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Filling Pieces presents AW20 Editorial ‘Au Revoir’, shot in Morocco by Miftha Bahardeen
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Filling Pieces presents AW20 Editorial ‘Au Revoir’, shot in Morocco by Miftha Bahardeen

Fashion A story made in collaboration with local Morrocan creatives.      In succession of the release of the AW20 SPIRIT collection, Amsterdam fashion house Filling Pieces created a new magical editorial, shot in Morocco by photographer Miftha Bahardeen.      Au Revoir, as the editorial is titled, shows a journey to Casablanca. As a way of visualizing human connection, the story captures different individuals brought together by desire, longing, and spiritual bond—representing the so-called, fifth element of Spirit, referring to this season’s collection theme.      The editorial is shot in the Casablanca region in collaboration with local creatives. Menswear creative Mohcine Harisse stars as the protagonist in this spiritual love story, along with Moroccan talents Rania Malek, Youssef Mascou, Younes Mascou, and Youssef Hani. Harisse is also featured in a short Q&A about the editorial, his relationship with the brand, and the creative scene in Morocco. The interview can be found on the Filling Pieces website.     Filling Pieces full AW20 collection is now available at Fillingpieces.com, the Filling Pieces Satellite Store in Amsterdam, and selected retailers worldwide.     The full editorial, along with the exclusive interview with Mohcine, will go live on Fillingpieces.com from Monday, November 9th. A story made in collaboration with local Morrocan creatives.      In succession of the release of the AW20 SPIRIT collection, Amsterdam fashion house Filling Pieces created a new magical editorial, shot in Morocco by photographer Miftha Bahardeen.      Au Revoir, as the editorial is titled, shows a journey to Casablanca. As a way of visualizing human connection, the story captures different individuals brought together by desire, longing, and spiritual bond—representing the so-called, fifth element of Spirit, referring to this season’s collection theme.      The editorial is shot in the Casablanca region in collaboration with local creatives. Menswear creative Mohcine Harisse stars as the protagonist in this spiritual love story, along with Moroccan talents Rania Malek, Youssef Mascou, Younes Mascou, and Youssef Hani. Harisse is also featured in a short Q&A about the editorial, his relationship with the brand, and the creative scene in Morocco. The interview can be found on the Filling Pieces website.     Filling Pieces full AW20 collection is now available at Fillingpieces.com, the Filling Pieces Satellite Store in Amsterdam, and selected retailers worldwide.     The full editorial, along with the exclusive interview with Mohcine, will go live on Fillingpieces.com from Monday, November 9th.

Exclusive Editorial by Kevin Drelon
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Exclusive Editorial by Kevin Drelon

Beauty Exclusive beauty editorial captured by Kevin Drelon.     TEAM CREDITS: Photographer: Kevin Drelon  Mua: Allie Smith  Hair: Erol Karadag  Casting: Felix Cadieu  Model: Steph Shiu of APM Models and Sara Hiromi of Heroes Models NYC Stylist: Jahulie Elizalde fashion director: Lisa Jarvis editor: Timotej Letonja Exclusive beauty editorial captured by Kevin Drelon.     TEAM CREDITS: Photographer: Kevin Drelon  Mua: Allie Smith  Hair: Erol Karadag  Casting: Felix Cadieu  Model: Steph Shiu of APM Models and Sara Hiromi of Heroes Models NYC Stylist: Jahulie Elizalde fashion director: Lisa Jarvis editor: Timotej Letonja

Exclusive Editorial in the spirit of Halloween
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Exclusive Editorial in the spirit of Halloween

Fashion Exclusive digital editorial in the spirit of Halloween today, captured by Natalia Holland.   TEAM CREDITS: PHOTO: NATALIA HOLLAND @nataliahollandphoto STYLE: PAKU SUKUDA @pakusukuda MAKE UP: MARISOL STEWARD @ STELLA CREATIVE ARTISTS using DIOR COSMETICS @marisolstewardd HAIR: CHRISTOS BAIRABAS @ STELLA CREATIVE ARTISTS using AVEDA and BUMBLE and BUMBLE @chriscrossedd NAIL: EDYTA BETKA @DAVID ARTISTS @edytabetka_nailpro MODEL: DEVON ROSS @ NEXT devonross_ CASTING: STUDIO BAJEK @studiobajek RETOUCH: BEN HOLLAND STYLING ASSISTANT: ELIN TOR STYLING ASSISTANT: OLIWIA JANCEROWICZ SPECIAL THANKS TO WOLF&BADGER STUDIOS @wolfandbadgerstudios Exclusive digital editorial in the spirit of Halloween today, captured by Natalia Holland.   TEAM CREDITS: PHOTO: NATALIA HOLLAND @nataliahollandphoto STYLE: PAKU SUKUDA @pakusukuda MAKE UP: MARISOL STEWARD @ STELLA CREATIVE ARTISTS using DIOR COSMETICS @marisolstewardd HAIR: CHRISTOS BAIRABAS @ STELLA CREATIVE ARTISTS using AVEDA and BUMBLE and BUMBLE @chriscrossedd NAIL: EDYTA BETKA @DAVID ARTISTS @edytabetka_nailpro MODEL: DEVON ROSS @ NEXT devonross_ CASTING: STUDIO BAJEK @studiobajek RETOUCH: BEN HOLLAND STYLING ASSISTANT: ELIN TOR STYLING ASSISTANT: OLIWIA JANCEROWICZ SPECIAL THANKS TO WOLF&BADGER STUDIOS @wolfandbadgerstudios

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CAROLINA HERRERA New York presents ONE GRAND GESTURE by Elizaveta Porodina
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CAROLINA HERRERA New York presents ONE GRAND GESTURE by Elizaveta Porodina

Fashion In celebration of the Fall Winter 2020 Collection which was inspired by the works for Spanish Baroque painter Zurbarán and the idea of ‘One Grand Gesture’, Creative Director Wes Gordon collaborated with photographer and visual artist Elizaveta Porodina on a portfolio of images shot entirely over Zoom, capturing ballet dancers around the world in fearless and fabulous movement and color.     Elizaveta captured six dancers around the world from their homes and studios amid various stages of quarantine: Natasha Diamond-Walker, Soloist, Martha Graham Dance Company, Ako Kondo, Prima Ballerina, Melbourne, Misa Kuranaga, Principal Dancer, San Francisco Ballet, Inès McIntosh, Quadrille, Opéra National de Paris, Claudia Monja, Principal Dancer, Joburg Ballet, and Wendy Whelan, Associate Artistic Director, New York City Ballet. In celebration of the Fall Winter 2020 Collection which was inspired by the works for Spanish Baroque painter Zurbarán and the idea of ‘One Grand Gesture’, Creative Director Wes Gordon collaborated with photographer and visual artist Elizaveta Porodina on a portfolio of images shot entirely over Zoom, capturing ballet dancers around the world in fearless and fabulous movement and color.     Elizaveta captured six dancers around the world from their homes and studios amid various stages of quarantine: Natasha Diamond-Walker, Soloist, Martha Graham Dance Company, Ako Kondo, Prima Ballerina, Melbourne, Misa Kuranaga, Principal Dancer, San Francisco Ballet, Inès McIntosh, Quadrille, Opéra National de Paris, Claudia Monja, Principal Dancer, Joburg Ballet, and Wendy Whelan, Associate Artistic Director, New York City Ballet.

PRADA LINEA ROSSA FALL & WINTER 2020 THE CAMPAIGN
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PRADA LINEA ROSSA FALL & WINTER 2020 THE CAMPAIGN

Fashion Dynamic, modern, new. The Prada Linea Rossa Fall/Winter 2020 campaign celebrates the new active collection with an exceptional cast of young and international talents from different parts of the world - globally in uential gures, cultural game-changers. This Linea Rossa campaign features Chinese actress and dancer Jin Chen, South-Korean musician and producer Chanyeol Park, and American actress and change agent Yara Shahidi.     The singular nature of each of their talents is matched via the pairing of these Linea Rossa personas with different photographers: each creates an image re ective of the individual, a window into their lives. Supporting diverse local artistic realities, the three talents were shot separately, each in their own countries, by local photographers: Jin Chen was portrayed by Leslie Zhang, Chanyeol Park by Jung Wook Mok, and Yara Shahidi by Renell Medrano.   Reinterpreting the meaning of the line that is the emblem of Prada Linea Rossa, the concept of the Fall/Winter 2020 campaign is the timeline, a lineage of the self. Like Linea Rossa, it represents evolution, progress, pushing forwards - a line of life.   This season, the red line is used to narrate the three talent’s lines of work, which re ect their multifaceted careers and unique back-stories, the histories and encounters that have brought them to today.   In the connection of each to contemporary society, to the experience of the now, and their focus and drive to pioneer and to excel, this trio of campaign talents are united through attitude with each other, and with Linea Rossa, with its ethos of modern, high-performance clothes engineered to the needs of dynamic life today. They share a line of thought.     Credits: Photography and video by: Leslie Zhang for Jin Chen Jung Wook Mok for Chanyeol Park Renell Medrano for Yara Shahidi Creative direction: Ferdinando Verderi Dynamic, modern, new. The Prada Linea Rossa Fall/Winter 2020 campaign celebrates the new active collection with an exceptional cast of young and international talents from different parts of the world - globally in uential gures, cultural game-changers. This Linea Rossa campaign features Chinese actress and dancer Jin Chen, South-Korean musician and producer Chanyeol Park, and American actress and change agent Yara Shahidi.     The singular nature of each of their talents is matched via the pairing of these Linea Rossa personas with different photographers: each creates an image re ective of the individual, a window into their lives. Supporting diverse local artistic realities, the three talents were shot separately, each in their own countries, by local photographers: Jin Chen was portrayed by Leslie Zhang, Chanyeol Park by Jung Wook Mok, and Yara Shahidi by Renell Medrano.   Reinterpreting the meaning of the line that is the emblem of Prada Linea Rossa, the concept of the Fall/Winter 2020 campaign is the timeline, a lineage of the self. Like Linea Rossa, it represents evolution, progress, pushing forwards - a line of life.   This season, the red line is used to narrate the three talent’s lines of work, which re ect their multifaceted careers and unique back-stories, the histories and encounters that have brought them to today.   In the connection of each to contemporary society, to the experience of the now, and their focus and drive to pioneer and to excel, this trio of campaign talents are united through attitude with each other, and with Linea Rossa, with its ethos of modern, high-performance clothes engineered to the needs of dynamic life today. They share a line of thought.     Credits: Photography and video by: Leslie Zhang for Jin Chen Jung Wook Mok for Chanyeol Park Renell Medrano for Yara Shahidi Creative direction: Ferdinando Verderi

Exclusive editorial with Bottega Veneta
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Exclusive editorial with Bottega Veneta

Men Exclusive editorial with Bottega Veneta, captured by Walter Pierre.   Bottega Veneta just opened an exclusive Pop-up at De Bijenkorf in Amsterdam where the Italian heritage brand is offering their latest footwear as well as bags.   TEAM CREDITS:   photography: WALTER PIERRE styling: KOEN T. HENDRIKS at House of Orange model: ABE PAYMANS at Rebel Model Management hair and make-up: DAVID KOPPELAAR at House of Orange videographer: MARIJE SEIJN     Exclusive editorial with Bottega Veneta, captured by Walter Pierre.   Bottega Veneta just opened an exclusive Pop-up at De Bijenkorf in Amsterdam where the Italian heritage brand is offering their latest footwear as well as bags.   TEAM CREDITS:   photography: WALTER PIERRE styling: KOEN T. HENDRIKS at House of Orange model: ABE PAYMANS at Rebel Model Management hair and make-up: DAVID KOPPELAAR at House of Orange videographer: MARIJE SEIJN    

Exclusive editorial by Patrice Brylla
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Exclusive editorial by Patrice Brylla

Fashion Exclusive editorial captured by Patrice Brylla.   TEAM CREDITS: Photos PATRICE BRYLLA Styling FABIO PACE Hair ATTILA KENYERES Casting DAVID WHITE Models  William at Two Management and Benny at Hore Models CASTING, BENNY O. ARTHUR Photo Assistant Eli X. Scherer Styling Assistant MAURICE STAMM Exclusive editorial captured by Patrice Brylla.   TEAM CREDITS: Photos PATRICE BRYLLA Styling FABIO PACE Hair ATTILA KENYERES Casting DAVID WHITE Models  William at Two Management and Benny at Hore Models CASTING, BENNY O. ARTHUR Photo Assistant Eli X. Scherer Styling Assistant MAURICE STAMM

Louis Vuitton reveals its new brand campaign
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Louis Vuitton reveals its new brand campaign

Fashion Louis Vuitton reveals its new brand campaign, a perennial voyage transcending the times, an emotional journey across landscapes and borders, an innocent curiosity for what lies both beyond and within. At Louis Vuitton, travel goes beyond discovering a physical destination, it is equally a process of self-discovery, a personal journey. Through an entirely local production team, dreamlike settings photographed by Viviane Sassen come to life as the core values of the House are translated into imagery: the Art of Travel, dreams and escapism, transmission from generation to generation, and continuous optimism.   Imagination takes flight to Iceland, the Land of Fire and Ice, an island of light and darkness with mesmerising landscapes. Through contrasting scenery, from the island’s southern black sand beaches and mystical peninsulas to the northern dramatic glacier lakes and small lava caves, children appear, as if in a reverie. Beds of ice and snow lay softly on background plains, with shy rays of light daring their way through the misty skies. The high standing mountains mirror themselves in the infinite pool of water, calmly sectioning off colours of blue and grey.   The inner child is set free towards a dream, gazing upon the bright future with a sense of innocence and joy. And as in a child’s world, anything is possible: hat boxes become musical tambourines, Alzer trunks magically morph into an Eiffel Tower, the surreal sized keys to trunk locks parade along the island’s coastline. A sense of freedom with the lightness of tomorrow, a voyage to a land within.   Photographer Viviane Sassen takes her lens on an emotional journey beyond Iceland’s ethereal landscapes for the House’s 2020 brand campaign. Icelandic school children venture across the island’s impressive nature, playfully exploring the horizons of the island. Since the 1980s, globetrotting photographers have captured the iconic Monogram and galleries of personality portraits in everchanging scenery, shot in unexpected corners of the world, each artist creating powerful imagery still relevant today.     Louis Vuitton reveals its new brand campaign, a perennial voyage transcending the times, an emotional journey across landscapes and borders, an innocent curiosity for what lies both beyond and within. At Louis Vuitton, travel goes beyond discovering a physical destination, it is equally a process of self-discovery, a personal journey. Through an entirely local production team, dreamlike settings photographed by Viviane Sassen come to life as the core values of the House are translated into imagery: the Art of Travel, dreams and escapism, transmission from generation to generation, and continuous optimism.   Imagination takes flight to Iceland, the Land of Fire and Ice, an island of light and darkness with mesmerising landscapes. Through contrasting scenery, from the island’s southern black sand beaches and mystical peninsulas to the northern dramatic glacier lakes and small lava caves, children appear, as if in a reverie. Beds of ice and snow lay softly on background plains, with shy rays of light daring their way through the misty skies. The high standing mountains mirror themselves in the infinite pool of water, calmly sectioning off colours of blue and grey.   The inner child is set free towards a dream, gazing upon the bright future with a sense of innocence and joy. And as in a child’s world, anything is possible: hat boxes become musical tambourines, Alzer trunks magically morph into an Eiffel Tower, the surreal sized keys to trunk locks parade along the island’s coastline. A sense of freedom with the lightness of tomorrow, a voyage to a land within.   Photographer Viviane Sassen takes her lens on an emotional journey beyond Iceland’s ethereal landscapes for the House’s 2020 brand campaign. Icelandic school children venture across the island’s impressive nature, playfully exploring the horizons of the island. Since the 1980s, globetrotting photographers have captured the iconic Monogram and galleries of personality portraits in everchanging scenery, shot in unexpected corners of the world, each artist creating powerful imagery still relevant today.    

GUCCI IS PLEASED TO PRESENT THE EPILOGUE CAMPAIGN
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GUCCI IS PLEASED TO PRESENT THE EPILOGUE CAMPAIGN

Fashion Last July, Creative Director Alessandro Michele opened the final chapter of a three-part tale of subversion – one of shifting the gaze and questioning the rules, roles and liturgies that have come to define fashion as we know it. On that occasion, a twelve-hour live stream framed a narrative feature, revealing to the outside world what usually lies behind closed curtains. Here, throughout the course of one day, the Gucci design team became the hectic cast of models, captured on camera while patiently posing on set.   That intense shooting day paved the way to the campaign that is now presented. Set within two contrasting Roman locations, the grandiose, late-Mannerist Palazzo Sacchetti and the distressed, graffiti-covered Campo Boario area, the pictures bring together the Gucci design team, which worked with Alessandro Michele on the very same collection they are wearing, under a poetic play of juxtapositions and perspectives.    In an open dialogue between the external decadence and the personal extroversion of these two seemingly irreconcilable spaces, these usually anonymous faces come and go between their on-set tasks in the palazzo and the ramshackle squat. By doing so, they present a theatrical allegory that reconciles the real and the surreal, reflecting on the relationship between fashion fictional imagery and the reality of its productions.    In the words of Creative Director Alessandro Michele: “I brought together different things, which represent the messy beauty that I have always sought: the chaos of beauty. What happens to the relation between reality and fiction when prying eyes sneak into the mechanisms of the production of an image? What happens to fashion, when the true goes back to being just a moment of the false? Breaking the spell that forces my collaborators to passionately work on clothes they later have to abandon, I asked the team to wear them. And so we did a self-sufficient job, all inside our house, mixing things we had already done with things we were about to – overcoming the schemes of the time coherently with my idea of The Epilogue, the final resolution of a future that is largely present”.    Shot by Minneapolis-based photographer Alec Soth and filmed by Roman directors Damiano and Fabio D’Innocenzo, winners of the 2020 Berlin International Film Festival's Silver Bear for Best Screenplay, the campaign leads to the conclusion of the narrative arc that began in February with the An Unrepeatable Ritual show, when Alessandro Michele brought the backstage preparations to the centre stage. The tale continued in May, with the release of The Ritual campaign, a radical experimentation that blurred the lines between models and authors in search of a spontaneous, unpredicted idea of beauty. Now, following July’s live-streamed presentation, this fairy tale eventually finds its Epilogue.   CREDITS: Creative Director: Alessandro Michele Art Director: Christopher Simmonds Photographer: Alec Soth Film Directors: Damiano and Fabio D’Innocenzo Locations: Palazzo Sacchetti and Campo Boario Last July, Creative Director Alessandro Michele opened the final chapter of a three-part tale of subversion – one of shifting the gaze and questioning the rules, roles and liturgies that have come to define fashion as we know it. On that occasion, a twelve-hour live stream framed a narrative feature, revealing to the outside world what usually lies behind closed curtains. Here, throughout the course of one day, the Gucci design team became the hectic cast of models, captured on camera while patiently posing on set.   That intense shooting day paved the way to the campaign that is now presented. Set within two contrasting Roman locations, the grandiose, late-Mannerist Palazzo Sacchetti and the distressed, graffiti-covered Campo Boario area, the pictures bring together the Gucci design team, which worked with Alessandro Michele on the very same collection they are wearing, under a poetic play of juxtapositions and perspectives.    In an open dialogue between the external decadence and the personal extroversion of these two seemingly irreconcilable spaces, these usually anonymous faces come and go between their on-set tasks in the palazzo and the ramshackle squat. By doing so, they present a theatrical allegory that reconciles the real and the surreal, reflecting on the relationship between fashion fictional imagery and the reality of its productions.    In the words of Creative Director Alessandro Michele: “I brought together different things, which represent the messy beauty that I have always sought: the chaos of beauty. What happens to the relation between reality and fiction when prying eyes sneak into the mechanisms of the production of an image? What happens to fashion, when the true goes back to being just a moment of the false? Breaking the spell that forces my collaborators to passionately work on clothes they later have to abandon, I asked the team to wear them. And so we did a self-sufficient job, all inside our house, mixing things we had already done with things we were about to – overcoming the schemes of the time coherently with my idea of The Epilogue, the final resolution of a future that is largely present”.    Shot by Minneapolis-based photographer Alec Soth and filmed by Roman directors Damiano and Fabio D’Innocenzo, winners of the 2020 Berlin International Film Festival's Silver Bear for Best Screenplay, the campaign leads to the conclusion of the narrative arc that began in February with the An Unrepeatable Ritual show, when Alessandro Michele brought the backstage preparations to the centre stage. The tale continued in May, with the release of The Ritual campaign, a radical experimentation that blurred the lines between models and authors in search of a spontaneous, unpredicted idea of beauty. Now, following July’s live-streamed presentation, this fairy tale eventually finds its Epilogue.   CREDITS: Creative Director: Alessandro Michele Art Director: Christopher Simmonds Photographer: Alec Soth Film Directors: Damiano and Fabio D’Innocenzo Locations: Palazzo Sacchetti and Campo Boario

CK ONE launches their Fall 2020 capsule collection
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CK ONE launches their Fall 2020 capsule collection

Fashion A tribute to individuality and the freedom of self-expression, the CK ONE collection showcases a range of energetic, enigmatic visuals that explore the many aspects of self, we challenge norms - race and gender identity, sexual orientation, age and body type - and through dialogue, education, and brand action, we unite as one.     The CK ONE collection is shot by a group of talented photographers including: Ryan McGinley, Stevie Dance, Bibi Borthwick. These images capture both Calvin Klein’s latest Underwear and Jeans styles redefined for a new generation. The imagery is a unique, stripped back perspective of Fall 2020 Calvin Klein and starts a very cool group of models.   You can now shop the collection at https://www.calvinklein.nl   A tribute to individuality and the freedom of self-expression, the CK ONE collection showcases a range of energetic, enigmatic visuals that explore the many aspects of self, we challenge norms - race and gender identity, sexual orientation, age and body type - and through dialogue, education, and brand action, we unite as one.     The CK ONE collection is shot by a group of talented photographers including: Ryan McGinley, Stevie Dance, Bibi Borthwick. These images capture both Calvin Klein’s latest Underwear and Jeans styles redefined for a new generation. The imagery is a unique, stripped back perspective of Fall 2020 Calvin Klein and starts a very cool group of models.   You can now shop the collection at https://www.calvinklein.nl  

FENTY releases new 10-20 Sunglasses
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FENTY releases new 10-20 Sunglasses

Accessories Communicating that FENTY audacity and design flair for which our eyewear has become known, we introduce two new styles of sunglasses for fall: the ultra-glamorous Screenplay and larger-than-life Director’s Cut.     Titled Screenplay on account of its playful lens design and old Hollywood glamour, the first new style is a classic, feminine cat-eye shape. Of course, we couldn’t leave it as a classic cat-eye without breaking a few design rules! The signature FENTY twist comes in the lenses, which extend beyond the inner border of the frame and wrap around the outside edge, adding a flash of lens color to the profile. Screenplay comes in two colorways: Jet Black with Baby Blue lenses or Shiny Ivory with Solid Green lenses, complete with FENTY monogrammed tips.     The second style is a reinterpretation of our bestselling Blockt sunglasses, following the upside down frame design with lenses cutting out just shy of the frame, creating side slits at the edge in contrast to the overhanging lens of Screenplay. Named Director’s Cut on account of the sliced lenses, this style is quintessentially FENTY with its oversized shape and uncompromising design attitude. Director’s Cut is also available in two colorways: Jet Black with matching lenses or Shiny Ivory with Solid Green lenses, gold detailing and monogrammed tips.     The campaign was captured by Arnaud Lajeunie.   Screenplay and Director’s Cut are available now at FENTY.com Communicating that FENTY audacity and design flair for which our eyewear has become known, we introduce two new styles of sunglasses for fall: the ultra-glamorous Screenplay and larger-than-life Director’s Cut.     Titled Screenplay on account of its playful lens design and old Hollywood glamour, the first new style is a classic, feminine cat-eye shape. Of course, we couldn’t leave it as a classic cat-eye without breaking a few design rules! The signature FENTY twist comes in the lenses, which extend beyond the inner border of the frame and wrap around the outside edge, adding a flash of lens color to the profile. Screenplay comes in two colorways: Jet Black with Baby Blue lenses or Shiny Ivory with Solid Green lenses, complete with FENTY monogrammed tips.     The second style is a reinterpretation of our bestselling Blockt sunglasses, following the upside down frame design with lenses cutting out just shy of the frame, creating side slits at the edge in contrast to the overhanging lens of Screenplay. Named Director’s Cut on account of the sliced lenses, this style is quintessentially FENTY with its oversized shape and uncompromising design attitude. Director’s Cut is also available in two colorways: Jet Black with matching lenses or Shiny Ivory with Solid Green lenses, gold detailing and monogrammed tips.     The campaign was captured by Arnaud Lajeunie.   Screenplay and Director’s Cut are available now at FENTY.com

Exclusive editorial by Eva Wang
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Exclusive editorial by Eva Wang

Fashion Exclusive digital editorial, captured by Eva Wang.     TEAM CREDITS: PHOTOGRAPHER: EVA WANG @eeevawang @saint germain agency   PHOTO ASSISTANT: THEOPHILE PARAT @_lorpheric STYLIST: JOANA DACHEVILLE @joanadacheville @saint germain agency STYLING ASSISTANT: LEO ROUAULT @leorouault STYLING ASSISTANT: Agathe Philippart @agathephilippart HAIR STYLIST: ANNE SOPHIE BEGTRUP @annesofie.begtrup @wiseandtalented using Oribe MAKE-UP ARTIST: LOUISA TRAPIER @louisatrp @saint germain agency MANICURIST: DELPHINE AISSI @delphineaissi_ydalagence CASTING DIRECTOR: REMI FELIP @remifelipecast MODELS: FEUZA DIOUF @makers JODECI @img MAHAMADOU @img Exclusive digital editorial, captured by Eva Wang.     TEAM CREDITS: PHOTOGRAPHER: EVA WANG @eeevawang @saint germain agency   PHOTO ASSISTANT: THEOPHILE PARAT @_lorpheric STYLIST: JOANA DACHEVILLE @joanadacheville @saint germain agency STYLING ASSISTANT: LEO ROUAULT @leorouault STYLING ASSISTANT: Agathe Philippart @agathephilippart HAIR STYLIST: ANNE SOPHIE BEGTRUP @annesofie.begtrup @wiseandtalented using Oribe MAKE-UP ARTIST: LOUISA TRAPIER @louisatrp @saint germain agency MANICURIST: DELPHINE AISSI @delphineaissi_ydalagence CASTING DIRECTOR: REMI FELIP @remifelipecast MODELS: FEUZA DIOUF @makers JODECI @img MAHAMADOU @img

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