability.

#ProudInMyCalvins
297

#ProudInMyCalvins

Fashion Pride isn’t just a month, it’s a year-round celebration.   For Pride 2020, Calvin Klein will have an ‘always on’ approach. As brands continue to saturate Pride, we aim to break throughthe rainbow clutterwith an authenticcampaign that engages, inspires and supports conversion through a multi-channelprogram. They are excited to launch #PROUDINMYCALVINS together with an authentic, personal and motivating year-round storytelling. #PROUDINMYCALVINS   CALVIN KLEIN is excited to closely collaborate with the LGBTQIA+ community highlighting individuals who are writing their own story and reshaping the industry in their own right.     CALVIN KLEIN’s latest campaign #PROUDINMYCALVINS, is a celebration of self-love and identities across the gender spectrum. It encourages unfiltered self-expression and embracing each person’s interests, quirks, passions, personalities, flaws, beauty, sexuality, gender, and pride.     The campaign features many cool  talents: Pablo Vittar, Chella Man, Mary V, Reece King, Jari Jones, Gia Woods, Tommy Dorfman, Mina Gerges, Ama Elsesser.   Shop the collection now on calvinklein.nl - https://www.calvinklein.nl/pride   “Calvin Klein, Inc. partners with a consortium of LGBTQ+ organizations around the world both in celebration of its Pride collection, and in an ongoing capacity.” Pride isn’t just a month, it’s a year-round celebration.   For Pride 2020, Calvin Klein will have an ‘always on’ approach. As brands continue to saturate Pride, we aim to break throughthe rainbow clutterwith an authenticcampaign that engages, inspires and supports conversion through a multi-channelprogram. They are excited to launch #PROUDINMYCALVINS together with an authentic, personal and motivating year-round storytelling. #PROUDINMYCALVINS   CALVIN KLEIN is excited to closely collaborate with the LGBTQIA+ community highlighting individuals who are writing their own story and reshaping the industry in their own right.     CALVIN KLEIN’s latest campaign #PROUDINMYCALVINS, is a celebration of self-love and identities across the gender spectrum. It encourages unfiltered self-expression and embracing each person’s interests, quirks, passions, personalities, flaws, beauty, sexuality, gender, and pride.     The campaign features many cool  talents: Pablo Vittar, Chella Man, Mary V, Reece King, Jari Jones, Gia Woods, Tommy Dorfman, Mina Gerges, Ama Elsesser.   Shop the collection now on calvinklein.nl - https://www.calvinklein.nl/pride   “Calvin Klein, Inc. partners with a consortium of LGBTQ+ organizations around the world both in celebration of its Pride collection, and in an ongoing capacity.”

No Art Hotel; the first festival in the 1.5 meter society
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No Art Hotel; the first festival in the 1.5 meter society

Parties The Amsterdam organization No Art is organizing the first Dutch festival in the 1.5 meter society in collaboration with A'DAM Toren and Sir Adam on Saturday 20 June. During the 24-hour festival, 120 visitors will be surprised with various activities, in multiple locations in the A'DAM Tower and in the hotel rooms of Sir Adam. The guidelines of the RIVM are taken into account at all times and throughout the entire event. Part of the proceeds will be donated to Het Rode Kruis Amsterdam-Amstelland. The pre-registration starts on Wednesday 27 May from 5 p.m. via the Facebook event.     Dinner show & Live streams: The evening starts with a three-hour dinner show where the visitors are divided between The Loft and A'DAM & Co. The dinner show consists of a combination of live art, live music and DJ sets. After dinner it is possible to move to another room for another two hours. The 120 visitors will be divided into four groups of 30 and will be allowed to shift to this space. Visitors are then taken to their rooms where they spend the rest of the festival with a maximum of four people per hotel room.   Each hotel room is equipped with a professional sound system and smart TV with the live stream which is broadcast from The Loft. In order to keep in touch with the other visitors, the rooms are interconnected via Zoom. Drinks can be ordered from the moving bar that passes the hotel rooms. It is strictly forbidden to leave your room during the event and this will be strictly checked by security.     Tickets: Given the expected popularity and limited capacity, the organization operates a lottery system. Interested parties can register online from Wednesday 27 May at 5 p.m. via the Facebook event with up to four people at the same time. After a random draw, it will be announced on 3 June which people have obtained a ticket.     About No Art: No Art is a collective that aims to provide guests with a special experience by combining house music and art with unique locations. No Art previously organized events in the Waalse Kerk, West-Indisch Huis, The Loft and with prominent names from the house scene.       NO ART HOTEL Date: June 20, 2020 Time: 3 pm - 3 pm Location: A’DAM Toren Line-up: TBA. Registration via: http://bit.do/fFGpm  The Amsterdam organization No Art is organizing the first Dutch festival in the 1.5 meter society in collaboration with A'DAM Toren and Sir Adam on Saturday 20 June. During the 24-hour festival, 120 visitors will be surprised with various activities, in multiple locations in the A'DAM Tower and in the hotel rooms of Sir Adam. The guidelines of the RIVM are taken into account at all times and throughout the entire event. Part of the proceeds will be donated to Het Rode Kruis Amsterdam-Amstelland. The pre-registration starts on Wednesday 27 May from 5 p.m. via the Facebook event.     Dinner show & Live streams: The evening starts with a three-hour dinner show where the visitors are divided between The Loft and A'DAM & Co. The dinner show consists of a combination of live art, live music and DJ sets. After dinner it is possible to move to another room for another two hours. The 120 visitors will be divided into four groups of 30 and will be allowed to shift to this space. Visitors are then taken to their rooms where they spend the rest of the festival with a maximum of four people per hotel room.   Each hotel room is equipped with a professional sound system and smart TV with the live stream which is broadcast from The Loft. In order to keep in touch with the other visitors, the rooms are interconnected via Zoom. Drinks can be ordered from the moving bar that passes the hotel rooms. It is strictly forbidden to leave your room during the event and this will be strictly checked by security.     Tickets: Given the expected popularity and limited capacity, the organization operates a lottery system. Interested parties can register online from Wednesday 27 May at 5 p.m. via the Facebook event with up to four people at the same time. After a random draw, it will be announced on 3 June which people have obtained a ticket.     About No Art: No Art is a collective that aims to provide guests with a special experience by combining house music and art with unique locations. No Art previously organized events in the Waalse Kerk, West-Indisch Huis, The Loft and with prominent names from the house scene.       NO ART HOTEL Date: June 20, 2020 Time: 3 pm - 3 pm Location: A’DAM Toren Line-up: TBA. Registration via: http://bit.do/fFGpm 

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