Accessories Happy, colorful, irresistible… FENDI celebrates the summer season with a dedicated capsule collection injected with a joyful, uplifting mood. Dominated by yellow and light blue tones, the Summer 2021 capsule, spans from sophisticated and eye-catching bags and accessories to compelling ready-to-wear for women, men and children.      Seventies’ references and Nineties’ vibes fuse in a charming line-up, where FENDI’s outstanding craftsmanship and innovative, forward-thinking approach shine bright.      As part of its Summer 2021 capsule, after the official launch at Design Miami, FENDI reiterates its collaboration with New York-based visual artist Sarah Coleman, known for her disruptive manipulation of designers’ materials that she employees to rethink and repurpose everyday objects with an ironic filter.    Sharing the same passion for taking handcraft in new directions, Coleman and FENDI Accessories and Menswear Artistic Director Silvia Venturini Fendi worked together on a new interpretation of the iconic FF logo pattern, which was revisited through a Seventies’ psychedelic filter. The result is FF Vertigo, a new magnetic motif offering a twisted, turned version of the classic FF pattern.    In the accessories range, the yellow FF Vertigo is printed through an ink jet technology on the mineral tanned leather used for the legendary Peekaboobag. The same Vertigo pattern, in yellow or blue variations, is also printed on cool and resistant coated canvas and pops up on a timeless tobacco jacquard fabric. Both the variations pepper chic and functional shoppers and the new Baguette 1997 bag, a re-edition of the brand’s signature accessory, featuring slim sides and an adjustable and flappable handle, to wear under the arm, revamping the iconic spirit of this legendary style. FENDI Vertigo also decorates new bag designs, including the contemporary and cool FENDI Baulettomini bag together with the textile’s world that features featherlight fabrics ideal for the summer season. The capsule includes a fun, practical and versatile FENDI Mini Sunshine Shopperin straw with colored profiles in contrast and a more traditional leather version both with the iconic FENDI ROMA logo.     As part of the collaboration developed with Sarah Coleman, FENDI also peppered its PeekabooX-Tote and the Baguette 1997 with the FF Fisheye motif where the signature FF logo gets wavy and fluid, as it is seen through a fish-eye lens.    Cherry on top, inspired by the project showcased at Design Miami, Coleman and FENDI are also presenting a Peekaboo ISeeU style crafted from an FF logo padded nappa leather which is treated to glow in the dark.    On this occasion the Peekaboo ISeeU Small is presented, enlarging the Peekaboo ISeeUfamily; powerful attitude and proportions, it sprinkles the magic of the FENDI ultimate Icon in a smaller size appearing in timeless bicolor version in both smooth leather and Selleria.      Inspired by the sense of adventure and freedom deeply linked with the outdoor lifestyle, the ready-to-wear offering combines ultimate style and functionality. In the women’s RTW range, multi-pocket skirts, transformable jackets and cargo pants injected with an utilitarian feel are worn with hyper feminine bodysuits and draped tops showing the FF Vertigo pattern, which is also rendered on sporty windbreakers worn with coordinated gym sets, on one-piece swimsuits and bikinis, as well as on lace dresses, trench coats and fluid pants.      The same combination of effortless elegance and contemporary functionality is infused in the Men’s collection, deeply inspired by an outdoor mood. Lightweight yet resistant fabrics, including the FF Vertigo jacquard, give a chic yet practical twist to T-shirts, bowling shirts, bermudapants, as well as cool fisherman’s vests matched with coordinated baggy pants and polished raincoats and summer suits crafted from lightweight organza. The FF Vertigo multicolor motif is rendered on embossed leather on the FENDI Packstyle, while the flat Baguette, coming in a medium and mini version, are the go-to pieces enhancing the chic yet functional appeal of the collection. Adding an extra exciting touch to the lineup, the Peekaboo ISeeUbag is shown in an iconic nappa version embossed with the FF fish-eye motif. Celebrating the joys of the outdoor life, the FENDI Flowrunners stand out with their FF Vertigo pattern, along with the new featherweight FENDI Force high-top sneaker, which finds place next to trekking sandals. The outdoor theme also influences the high-tech ear pods and phone cases, as well the jewelry selection where interlaced leather is matched with both lacquered metallic details and hiking ropes.     In keeping with the “mini me” trend, adult silhouettes find a playful, utterly cute reinterpretation in the kidswear range, where the swirling FF Vertigo pattern is splashed on nylon outfits with an utility feel, as well as on canvas compact pants, on organza draped frocks and tops, as well as on a selection of beachwear styles.     The irresistible FF “Fisheye” and FF “Vertigo” wave patterns bring an extra excitement to the Forever Fendi Timepieces collection. The 29mm stainless steel case versions are presented in two versions, the vibrant multicolor FF “Fisheye” pattern decorates both the luminescent dial and the white calfskin leather strap of the watch while in the other version shines a yellow sunray opalin dial with a white printed FF “Vertigo” pattern with sapphire crystal on a satin-brushed stainless steel bracelet with polished stainless steel FF logo. The 39mm stainless steel versions feature a brown vertical brushed opalin dial with dark brown printed FF “Vertigo” pattern or a white vertical brushed opalin dial with multicolor printed FF “Fisheye” pattern, both have a double date aperture at 12 o’clockand a satin-brushed stainless-steel bracelet.     The charming, psychedelic FF Vertigo motif is also the protagonist of a range of limited-edition items, designed for the coolest outdoor adventures. A Polaroid cameraborn from the will to personalize the iconic Vintage Polaroid 636 with the FENDI DNA, combining the design of the renowned instant camera from the ‘90s with FF Vertigo.      A fun and versatile food à porter Bento box is part of the collaboration between FENDI and Alessi and a camping equipment set, including a tent and a men’s technical backpack is produced by specialist Ferrino both representing two leading companies in their fields, united by Italian excellence and expertise.     In keeping with the effervescent vintage-like spirit of the Summer Capsule, FENDI also infuses a free-spirited Seventies’ vibe into a range of crochet bag styles, spanning from the Mini Peekaboo and the Baguetteto the Sunshine Shopper enriched with the FENDI Roma logo.      At the same time, a Nineties’ intentionally kitschy vibe is channelled with the boldest version of the Baguette 1997, covered with a cascade of shimmering sequins or enriched with intricate floral embroideries.     Along with Sarah Coleman collaboration, the Sellerissima range completes the Summer Capsule. The hyper sophisticated Selleria range gets updated with an audacious touch: a handmade macro stitching exalting the timeless shapes of FENDI, the Peekaboo and the Baguette, as well as of fashion styles, like the By the Way, the Moonlightand theSunshine Shopper.       Available in FENDI Boutiques worldwide and on fendi.com on 13th May 2021.   Explore the collection on https://www.fendi.com         CREDITS: Photographer & Director: Valentin Herfray     Photographer & Director: Valentin Herfray   Stylist: Chaos Fashion   Models: Maty Fall Britt Oosten Mao Xiaoxing Maggie Cheng Felix Cheong Macleod Louis Dercon       Happy, colorful, irresistible… FENDI celebrates the summer season with a dedicated capsule collection injected with a joyful, uplifting mood. Dominated by yellow and light blue tones, the Summer 2021 capsule, spans from sophisticated and eye-catching bags and accessories to compelling ready-to-wear for women, men and children.      Seventies’ references and Nineties’ vibes fuse in a charming line-up, where FENDI’s outstanding craftsmanship and innovative, forward-thinking approach shine bright.      As part of its Summer 2021 capsule, after the official launch at Design Miami, FENDI reiterates its collaboration with New York-based visual artist Sarah Coleman, known for her disruptive manipulation of designers’ materials that she employees to rethink and repurpose everyday objects with an ironic filter.    Sharing the same passion for taking handcraft in new directions, Coleman and FENDI Accessories and Menswear Artistic Director Silvia Venturini Fendi worked together on a new interpretation of the iconic FF logo pattern, which was revisited through a Seventies’ psychedelic filter. The result is FF Vertigo, a new magnetic motif offering a twisted, turned version of the classic FF pattern.    In the accessories range, the yellow FF Vertigo is printed through an ink jet technology on the mineral tanned leather used for the legendary Peekaboobag. The same Vertigo pattern, in yellow or blue variations, is also printed on cool and resistant coated canvas and pops up on a timeless tobacco jacquard fabric. Both the variations pepper chic and functional shoppers and the new Baguette 1997 bag, a re-edition of the brand’s signature accessory, featuring slim sides and an adjustable and flappable handle, to wear under the arm, revamping the iconic spirit of this legendary style. FENDI Vertigo also decorates new bag designs, including the contemporary and cool FENDI Baulettomini bag together with the textile’s world that features featherlight fabrics ideal for the summer season. The capsule includes a fun, practical and versatile FENDI Mini Sunshine Shopperin straw with colored profiles in contrast and a more traditional leather version both with the iconic FENDI ROMA logo.     As part of the collaboration developed with Sarah Coleman, FENDI also peppered its PeekabooX-Tote and the Baguette 1997 with the FF Fisheye motif where the signature FF logo gets wavy and fluid, as it is seen through a fish-eye lens.    Cherry on top, inspired by the project showcased at Design Miami, Coleman and FENDI are also presenting a Peekaboo ISeeU style crafted from an FF logo padded nappa leather which is treated to glow in the dark.    On this occasion the Peekaboo ISeeU Small is presented, enlarging the Peekaboo ISeeUfamily; powerful attitude and proportions, it sprinkles the magic of the FENDI ultimate Icon in a smaller size appearing in timeless bicolor version in both smooth leather and Selleria.      Inspired by the sense of adventure and freedom deeply linked with the outdoor lifestyle, the ready-to-wear offering combines ultimate style and functionality. In the women’s RTW range, multi-pocket skirts, transformable jackets and cargo pants injected with an utilitarian feel are worn with hyper feminine bodysuits and draped tops showing the FF Vertigo pattern, which is also rendered on sporty windbreakers worn with coordinated gym sets, on one-piece swimsuits and bikinis, as well as on lace dresses, trench coats and fluid pants.      The same combination of effortless elegance and contemporary functionality is infused in the Men’s collection, deeply inspired by an outdoor mood. Lightweight yet resistant fabrics, including the FF Vertigo jacquard, give a chic yet practical twist to T-shirts, bowling shirts, bermudapants, as well as cool fisherman’s vests matched with coordinated baggy pants and polished raincoats and summer suits crafted from lightweight organza. The FF Vertigo multicolor motif is rendered on embossed leather on the FENDI Packstyle, while the flat Baguette, coming in a medium and mini version, are the go-to pieces enhancing the chic yet functional appeal of the collection. Adding an extra exciting touch to the lineup, the Peekaboo ISeeUbag is shown in an iconic nappa version embossed with the FF fish-eye motif. Celebrating the joys of the outdoor life, the FENDI Flowrunners stand out with their FF Vertigo pattern, along with the new featherweight FENDI Force high-top sneaker, which finds place next to trekking sandals. The outdoor theme also influences the high-tech ear pods and phone cases, as well the jewelry selection where interlaced leather is matched with both lacquered metallic details and hiking ropes.     In keeping with the “mini me” trend, adult silhouettes find a playful, utterly cute reinterpretation in the kidswear range, where the swirling FF Vertigo pattern is splashed on nylon outfits with an utility feel, as well as on canvas compact pants, on organza draped frocks and tops, as well as on a selection of beachwear styles.     The irresistible FF “Fisheye” and FF “Vertigo” wave patterns bring an extra excitement to the Forever Fendi Timepieces collection. The 29mm stainless steel case versions are presented in two versions, the vibrant multicolor FF “Fisheye” pattern decorates both the luminescent dial and the white calfskin leather strap of the watch while in the other version shines a yellow sunray opalin dial with a white printed FF “Vertigo” pattern with sapphire crystal on a satin-brushed stainless steel bracelet with polished stainless steel FF logo. The 39mm stainless steel versions feature a brown vertical brushed opalin dial with dark brown printed FF “Vertigo” pattern or a white vertical brushed opalin dial with multicolor printed FF “Fisheye” pattern, both have a double date aperture at 12 o’clockand a satin-brushed stainless-steel bracelet.     The charming, psychedelic FF Vertigo motif is also the protagonist of a range of limited-edition items, designed for the coolest outdoor adventures. A Polaroid cameraborn from the will to personalize the iconic Vintage Polaroid 636 with the FENDI DNA, combining the design of the renowned instant camera from the ‘90s with FF Vertigo.      A fun and versatile food à porter Bento box is part of the collaboration between FENDI and Alessi and a camping equipment set, including a tent and a men’s technical backpack is produced by specialist Ferrino both representing two leading companies in their fields, united by Italian excellence and expertise.     In keeping with the effervescent vintage-like spirit of the Summer Capsule, FENDI also infuses a free-spirited Seventies’ vibe into a range of crochet bag styles, spanning from the Mini Peekaboo and the Baguetteto the Sunshine Shopper enriched with the FENDI Roma logo.      At the same time, a Nineties’ intentionally kitschy vibe is channelled with the boldest version of the Baguette 1997, covered with a cascade of shimmering sequins or enriched with intricate floral embroideries.     Along with Sarah Coleman collaboration, the Sellerissima range completes the Summer Capsule. The hyper sophisticated Selleria range gets updated with an audacious touch: a handmade macro stitching exalting the timeless shapes of FENDI, the Peekaboo and the Baguette, as well as of fashion styles, like the By the Way, the Moonlightand theSunshine Shopper.       Available in FENDI Boutiques worldwide and on fendi.com on 13th May 2021.   Explore the collection on https://www.fendi.com         CREDITS: Photographer & Director: Valentin Herfray     Photographer & Director: Valentin Herfray   Stylist: Chaos Fashion   Models: Maty Fall Britt Oosten Mao Xiaoxing Maggie Cheng Felix Cheong Macleod Louis Dercon      

Fashion The unapologetic modernity of the Front de Seine in Paris’ 15th district provides a striking backdrop for the Lacoste Autumn Winter 2021-22 collection designed by Louise Trotter. Photographed by Sam Rock against its sweeping architectural landmarks – a clash of grids and curves, concrete, bricks, tiles and glass – the season’s playful exchange of graphic sport codes and remixed classics appears in sharp relief. The impetus of an active lifestyle and the blur of movement between home, work, and play forms the basis of an interchangeable system of novel designs, as garments respond to the times with elegance, humour, and ease.      With a swatch card of bright shades grounded in muted neutrals, the collection tricks the eye with blown-up and shrunken proportions, unexpected fabrications, and the emergence of comic Lacoste characters. Like a cartoon, the signature house crocodile is reborn larger than life, as archive claw patches and bold croc heads create a new iconography alongside flaming tennis balls, a ‘tennis net’ shadow check, and an L-shaped varsity logo.      Quintessentially sportif, the concept of the tracksuit and twinset are subverted in multiple ways for men and women, as trompe l’oeilshirting, cardigans and jogging pants are all cut in cotton piqué – the keystone material of the Lacoste polo shirt – to create subtly matching sportsensembles. Tailoring reflects the sartorial heritage of the house founder René Lacoste, as the smooth enveloping lines of peacoats, varsity jackets, overcoats and trenches are tweaked for today with knit collars, bonding for bounce, and light nylon quilting.     Evolving the upcycled design process of recent seasons, shell suits, puffer coats and quilted liners are reconstructed from a patchwork of vintage and deadstock Lacoste fabrics, creating new geometries in classic sport shapes. ‘Framis’ bonding, drawstrings and oversized rope toggles further the athletic and engineered feel of garments, as do neoprene crop tops and sculpted shorts for women. Crisp unisex chinos feature elastic Velcro cuffs, polychrome leggings in neoprene and patched knit zip high above the ankle, and speed stripes echo the racing aesthetic of checkerboard jacquard polos and trims. Worn with embossed moulded slides, 5-panel cotton piqué caps and oversized rucksacks, they complete the season’s exercise in dynamic sport style.  The unapologetic modernity of the Front de Seine in Paris’ 15th district provides a striking backdrop for the Lacoste Autumn Winter 2021-22 collection designed by Louise Trotter. Photographed by Sam Rock against its sweeping architectural landmarks – a clash of grids and curves, concrete, bricks, tiles and glass – the season’s playful exchange of graphic sport codes and remixed classics appears in sharp relief. The impetus of an active lifestyle and the blur of movement between home, work, and play forms the basis of an interchangeable system of novel designs, as garments respond to the times with elegance, humour, and ease.      With a swatch card of bright shades grounded in muted neutrals, the collection tricks the eye with blown-up and shrunken proportions, unexpected fabrications, and the emergence of comic Lacoste characters. Like a cartoon, the signature house crocodile is reborn larger than life, as archive claw patches and bold croc heads create a new iconography alongside flaming tennis balls, a ‘tennis net’ shadow check, and an L-shaped varsity logo.      Quintessentially sportif, the concept of the tracksuit and twinset are subverted in multiple ways for men and women, as trompe l’oeilshirting, cardigans and jogging pants are all cut in cotton piqué – the keystone material of the Lacoste polo shirt – to create subtly matching sportsensembles. Tailoring reflects the sartorial heritage of the house founder René Lacoste, as the smooth enveloping lines of peacoats, varsity jackets, overcoats and trenches are tweaked for today with knit collars, bonding for bounce, and light nylon quilting.     Evolving the upcycled design process of recent seasons, shell suits, puffer coats and quilted liners are reconstructed from a patchwork of vintage and deadstock Lacoste fabrics, creating new geometries in classic sport shapes. ‘Framis’ bonding, drawstrings and oversized rope toggles further the athletic and engineered feel of garments, as do neoprene crop tops and sculpted shorts for women. Crisp unisex chinos feature elastic Velcro cuffs, polychrome leggings in neoprene and patched knit zip high above the ankle, and speed stripes echo the racing aesthetic of checkerboard jacquard polos and trims. Worn with embossed moulded slides, 5-panel cotton piqué caps and oversized rucksacks, they complete the season’s exercise in dynamic sport style. 

Fashion The very first A.P.C. store in the Netherlands is open. The Parisian fashion label, known for its minimalist designs, does this together with Menno and Myrthe van Meurs, owners of denim and high fashion concept store Tenue de Nîmes. The Jordaan in Amsterdam is the chosen location of the rst Dutch mono brand store.     A.P.C. (Atelier de Production et de Création) was founded in 1987 by owner Jean Touitou. He works together with his wife, Judith Touitou – the creative director of the brand. A.P.C. is known for its high-quality jeans in raw denim, but also creates complete men’s and women’s collections that embody timeless elegance. Jean Touitou assumes the absence of extravagance and the return to the essential is what A.P.C. stands for.     In addition to ready-to-wear collections, A.P.C. Amsterdam has items from the most recent collaboration with Sacai and a limited number of one-of-kind vintage jeans from the Butler program, the brand’s denim recycling initiative.   For the Amsterdam store, A.P.C. works with their trusted design partner, Laurent Deroo Architect. In addition to projects such as Palais de Tokyo, he has been working with the French brand for over 15 years, designing their stores in for example Los Angeles, New York, Kyoto, London and Seoul.     The design of the store exudes the identity of the brand. The essence lies in the space that is created in a playful way through the use of very few materials. With an emphasis on symmetry, the whole property has been organically transformed into two mirrored spaces - the beige side for women and the blue-gray side for men. The color palette unites the mix of materials – wood and steel. The sustainability in the store design is approached by the simplicity and the lack of unnecessary use of materials.     Jean Touitou: “I am really looking forward to opening our very rst Dutch store and contacting our customers here in this way. I’ve never been to Amsterdam, but now of course I have a very good reason.”     Menno van Meurs: “I will never forget the day I got my rst raw A.P.C. bought jeans, on Mercer Street, New York in the previ-ous 2000s. Although I hated my new, very tight jeans, for two weeks, I loved them forever after that. Finally I found a brand that successfully applied age-old denim rules in a contemporary world. A.P.C. is clean, but never easy. Since that day I have admired the brand that Jean Touitou has built so carefully. He has created rock-solid DNA and will never let a fashion icono-clasm distract him from his vision. It is a great honor for me to work with Monsieur Touitou after all these years.”     A.P.C.’s 98th store worldwide is located at Elandsgracht 120 in Amsterdam. The very first A.P.C. store in the Netherlands is open. The Parisian fashion label, known for its minimalist designs, does this together with Menno and Myrthe van Meurs, owners of denim and high fashion concept store Tenue de Nîmes. The Jordaan in Amsterdam is the chosen location of the rst Dutch mono brand store.     A.P.C. (Atelier de Production et de Création) was founded in 1987 by owner Jean Touitou. He works together with his wife, Judith Touitou – the creative director of the brand. A.P.C. is known for its high-quality jeans in raw denim, but also creates complete men’s and women’s collections that embody timeless elegance. Jean Touitou assumes the absence of extravagance and the return to the essential is what A.P.C. stands for.     In addition to ready-to-wear collections, A.P.C. Amsterdam has items from the most recent collaboration with Sacai and a limited number of one-of-kind vintage jeans from the Butler program, the brand’s denim recycling initiative.   For the Amsterdam store, A.P.C. works with their trusted design partner, Laurent Deroo Architect. In addition to projects such as Palais de Tokyo, he has been working with the French brand for over 15 years, designing their stores in for example Los Angeles, New York, Kyoto, London and Seoul.     The design of the store exudes the identity of the brand. The essence lies in the space that is created in a playful way through the use of very few materials. With an emphasis on symmetry, the whole property has been organically transformed into two mirrored spaces - the beige side for women and the blue-gray side for men. The color palette unites the mix of materials – wood and steel. The sustainability in the store design is approached by the simplicity and the lack of unnecessary use of materials.     Jean Touitou: “I am really looking forward to opening our very rst Dutch store and contacting our customers here in this way. I’ve never been to Amsterdam, but now of course I have a very good reason.”     Menno van Meurs: “I will never forget the day I got my rst raw A.P.C. bought jeans, on Mercer Street, New York in the previ-ous 2000s. Although I hated my new, very tight jeans, for two weeks, I loved them forever after that. Finally I found a brand that successfully applied age-old denim rules in a contemporary world. A.P.C. is clean, but never easy. Since that day I have admired the brand that Jean Touitou has built so carefully. He has created rock-solid DNA and will never let a fashion icono-clasm distract him from his vision. It is a great honor for me to work with Monsieur Touitou after all these years.”     A.P.C.’s 98th store worldwide is located at Elandsgracht 120 in Amsterdam.