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Exclusive editorial starring Christian Hogue
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Exclusive editorial starring Christian Hogue

Men Exclusive new editorial starring Christian Hogue by Torian Lewin.     TEAM CREDITS:  MODEL: CHRISTIAN HOGUE @ LA MODELS  PHOTOGRAPHER: TORIAN LEWIN STYLIST / EDITOR: JORDAN BOOTHE  STYLIST ASST: KEELY METTLEN  GROOMING: MIKE FERNANDEZ EDITOR: TIMOTEJ LETONJA   Exclusive new editorial starring Christian Hogue by Torian Lewin.     TEAM CREDITS:  MODEL: CHRISTIAN HOGUE @ LA MODELS  PHOTOGRAPHER: TORIAN LEWIN STYLIST / EDITOR: JORDAN BOOTHE  STYLIST ASST: KEELY METTLEN  GROOMING: MIKE FERNANDEZ EDITOR: TIMOTEJ LETONJA  

Exclusive editorial by Matthieu Delbreuve
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Exclusive editorial by Matthieu Delbreuve

Fashion Exclusive editorial captured by Matthieu Delbreuve.     TEAM CREDITS: PHOTOGRAPHER: MATTHIEU DELBREUVE @KAPTIVE_AGENCY   STYLIST: VICTOIRE SEVENO @KAPTIVE_AGENCY   MAKEUP ARTIST: EMILIE PLUME HAIR STYLIST: YUMIKO HIKAGE @SAINTGERMAINAGENCY    PRODUCTION: CAROLE CONGOS @KAPTIVE_AGENCY STYLIST ASSISTANT: ELOISE RONCONE CASTING DIRECTOR: REMI FELIPE MODELS: MAE LAPRES @Premium & TOBIAS DIONISI @IMG  Exclusive editorial captured by Matthieu Delbreuve.     TEAM CREDITS: PHOTOGRAPHER: MATTHIEU DELBREUVE @KAPTIVE_AGENCY   STYLIST: VICTOIRE SEVENO @KAPTIVE_AGENCY   MAKEUP ARTIST: EMILIE PLUME HAIR STYLIST: YUMIKO HIKAGE @SAINTGERMAINAGENCY    PRODUCTION: CAROLE CONGOS @KAPTIVE_AGENCY STYLIST ASSISTANT: ELOISE RONCONE CASTING DIRECTOR: REMI FELIPE MODELS: MAE LAPRES @Premium & TOBIAS DIONISI @IMG 

Alexander McQueen presents the new menswear spring/summer 2021 collection
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Alexander McQueen presents the new menswear spring/summer 2021 collection

Fashion This collection was designed during lockdown. It is made predominantly out of stock fabric: over-printed, over-dyed - renewed.     alexandermcqueen.com This collection was designed during lockdown. It is made predominantly out of stock fabric: over-printed, over-dyed - renewed.     alexandermcqueen.com

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ZENDAYA IS THE NEW FACE OF MAISON VALENTINO
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ZENDAYA IS THE NEW FACE OF MAISON VALENTINO

Fashion Zendaya enters the world of values of Pierpaolo Piccioli, which is resignifying the Codes of the Brand, creating new connections between past, present and an imaginary future. For the Creative Director of Valentino, the actress is a natural representative of his contemporary concept of romanticism.     The perception of identity within the contemporary community is the essential element of Piccioli’s creative process, which opens the individual’s vision to a poetry that belongs to reality, that aims to the creation of a personal imaginary made of self-expression and not of aspirations. An imaginary where it is possible to feel empathy. Awareness, inclusion, empathy and contemporary romanticism are the values that the Creative Director conveys to the Valentino community.     Zendaya and Pierpaolo share the identity values of a generation she speaks for, in her most spontaneous, personal and progressive way.     “The reason why we chose Zendaya as the new face for Valentino is because she perfectly embodies and represents what Valentino is and stands for, today. She is a powerful and fierce young woman that uses her talent and her work to express herself, her values and her generation as well.”Pierpaolo Piccioli     “I am honored to have been chosen as the face of Valentino. I’m so excited to begin this amazing collaboration with Pierpaolo and the entire Valentino family.”  Zendaya     #VALENTINOGARAVANI #ROMANSTUD Zendaya enters the world of values of Pierpaolo Piccioli, which is resignifying the Codes of the Brand, creating new connections between past, present and an imaginary future. For the Creative Director of Valentino, the actress is a natural representative of his contemporary concept of romanticism.     The perception of identity within the contemporary community is the essential element of Piccioli’s creative process, which opens the individual’s vision to a poetry that belongs to reality, that aims to the creation of a personal imaginary made of self-expression and not of aspirations. An imaginary where it is possible to feel empathy. Awareness, inclusion, empathy and contemporary romanticism are the values that the Creative Director conveys to the Valentino community.     Zendaya and Pierpaolo share the identity values of a generation she speaks for, in her most spontaneous, personal and progressive way.     “The reason why we chose Zendaya as the new face for Valentino is because she perfectly embodies and represents what Valentino is and stands for, today. She is a powerful and fierce young woman that uses her talent and her work to express herself, her values and her generation as well.”Pierpaolo Piccioli     “I am honored to have been chosen as the face of Valentino. I’m so excited to begin this amazing collaboration with Pierpaolo and the entire Valentino family.”  Zendaya     #VALENTINOGARAVANI #ROMANSTUD

Eternal Beauty by LOIS JEANS
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Eternal Beauty by LOIS JEANS

Fashion Dear Lois Lover,   Lois shows that it doesn’t act like everybody, but still is for everybody. The brand touched millions of hearts since 1962. We had an in influence on fashion, by making jeans fashionable, sexy and iconic instead of just a tough workwear product.   This is exactly how I feel about the supermodels Helena Christensen and Elle McPherson, who Kat Irlin shot for this project. They were one of the first and real supermodels and changed the industry with their iconic and eternal beauty.   Lois is for everybody, for any age, race, size, gender or religion and we are determined to bring back Lois to as many peoples hearts as possible. Seeing the magical pictures, that my dear friend Kat Irlin shot of these iconic ladies, shows that their beauty is eternal. No one could capture their personalities better than Kat did.   Even though we have never really met, I feel a stronger connection with Kat and the models than I ever did during a shoot, because our intentions are all pure and passionate. I can’t wait to reveal our third model to you soon.   The images with Helena are shot in her home in New York and the shoot with Elle were shot at the Faena hotel in Miami. All clothes were handpicked and specially curated by the models themselves.   As an ode to the ladies, Lois created an exhibition from the images in their Galeria in Amsterdam starting December 5th.   Lots of Love,   Arthur van Rongen   Creative Director Dear Lois Lover,   Lois shows that it doesn’t act like everybody, but still is for everybody. The brand touched millions of hearts since 1962. We had an in influence on fashion, by making jeans fashionable, sexy and iconic instead of just a tough workwear product.   This is exactly how I feel about the supermodels Helena Christensen and Elle McPherson, who Kat Irlin shot for this project. They were one of the first and real supermodels and changed the industry with their iconic and eternal beauty.   Lois is for everybody, for any age, race, size, gender or religion and we are determined to bring back Lois to as many peoples hearts as possible. Seeing the magical pictures, that my dear friend Kat Irlin shot of these iconic ladies, shows that their beauty is eternal. No one could capture their personalities better than Kat did.   Even though we have never really met, I feel a stronger connection with Kat and the models than I ever did during a shoot, because our intentions are all pure and passionate. I can’t wait to reveal our third model to you soon.   The images with Helena are shot in her home in New York and the shoot with Elle were shot at the Faena hotel in Miami. All clothes were handpicked and specially curated by the models themselves.   As an ode to the ladies, Lois created an exhibition from the images in their Galeria in Amsterdam starting December 5th.   Lots of Love,   Arthur van Rongen   Creative Director

In conversation with Nina Kraviz
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In conversation with Nina Kraviz

Music We had a delight interviewing one of our favorite artists Nina Kraviz for our new issue "Dream" as well as working with her on a cover story that is now available on Boutiquemags.com and in stores.         HOW DOES YOUR RESEARCH PROCESS WORK WHEN PREPPING A NEW SET TO PLAY AT A GIG OR A FESTIVAL? DO YOU LIKE TO INCLUDE A LOT OF NEW UNKNOWN TALENTS AS WELL AND THEIR MUSIC, IF SO WHERE DO YOU FIND THEIR TRACKS?   I LOVE PLAYING UNRELEASED MUSIC AND HAVING A LABEL HELPS WITH THAT A LOT. I LOVE CREATING UNIQUE SONICSCAPE RELATED TO A CERTAIN MOMENT OF TIME AND THE IDEA THAT FEW PEOPLE HAVE HEARD IT BEFORE MAKES THIS PROCESS VERY EXCITING. NEVERTHELESS THERE ARE A FEW MORE ESSENTIAL THINGS FOR A DJ OUT THERE. THE CONTEXT IN WHICH YOU PUT CERTAIN MUSIC, THE ATMOSPHERE YOU CREATE WITH IT AND THE INTENSION YOU PUT BEHIND IT. IN THAT SENSE IT DOESN’T MATTER WHAT YEAR THE MUSIC WAS RELEASED OR IF IT HASN’T BEEN RELEASED YET. SOMETIMES I'D SNEAK SOMETHING COMPLETELY UNRELATED IN MY DJ SET TO SEE HOW DIFFERENT GENRES WORK IN A NEW CONTEXT. ITS NOT ALWAYS WORKING BUT WHEN IT DOES - UHHH! THAT FEELS SO GOOD! ITS ADDICTIVE! FOLLOWING THAT IDEA EVEN THE MOST CHEESY TRACK PUT IN THE RIGHT CONTEXT CAN SOUND COOL AND THE MOST AMAZING TRACK CAN SOUND QUITE FLAT. I ALSO HAVE A VERY GOOD EVER EMERGING COLLECTION OF VINYL WHICH IS A GOOD SOURCE OF INSPIRATION IN FINDING A “THEME” FOR A SET. BUT LITTERALLY EVERYTHING CAN BE A THEME FOR A SET. EVEN A FAMOUS POP SONG THAT YOU HEARD ON A RADIO.     HOW DO YOU THINK COVID-19 WILL AFFECT THE MUSIC INDUSTRY BOTH LONG-TERM AND SHORT-TERM? HOW DO YOU SEE THE IMPACT OF CORONA CRISIS ON THE GENERAL PERCEPTION OF MUSIC?   THE MUSIC INDUSTRY WILL DEFINITELY CHANGE. TO THE BETTER OR TO THE WORST -WE'LL SEE.     HOW DID YOU SPEND YOUR QUARANTINE TIME AND WERE YOU STILL ABLE TO CREATE WHILE BEING QUARANTINED?   IN THE BEGINNING I FELT CONFUSED. THE WHOLE SITUATION REMINDED ME OF A FEW DYSTOPIAN NOVELS I USED TO READ. BUT JUST OF A SUDDEN THE WEIRDNESS BECAME A SOURCE OF INSPIRATION. I FINISHED A COUPLE OF REMIXES, ESTABLISHED “HOT STEEL”-NEW PROJECT ON MY LABEL WHERE I PLAY AND RELEASE MUSIC FROM MOSTLY UNKNOWN ARTISTS, AND STARTED WORKING ON MY ALBUM. SUDDENLY I FOUND MYSELF APPRECIATING THE TIME THAT I WAS GIVEN AS A CHANCE TO DO CREATIVE THINGS. I WORKED ON MUSIC ALMOST EVERY DAY WRITING NEW SONGS AND PRODUCING NEW BEATS. I STARTED TAKING VOCAL AND PIANO CLASSES.     TELL US SOMETHING ABOUT YOURSELF THAT IS NOT ON YOUR RESUME.   I HAVE BEEN CRAZY ABOUT BULLTERRIERS LATELY.     WHAT DO YOU WANT TO TELL WITH YOUR MUSIC, AND WHAT THEMES ARE YOU EXPLORING WITH YOUR MUSIC?   MUSIC IS MY FAVORITE MEDIUM TO TRANSLATE FEELINGS. WHEN I COMPOSE SONGS THE CHOICE OF MELODIES AND WORDS IS ALMOST UNCONSCIOUS. SOMETIMES IT TAKES TIME FOR MYSELF TO FIND OUT WHAT WAS THAT I WAS SCREAMING IN THE MICROPHONE LAST NIGHT. WHEN IT COMES TO MIXING RECORDS AS A DJ ITS ALSO THE WAY YOU THINK THAT IS SUDDENLY AVAILABLE FOR EVERYONE TO WITNESS. YOUR RELATIONSHIP WITH THE RHYTHM AND SONIC TEXTURES, YOUR CHOICE OF SONGS AND THE WAY YOU MIX IT TOGETHER CAN TELL A LOT ABOUT THAT.     WHAT IS YOUR STORY AND HOW DOES IT REFLECT IN YOUR WORK? WHAT DOES MUSIC MEAN TO YOU AND WHAT MADE YOU START MAKING MUSIC IN THE FIRST PLACE?   I THINK THE LISTENER CAN ANSWER THIS QUESTION BETTER AS THERE ARE AS MANY STORIES AS THERE ARE LISTENERS. EVERY LISTENER ADDS SOMETHING OF THEIR OWN EXPERIENCE TO IT SO THE STORY IS EVERDEVELOPING. MUSIC IS A PART OF MY LIFE AND, HAS ALWAYS BEEN SINCE I REMEMBER MYSELF, AND THE MOMENT WHEN I MADE MY FIRST SONG FELT AS A NATURAL PROGRESSION OF THAT.     WHAT DO YOU HAVE IN STORE FOR US NEXT? WORKING ON ANYTHING EXCITING TO COME?    I WROTE MUSIC FOR COMPUTER GAME “CYBERPUNK 2077”. I WILL ALSO HAVE MY CHARACTER IN THE GAME THAT IS GOING TO BE LAUNCHED IN DECEMBER 10TH. I WILL PLAY A LITTLE PRE-LAUNCH SET IN A FORM OF A STREAM WHERE THAT MUSIC FROM THE GAME WILL BE PREMIERED. I MAY ALSO DROP MY NEW SINGLE EARLY NEXT YEAR. THE SONG IS CALLED “SKYSCRAPERS” AND HOPEFULLY RELEASE MY  ALBUM.     I HAVE SEEN YOU WERE PERFORMING A LOT EVEN DURING COVID-19. HOW IS IT LIKE PERFORMING DURING THESE CRAZY TIMES?   I WOULDN’T SAY I PERFORMED A LOT. IN FACT I ONLY DID ONE WEEKEND OF SHOWS. IN GREECE AND ITALY IN AUGUST. I HAVE TO SAY I WAS SO HAPPY TO PERFORM FOR THE PEOPLE AGAIN. THE GREEK SHOW WAS A BIT UNUSUAL AS IT WAS A SOCIAL DISTANCED EVENT WITH GUESTS ALOCATED TO THEIR TABLES BUT THE ITALIAN SHOWS SEEMED ALMOST NORMAL JUST WITH A  REDUCED CAPACITY. I WAS LUCKY TO PLAY AS THAT TIME THE NUMBERS IN ITALY WERE VERY LOW AND MOST OF THE CLUBS WERE OPEN SINCE JUNE. IT WAS HARD TO ENTER EUROPE BECAUSE THE COUNTRY WHERE I SPENT THE ENTIRE QUARANTINE HAD ITS BORDERS CLOSED TILL AUGUST. TO BE TRAVELING AND PLAYING FOR REAL  PEOPLE AGAIN, SEEING MY FRIENDS AND SPENDING SOME TIME WITH THEM IN GREECE AND ITALY MADE IT SUCH A SPECIAL AND SO MUCH APPRECIATED EXPERIENCE. IT WAS ONE OF THE BEST HOLIDAYS I HAVE EVER HAD. I ALSO PLAYED IN ST.PETERSBURG AT A LOCAL 3 DAY FESTIVAL CALLED "PRESENT PERFECT" WHERE I HAD A STAGE FOR MY LABEL TRIP AND ALL RUSSIAN MEMBERS OF THE LABEL PERFORMED THERE. IT WAS AGAIN A VERY EMOTIONAL EXPERIENCE AND FELT LIKE A FAMILY GATHERING.     DESCRIBE THE FEELING YOU FEEL WHEN PERFORMING IN FRONT OF A BIG AUDIENCE.   ITS AS EXCITING AS ITS SCARY. YOU ALMOST WANT OT RUN AWAY BUT ITS TOO LATE- YOU ARE ALREADY THERE AND YOU BETTER ROCK THE SH..T OUT OF IT :)     YOU ARE IN MY OPINION AND OPINION OF MANY OTHERS, THE QUEEN OF TECHNO. HOW IS IT LIKE WORKING IN MOSTLY MALE DOMINATED INDUSTRY, HAS THAT EVER BEEN A CHALLENGE FOR YOU?   IT’S A LOT EASIER FOR A WOMAN NOW. I REMEMBER ONE TIME WHERE I WAS LITERALLY THROWN OUT OF THE DJ BOOTH IN FRONT OF MY AUDIENCE. MALE COLLEAGUES HAVE CALLEM ME ANYTHING AND EVERYTHING IN THE PRESS. AND THAT WAS LIKED AND ACCEPTED BY MUSIC JOURNALISTS . LATER THE PERSON CONCEARNED WOULD BE BE PRAISED AND CALLED LEGEND FOR DOING SO. ALL OF THAT SUDDENLY CHANGED WITHT HE RISE OF ANTI-SEXISTS MOVEMENTS. ALTHOUGH I HAVE TO SAY THAT WE STILL HAVE A LONG WAY TO GO. AND NOT ONLY IN THE MUSIC INDUSTRY.     HOW DO YOU COPE WITH TRAVELING ALL THE TIME (IN NORMAL TIMES) AND WHAT IS YOUR SECRET TO STAY IN GOOD MENTAL SHAPE?   JUST LOVE MY PROFESSION SO MUCH THAT I ACCEPT EVERYTHING THAT COMES TOGETHER WITH IT. AND YES IT DOESNT ALWAYS MEAN GOOD MENTAL SHAPE.      DID YOU DREAM OF BEING AN ARTISTS AND PERFORMER AS A CHILD, OR DID THAT JUST HAPPEN SPONTANEOUSLY?   WHEN I WAS A CHILD I DREAMT TO BECOME A PROFESSIONAL DANCER. INSTEAD I BECAME A DENTIST BECAUSE IT FELT LIKE A MORE REALISTIC PLAN. FOR MY PARENTS:) I REMEMBER MY SINGING SINCE THE TIME I REMEMBER MYSELF. I USED TO TELL MY PARENTS THAT I WAS SICK NOT TO GO TO SCHOOL SO I COULD STAY HOME AND SING “IMMIGRANT SONG” BY LED ZEPPELIN.     WHAT TRACK DO YOU KEEP RE-LISTENING TO AT THE MOMENT AND WHY?   I KEEP RE-LISTENING TO THIS HUNDRED AND FIRST VERSION OF MY NEW SONG “SKYSCRAPERS” DECIDING IF THE NEWLY ADDED JUPITER PAD SOUNDS JUST FINE OR IS IT ACTUALLY TOO LOUD AND OVERSHADOWING THE VOCALS AND ALL OTHER SYNTHS IN THE BACKGROUND?     I WATCHED YOU LIVE ALSO AT THE VIRTUAL FESTIVAL AWAKENINGS EARLIER THIS SUMMER. HOW WOULD YOU DESCRIBE THE EXPERIENCE FOR YOU OF PERFORMING VIRTUALLY?   IT HAS BEEN AN EXCITING EXPERIENCE. NEVERTHELESS I'VE LEARNT THAT I LOVE FACE-TO-FACE PERFORMING FOR MY BELOVED AUDIENCE MORE!     WHAT IS YOUR ADVISE FOR YOUNG GIRLS WHO ARE INSPIRED BY YOU AND WANT TO BECOME DJ’S AND ARTISTS AS WELL?   WATCH THE ARTIST YOU LOVE AND ADMIRE, THEN UNSEE WHAT YOU HAVE SEEN AND DO IT YOUR OWN WAY.     CAN YOU TELL ME ABOUT YOUR LABEL TRIP. WHAT DO YOU HAVE PLANNED NEXT?   TRIP IS MY FAVORITE THING REALLY. I LOVE IT SO MUCH. EVERY SINGLE ARTIST AND EVERY SINGLE RECORD. I HAVE BEEN RUNNING IT SINCE 2014 AND SOME OF THE RELEASES INCLUDE MUSIC THAT ARE CONSIDERED TO BE CLASSICS TODAY. SO NEXT YEAR I WILL REPRESS MOST OF THE CATALOG FOR THE FIRST TIME. THE REPRESSES WILL NOT LOOK THE SAME TO KEEP THE ORIGINAL FIRST PRESS COPIES SPECIAL. THE NEW RELEASE IS COMING SOON AND IT WILL ACTUALLY BE A DUTCH ARTIST: DENIRO.   ON TOP OF THIS THE SECOND EDITION OF “HOT STEEL “ DIGITAL ONLY COMPILATION IS ABOUT TO BE OUT. I HAVE SELECTED MY FAVORITES FROM HUNDREDS OF TRACKS THAT PEOPLE SENT ME AND THOSE THAT I MANAGED TO LISTEN AND I LIKE A LOT. ITS NOT STRAIGHT IN YOUR FACE HITS RATHER COOL.   ELECTRONICA. YET THERE IS ONE TRACK IN THERE THAT MANY DUTCH PEOPLE MIGHT KNOW. ITS A TECHNO REMAKE OF A VERY FAMOUS HIP HOP SONG ‘WATSGEBURT” MADE BY DUTCH TECHNO ARTIST DISSOLVER.     A LITTLE BIRD TOLD ME YOU RE WORKING ON A NEW ALBUM WHERE YOU WILL BE USING YOUR VOICE AND SOME POP AMONG OTHER THINGS. CAN YOU TELL OUR READERS MORE ABOUT IT, IT SOUNDS VERY EXCITING.   AS I SAID BEFORE I HAVE BEEN WORKING ON NEW MUSIC SINCE A WHILE NOW. I RECORDED QUIET A LOT AND ITS MOSTLY SONGS. UNLIKE MY FIRST ALBUM WHICH WAS RECORDED IN RELATIVELY SHORT TIME AND WAS VERY INTUITIVE AND MINIMALIST IN TERMS OF PRODUCTION. THIS TIME ON TOP OF COMPOSING AND PRODUCTION ITSELF I HAVE BEEN DEDICATING MUCH MORE TIME TO ARRANGEMENT SIDE, EXPLORING HARMONICAL SIDE MORE AND PAYING A LOT OF ATTENTION TO MY PERFORMANCE AS A VOCALIST. LIKE WITH THE FIRST ALBUM I AM STILL ONE- WOMAN ORCHESTRA, DOING EVERYTHING ON MY OWN -FROM COMPOSING, ARRANGING, PRODUCING  TO SINGING AND SONG -WRITING.      EDITORIAL TEAM CREDITS: TALENT: NINA KRAVIZ PHOTOGRAPHER: BYRON SPENCER & ELINE HOYOIS STYLIST: DIONE OCCHIPINTI CASTING / EIC: TIMOTEJ LETONJA HAIR AND MAKE-UP: JONATHAN SANCHEZ AT KASTEEL MANAGEMENT USING MAC Cosmetics and Bumble & Bumble LOCATION: HOXTON HOTEL PARIS STYLING ASSISTANTS: SARA ROSITA & FLAVIA RAUEN SPECIAL THANKS TO ALBA MELENDO & PASCAL LOPERENA We had a delight interviewing one of our favorite artists Nina Kraviz for our new issue "Dream" as well as working with her on a cover story that is now available on Boutiquemags.com and in stores.         HOW DOES YOUR RESEARCH PROCESS WORK WHEN PREPPING A NEW SET TO PLAY AT A GIG OR A FESTIVAL? DO YOU LIKE TO INCLUDE A LOT OF NEW UNKNOWN TALENTS AS WELL AND THEIR MUSIC, IF SO WHERE DO YOU FIND THEIR TRACKS?   I LOVE PLAYING UNRELEASED MUSIC AND HAVING A LABEL HELPS WITH THAT A LOT. I LOVE CREATING UNIQUE SONICSCAPE RELATED TO A CERTAIN MOMENT OF TIME AND THE IDEA THAT FEW PEOPLE HAVE HEARD IT BEFORE MAKES THIS PROCESS VERY EXCITING. NEVERTHELESS THERE ARE A FEW MORE ESSENTIAL THINGS FOR A DJ OUT THERE. THE CONTEXT IN WHICH YOU PUT CERTAIN MUSIC, THE ATMOSPHERE YOU CREATE WITH IT AND THE INTENSION YOU PUT BEHIND IT. IN THAT SENSE IT DOESN’T MATTER WHAT YEAR THE MUSIC WAS RELEASED OR IF IT HASN’T BEEN RELEASED YET. SOMETIMES I'D SNEAK SOMETHING COMPLETELY UNRELATED IN MY DJ SET TO SEE HOW DIFFERENT GENRES WORK IN A NEW CONTEXT. ITS NOT ALWAYS WORKING BUT WHEN IT DOES - UHHH! THAT FEELS SO GOOD! ITS ADDICTIVE! FOLLOWING THAT IDEA EVEN THE MOST CHEESY TRACK PUT IN THE RIGHT CONTEXT CAN SOUND COOL AND THE MOST AMAZING TRACK CAN SOUND QUITE FLAT. I ALSO HAVE A VERY GOOD EVER EMERGING COLLECTION OF VINYL WHICH IS A GOOD SOURCE OF INSPIRATION IN FINDING A “THEME” FOR A SET. BUT LITTERALLY EVERYTHING CAN BE A THEME FOR A SET. EVEN A FAMOUS POP SONG THAT YOU HEARD ON A RADIO.     HOW DO YOU THINK COVID-19 WILL AFFECT THE MUSIC INDUSTRY BOTH LONG-TERM AND SHORT-TERM? HOW DO YOU SEE THE IMPACT OF CORONA CRISIS ON THE GENERAL PERCEPTION OF MUSIC?   THE MUSIC INDUSTRY WILL DEFINITELY CHANGE. TO THE BETTER OR TO THE WORST -WE'LL SEE.     HOW DID YOU SPEND YOUR QUARANTINE TIME AND WERE YOU STILL ABLE TO CREATE WHILE BEING QUARANTINED?   IN THE BEGINNING I FELT CONFUSED. THE WHOLE SITUATION REMINDED ME OF A FEW DYSTOPIAN NOVELS I USED TO READ. BUT JUST OF A SUDDEN THE WEIRDNESS BECAME A SOURCE OF INSPIRATION. I FINISHED A COUPLE OF REMIXES, ESTABLISHED “HOT STEEL”-NEW PROJECT ON MY LABEL WHERE I PLAY AND RELEASE MUSIC FROM MOSTLY UNKNOWN ARTISTS, AND STARTED WORKING ON MY ALBUM. SUDDENLY I FOUND MYSELF APPRECIATING THE TIME THAT I WAS GIVEN AS A CHANCE TO DO CREATIVE THINGS. I WORKED ON MUSIC ALMOST EVERY DAY WRITING NEW SONGS AND PRODUCING NEW BEATS. I STARTED TAKING VOCAL AND PIANO CLASSES.     TELL US SOMETHING ABOUT YOURSELF THAT IS NOT ON YOUR RESUME.   I HAVE BEEN CRAZY ABOUT BULLTERRIERS LATELY.     WHAT DO YOU WANT TO TELL WITH YOUR MUSIC, AND WHAT THEMES ARE YOU EXPLORING WITH YOUR MUSIC?   MUSIC IS MY FAVORITE MEDIUM TO TRANSLATE FEELINGS. WHEN I COMPOSE SONGS THE CHOICE OF MELODIES AND WORDS IS ALMOST UNCONSCIOUS. SOMETIMES IT TAKES TIME FOR MYSELF TO FIND OUT WHAT WAS THAT I WAS SCREAMING IN THE MICROPHONE LAST NIGHT. WHEN IT COMES TO MIXING RECORDS AS A DJ ITS ALSO THE WAY YOU THINK THAT IS SUDDENLY AVAILABLE FOR EVERYONE TO WITNESS. YOUR RELATIONSHIP WITH THE RHYTHM AND SONIC TEXTURES, YOUR CHOICE OF SONGS AND THE WAY YOU MIX IT TOGETHER CAN TELL A LOT ABOUT THAT.     WHAT IS YOUR STORY AND HOW DOES IT REFLECT IN YOUR WORK? WHAT DOES MUSIC MEAN TO YOU AND WHAT MADE YOU START MAKING MUSIC IN THE FIRST PLACE?   I THINK THE LISTENER CAN ANSWER THIS QUESTION BETTER AS THERE ARE AS MANY STORIES AS THERE ARE LISTENERS. EVERY LISTENER ADDS SOMETHING OF THEIR OWN EXPERIENCE TO IT SO THE STORY IS EVERDEVELOPING. MUSIC IS A PART OF MY LIFE AND, HAS ALWAYS BEEN SINCE I REMEMBER MYSELF, AND THE MOMENT WHEN I MADE MY FIRST SONG FELT AS A NATURAL PROGRESSION OF THAT.     WHAT DO YOU HAVE IN STORE FOR US NEXT? WORKING ON ANYTHING EXCITING TO COME?    I WROTE MUSIC FOR COMPUTER GAME “CYBERPUNK 2077”. I WILL ALSO HAVE MY CHARACTER IN THE GAME THAT IS GOING TO BE LAUNCHED IN DECEMBER 10TH. I WILL PLAY A LITTLE PRE-LAUNCH SET IN A FORM OF A STREAM WHERE THAT MUSIC FROM THE GAME WILL BE PREMIERED. I MAY ALSO DROP MY NEW SINGLE EARLY NEXT YEAR. THE SONG IS CALLED “SKYSCRAPERS” AND HOPEFULLY RELEASE MY  ALBUM.     I HAVE SEEN YOU WERE PERFORMING A LOT EVEN DURING COVID-19. HOW IS IT LIKE PERFORMING DURING THESE CRAZY TIMES?   I WOULDN’T SAY I PERFORMED A LOT. IN FACT I ONLY DID ONE WEEKEND OF SHOWS. IN GREECE AND ITALY IN AUGUST. I HAVE TO SAY I WAS SO HAPPY TO PERFORM FOR THE PEOPLE AGAIN. THE GREEK SHOW WAS A BIT UNUSUAL AS IT WAS A SOCIAL DISTANCED EVENT WITH GUESTS ALOCATED TO THEIR TABLES BUT THE ITALIAN SHOWS SEEMED ALMOST NORMAL JUST WITH A  REDUCED CAPACITY. I WAS LUCKY TO PLAY AS THAT TIME THE NUMBERS IN ITALY WERE VERY LOW AND MOST OF THE CLUBS WERE OPEN SINCE JUNE. IT WAS HARD TO ENTER EUROPE BECAUSE THE COUNTRY WHERE I SPENT THE ENTIRE QUARANTINE HAD ITS BORDERS CLOSED TILL AUGUST. TO BE TRAVELING AND PLAYING FOR REAL  PEOPLE AGAIN, SEEING MY FRIENDS AND SPENDING SOME TIME WITH THEM IN GREECE AND ITALY MADE IT SUCH A SPECIAL AND SO MUCH APPRECIATED EXPERIENCE. IT WAS ONE OF THE BEST HOLIDAYS I HAVE EVER HAD. I ALSO PLAYED IN ST.PETERSBURG AT A LOCAL 3 DAY FESTIVAL CALLED "PRESENT PERFECT" WHERE I HAD A STAGE FOR MY LABEL TRIP AND ALL RUSSIAN MEMBERS OF THE LABEL PERFORMED THERE. IT WAS AGAIN A VERY EMOTIONAL EXPERIENCE AND FELT LIKE A FAMILY GATHERING.     DESCRIBE THE FEELING YOU FEEL WHEN PERFORMING IN FRONT OF A BIG AUDIENCE.   ITS AS EXCITING AS ITS SCARY. YOU ALMOST WANT OT RUN AWAY BUT ITS TOO LATE- YOU ARE ALREADY THERE AND YOU BETTER ROCK THE SH..T OUT OF IT :)     YOU ARE IN MY OPINION AND OPINION OF MANY OTHERS, THE QUEEN OF TECHNO. HOW IS IT LIKE WORKING IN MOSTLY MALE DOMINATED INDUSTRY, HAS THAT EVER BEEN A CHALLENGE FOR YOU?   IT’S A LOT EASIER FOR A WOMAN NOW. I REMEMBER ONE TIME WHERE I WAS LITERALLY THROWN OUT OF THE DJ BOOTH IN FRONT OF MY AUDIENCE. MALE COLLEAGUES HAVE CALLEM ME ANYTHING AND EVERYTHING IN THE PRESS. AND THAT WAS LIKED AND ACCEPTED BY MUSIC JOURNALISTS . LATER THE PERSON CONCEARNED WOULD BE BE PRAISED AND CALLED LEGEND FOR DOING SO. ALL OF THAT SUDDENLY CHANGED WITHT HE RISE OF ANTI-SEXISTS MOVEMENTS. ALTHOUGH I HAVE TO SAY THAT WE STILL HAVE A LONG WAY TO GO. AND NOT ONLY IN THE MUSIC INDUSTRY.     HOW DO YOU COPE WITH TRAVELING ALL THE TIME (IN NORMAL TIMES) AND WHAT IS YOUR SECRET TO STAY IN GOOD MENTAL SHAPE?   JUST LOVE MY PROFESSION SO MUCH THAT I ACCEPT EVERYTHING THAT COMES TOGETHER WITH IT. AND YES IT DOESNT ALWAYS MEAN GOOD MENTAL SHAPE.      DID YOU DREAM OF BEING AN ARTISTS AND PERFORMER AS A CHILD, OR DID THAT JUST HAPPEN SPONTANEOUSLY?   WHEN I WAS A CHILD I DREAMT TO BECOME A PROFESSIONAL DANCER. INSTEAD I BECAME A DENTIST BECAUSE IT FELT LIKE A MORE REALISTIC PLAN. FOR MY PARENTS:) I REMEMBER MY SINGING SINCE THE TIME I REMEMBER MYSELF. I USED TO TELL MY PARENTS THAT I WAS SICK NOT TO GO TO SCHOOL SO I COULD STAY HOME AND SING “IMMIGRANT SONG” BY LED ZEPPELIN.     WHAT TRACK DO YOU KEEP RE-LISTENING TO AT THE MOMENT AND WHY?   I KEEP RE-LISTENING TO THIS HUNDRED AND FIRST VERSION OF MY NEW SONG “SKYSCRAPERS” DECIDING IF THE NEWLY ADDED JUPITER PAD SOUNDS JUST FINE OR IS IT ACTUALLY TOO LOUD AND OVERSHADOWING THE VOCALS AND ALL OTHER SYNTHS IN THE BACKGROUND?     I WATCHED YOU LIVE ALSO AT THE VIRTUAL FESTIVAL AWAKENINGS EARLIER THIS SUMMER. HOW WOULD YOU DESCRIBE THE EXPERIENCE FOR YOU OF PERFORMING VIRTUALLY?   IT HAS BEEN AN EXCITING EXPERIENCE. NEVERTHELESS I'VE LEARNT THAT I LOVE FACE-TO-FACE PERFORMING FOR MY BELOVED AUDIENCE MORE!     WHAT IS YOUR ADVISE FOR YOUNG GIRLS WHO ARE INSPIRED BY YOU AND WANT TO BECOME DJ’S AND ARTISTS AS WELL?   WATCH THE ARTIST YOU LOVE AND ADMIRE, THEN UNSEE WHAT YOU HAVE SEEN AND DO IT YOUR OWN WAY.     CAN YOU TELL ME ABOUT YOUR LABEL TRIP. WHAT DO YOU HAVE PLANNED NEXT?   TRIP IS MY FAVORITE THING REALLY. I LOVE IT SO MUCH. EVERY SINGLE ARTIST AND EVERY SINGLE RECORD. I HAVE BEEN RUNNING IT SINCE 2014 AND SOME OF THE RELEASES INCLUDE MUSIC THAT ARE CONSIDERED TO BE CLASSICS TODAY. SO NEXT YEAR I WILL REPRESS MOST OF THE CATALOG FOR THE FIRST TIME. THE REPRESSES WILL NOT LOOK THE SAME TO KEEP THE ORIGINAL FIRST PRESS COPIES SPECIAL. THE NEW RELEASE IS COMING SOON AND IT WILL ACTUALLY BE A DUTCH ARTIST: DENIRO.   ON TOP OF THIS THE SECOND EDITION OF “HOT STEEL “ DIGITAL ONLY COMPILATION IS ABOUT TO BE OUT. I HAVE SELECTED MY FAVORITES FROM HUNDREDS OF TRACKS THAT PEOPLE SENT ME AND THOSE THAT I MANAGED TO LISTEN AND I LIKE A LOT. ITS NOT STRAIGHT IN YOUR FACE HITS RATHER COOL.   ELECTRONICA. YET THERE IS ONE TRACK IN THERE THAT MANY DUTCH PEOPLE MIGHT KNOW. ITS A TECHNO REMAKE OF A VERY FAMOUS HIP HOP SONG ‘WATSGEBURT” MADE BY DUTCH TECHNO ARTIST DISSOLVER.     A LITTLE BIRD TOLD ME YOU RE WORKING ON A NEW ALBUM WHERE YOU WILL BE USING YOUR VOICE AND SOME POP AMONG OTHER THINGS. CAN YOU TELL OUR READERS MORE ABOUT IT, IT SOUNDS VERY EXCITING.   AS I SAID BEFORE I HAVE BEEN WORKING ON NEW MUSIC SINCE A WHILE NOW. I RECORDED QUIET A LOT AND ITS MOSTLY SONGS. UNLIKE MY FIRST ALBUM WHICH WAS RECORDED IN RELATIVELY SHORT TIME AND WAS VERY INTUITIVE AND MINIMALIST IN TERMS OF PRODUCTION. THIS TIME ON TOP OF COMPOSING AND PRODUCTION ITSELF I HAVE BEEN DEDICATING MUCH MORE TIME TO ARRANGEMENT SIDE, EXPLORING HARMONICAL SIDE MORE AND PAYING A LOT OF ATTENTION TO MY PERFORMANCE AS A VOCALIST. LIKE WITH THE FIRST ALBUM I AM STILL ONE- WOMAN ORCHESTRA, DOING EVERYTHING ON MY OWN -FROM COMPOSING, ARRANGING, PRODUCING  TO SINGING AND SONG -WRITING.      EDITORIAL TEAM CREDITS: TALENT: NINA KRAVIZ PHOTOGRAPHER: BYRON SPENCER & ELINE HOYOIS STYLIST: DIONE OCCHIPINTI CASTING / EIC: TIMOTEJ LETONJA HAIR AND MAKE-UP: JONATHAN SANCHEZ AT KASTEEL MANAGEMENT USING MAC Cosmetics and Bumble & Bumble LOCATION: HOXTON HOTEL PARIS STYLING ASSISTANTS: SARA ROSITA & FLAVIA RAUEN SPECIAL THANKS TO ALBA MELENDO & PASCAL LOPERENA

GCDS FW20/21 SHOT BY PIERRE ANGE CARLOTTI
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GCDS FW20/21 SHOT BY PIERRE ANGE CARLOTTI

Fashion GCDS reveals its new Fall / Winter 20 / 21 campaign shot by French photog- rapher Pierre Ange Carlotti. GCDS has always represent at its best the young generation of this era with an exciting print and panoramic mindfulness. Shot in Nice, France, this campaign was conceived with a different mind set than usu- al, given it was post the Italian lockdown, what Giuliano imagined and wanted this campaign to broadcast was fun, free and playful elegance. Maintaining its classic nature , which is streetwear , with the use of colored silks and precious stones pulling the strings of a new modern luxury .     Pierre Ange Carlotti shot maintaining his foxiness and balanced it with our irony. The campaign brought together an impeccable casting and portraying GCDS by all means. Beginning with English rapper Bakarr , who wore the cloth- ing beautifully by dripping in pearls and latex gloves. It was close to Giuliano Calza’s heart to shoot along the other models, poet and activist Kai Isaiah Jamal not only for their rare beauty, but sharing same beliefs and ideologies. At last supermodel Stella Lucia represented the beauty and the lightheartedness GCDS wanted to portray with the this campaign.     According to Giuliano, “It’s essential to own what makes us unique, because nobody else shares your same recipe of ingredients, and this GCDS’s drive .”     Credits: Photographer: Pierre-Ange Carlotti Models: Bakar Kai, Isaiah Jamal, Stella Lucia Stylist: Helena Tejedor Hair stylist: Ramona Eschbach Makeup artist: Patrick Glatthaar GCDS reveals its new Fall / Winter 20 / 21 campaign shot by French photog- rapher Pierre Ange Carlotti. GCDS has always represent at its best the young generation of this era with an exciting print and panoramic mindfulness. Shot in Nice, France, this campaign was conceived with a different mind set than usu- al, given it was post the Italian lockdown, what Giuliano imagined and wanted this campaign to broadcast was fun, free and playful elegance. Maintaining its classic nature , which is streetwear , with the use of colored silks and precious stones pulling the strings of a new modern luxury .     Pierre Ange Carlotti shot maintaining his foxiness and balanced it with our irony. The campaign brought together an impeccable casting and portraying GCDS by all means. Beginning with English rapper Bakarr , who wore the cloth- ing beautifully by dripping in pearls and latex gloves. It was close to Giuliano Calza’s heart to shoot along the other models, poet and activist Kai Isaiah Jamal not only for their rare beauty, but sharing same beliefs and ideologies. At last supermodel Stella Lucia represented the beauty and the lightheartedness GCDS wanted to portray with the this campaign.     According to Giuliano, “It’s essential to own what makes us unique, because nobody else shares your same recipe of ingredients, and this GCDS’s drive .”     Credits: Photographer: Pierre-Ange Carlotti Models: Bakar Kai, Isaiah Jamal, Stella Lucia Stylist: Helena Tejedor Hair stylist: Ramona Eschbach Makeup artist: Patrick Glatthaar

Exclusive editorial in collaboration with LARDINI
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Exclusive editorial in collaboration with LARDINI

Fashion Exclusive editorial collaboration with LARDINI, captured in Croatia by Filip Koludrovic.     Team credits: photography: FILIP KOLUDROVIC editor: TIMOTEJ LETONJA models: TESA PAVIC & EUGEN RENKO   You can explore the new collection of Lardini here: https://www.lardini.com/it_it/?gclid=CjwKCAiA8Jf-BRB-EiwAWDtEGtBoYWY2atnJTg3eS3jK0VgBc6uHbuy4ea5ojzr_6lDlA8-x31w4phoCnsIQAvD_BwE Exclusive editorial collaboration with LARDINI, captured in Croatia by Filip Koludrovic.     Team credits: photography: FILIP KOLUDROVIC editor: TIMOTEJ LETONJA models: TESA PAVIC & EUGEN RENKO   You can explore the new collection of Lardini here: https://www.lardini.com/it_it/?gclid=CjwKCAiA8Jf-BRB-EiwAWDtEGtBoYWY2atnJTg3eS3jK0VgBc6uHbuy4ea5ojzr_6lDlA8-x31w4phoCnsIQAvD_BwE

GIVENCHY DEBUTS "TEASER" CAPSULE COLLECTION BY MATTHEW M. WILLIAMS
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GIVENCHY DEBUTS "TEASER" CAPSULE COLLECTION BY MATTHEW M. WILLIAMS

Fashion Givenchy is pleased to unveil a “Teaser” capsule of clothes and accessories from Creative Director Matthew M. Williams’ first collection for the House.     An edited selection from the Spring-Summer 2021 ready-to-wear collection features playful, slightly subversive and effortlessly elegant looks for both women and men. Directional pieces accentuate new tailoring for women as embodied by a long, fitted blazer with a draped collar and slim, high-rise trousers with fusing at the ankles. Denims are embellished with audacious, intricate treatments that give them unique crackled or lustrous finishes. A soft, denim-like jacquard with a textured weave reprises the House’s iconic 4G emblem. Statement outerwear includes a lightweight, tailored three- quarter length coat in croc-print calfskin bonded with nappa, and voluminous urban windbreakers also in croc-print leather or in black ottoman.     Key pieces for men include a single-breasted jacket with an overlay collar and the 4G emblem discreetly embroidered on the lining. Classic-fit trousers nod to the iconic Antigona bags with original yet discreet metallic details, as do boxy shirts with zip and snap closures. An oversized parka in technical ottoman emphasizes Givenchy’s of-the-moment urban spirit, with design elements that make it both functional and elegant. Hoodies and sweatshirts, too, are embellished with newly restyled Givenchy emblems.     A love of hardware being central to his fashion aesthetic, Matthew M. Williams created a series of tech- forward prints for T-shirts with a 3D chain-embossed detail at the neck or trompe l’oeil renderings of locks and eyelets clenched over spliced “GIVENCHY” lettering.     This season’s essential bags likewise feature distinctive hardware that was specially developed by Matthew M. Williams for Givenchy. The new Antigona in black box leather now has dual Givenchy signatures, longer handles and a 4G padlock. Additional styles include two cross-body bags, the unisex Vertical mini with chain and the Antigona U for men.     Footwear includes the Lock ankle boot, the Marshmallow wedge slide for women and flat sandal for men, and the GIV 1 high-performance men’s sneaker with a lightweight, transparent sole, in black or white.     The statement-making flat cap with horns and a black leather belt with a G-chain buckle round out this premiere.     The “Teaser” capsule collection will premiere exclusively in seven Givenchy stores in Europe, Asia and the US, as well as on givenchy.com in selected countries from December 1st to 22nd, 2020. It will be followed by the first official drop by Matthew M Williams, for Summer 2021, which will bow acrossGivenchy’s worldwide retail network on February 26th, 2021. Givenchy is pleased to unveil a “Teaser” capsule of clothes and accessories from Creative Director Matthew M. Williams’ first collection for the House.     An edited selection from the Spring-Summer 2021 ready-to-wear collection features playful, slightly subversive and effortlessly elegant looks for both women and men. Directional pieces accentuate new tailoring for women as embodied by a long, fitted blazer with a draped collar and slim, high-rise trousers with fusing at the ankles. Denims are embellished with audacious, intricate treatments that give them unique crackled or lustrous finishes. A soft, denim-like jacquard with a textured weave reprises the House’s iconic 4G emblem. Statement outerwear includes a lightweight, tailored three- quarter length coat in croc-print calfskin bonded with nappa, and voluminous urban windbreakers also in croc-print leather or in black ottoman.     Key pieces for men include a single-breasted jacket with an overlay collar and the 4G emblem discreetly embroidered on the lining. Classic-fit trousers nod to the iconic Antigona bags with original yet discreet metallic details, as do boxy shirts with zip and snap closures. An oversized parka in technical ottoman emphasizes Givenchy’s of-the-moment urban spirit, with design elements that make it both functional and elegant. Hoodies and sweatshirts, too, are embellished with newly restyled Givenchy emblems.     A love of hardware being central to his fashion aesthetic, Matthew M. Williams created a series of tech- forward prints for T-shirts with a 3D chain-embossed detail at the neck or trompe l’oeil renderings of locks and eyelets clenched over spliced “GIVENCHY” lettering.     This season’s essential bags likewise feature distinctive hardware that was specially developed by Matthew M. Williams for Givenchy. The new Antigona in black box leather now has dual Givenchy signatures, longer handles and a 4G padlock. Additional styles include two cross-body bags, the unisex Vertical mini with chain and the Antigona U for men.     Footwear includes the Lock ankle boot, the Marshmallow wedge slide for women and flat sandal for men, and the GIV 1 high-performance men’s sneaker with a lightweight, transparent sole, in black or white.     The statement-making flat cap with horns and a black leather belt with a G-chain buckle round out this premiere.     The “Teaser” capsule collection will premiere exclusively in seven Givenchy stores in Europe, Asia and the US, as well as on givenchy.com in selected countries from December 1st to 22nd, 2020. It will be followed by the first official drop by Matthew M Williams, for Summer 2021, which will bow acrossGivenchy’s worldwide retail network on February 26th, 2021.

Exclusive editorial "A MA MÈRE" with CELINE BY HEDI SLIMANE
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Exclusive editorial "A MA MÈRE" with CELINE BY HEDI SLIMANE

Fashion Exclusive new editorial starring Laura Beuger, lensed by Koers von Cremer and wearing CELINE BY HEDI SLIMANE.     TEAM CREDITS: Photography: Koers von Cremer @koersvoncremer Styling: Gino Gurrieri @ginogurrieri Muah: Wout Philippo @woutphilippobeauty using M.A.C. Cosmetics @maccosmetics and Redken @redken  Model: Laura Beuger @lauraquirine at The Movement Models @themovementmodels Casting: Timi Letonja @timiletonja Special thanks to Chateau Marquette @chateaumarquette  and Cake Film And Photography @cakefilmandphotography Exclusive new editorial starring Laura Beuger, lensed by Koers von Cremer and wearing CELINE BY HEDI SLIMANE.     TEAM CREDITS: Photography: Koers von Cremer @koersvoncremer Styling: Gino Gurrieri @ginogurrieri Muah: Wout Philippo @woutphilippobeauty using M.A.C. Cosmetics @maccosmetics and Redken @redken  Model: Laura Beuger @lauraquirine at The Movement Models @themovementmodels Casting: Timi Letonja @timiletonja Special thanks to Chateau Marquette @chateaumarquette  and Cake Film And Photography @cakefilmandphotography

SAINT LAURENT DENIM #YSL35 BY ANTHONY VACCARELLO
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SAINT LAURENT DENIM #YSL35 BY ANTHONY VACCARELLO

Fashion   Art Direction: Anthony Vaccarello Director: Gray Sorrenti Talents: Rosé, Yves Rohloff, Elise Van Iterson, Mika Schneider, Najib Abdi, Zso Varju, Vova Slivka     #YSL #SaintLaurent #YvesSaintLaurent @anthonyvaccarello   Art Direction: Anthony Vaccarello Director: Gray Sorrenti Talents: Rosé, Yves Rohloff, Elise Van Iterson, Mika Schneider, Najib Abdi, Zso Varju, Vova Slivka     #YSL #SaintLaurent #YvesSaintLaurent @anthonyvaccarello

Exclusive editorial with GCDS
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Exclusive editorial with GCDS

Fashion Sara Sampaio & Luka Sabbat are two of our cover stars of our Third issue: Dream which you can now pre-order on @boutiquemags   TEAM: Photography: Nikolai Kokanovic @foxnhound  Talents: Sara Sampaio at The Lions & Luka Sabbat at Request Models @sarasampaio @lukasabbat  Stylist: Lisa Jarvis @lisajarvis_stylist  EIC: Timi Letonja @timiletonja  Casting: Tasha Tongpreecha @tashatongpreecha  Hair: Iggy Rosales at Opus Beauty / Make-up: Michael Anthony at Forward Artists Manicurist: Naoko Saita at Opus Beauty Set designer: Enoch Choi Art director: Patryk Lawry @lawry98  On-site creative production: Isaac Aaron / Location: Shawn Button  Both Sara and Luka are wearing GCDS @gcdswear  Sara Sampaio & Luka Sabbat are two of our cover stars of our Third issue: Dream which you can now pre-order on @boutiquemags   TEAM: Photography: Nikolai Kokanovic @foxnhound  Talents: Sara Sampaio at The Lions & Luka Sabbat at Request Models @sarasampaio @lukasabbat  Stylist: Lisa Jarvis @lisajarvis_stylist  EIC: Timi Letonja @timiletonja  Casting: Tasha Tongpreecha @tashatongpreecha  Hair: Iggy Rosales at Opus Beauty / Make-up: Michael Anthony at Forward Artists Manicurist: Naoko Saita at Opus Beauty Set designer: Enoch Choi Art director: Patryk Lawry @lawry98  On-site creative production: Isaac Aaron / Location: Shawn Button  Both Sara and Luka are wearing GCDS @gcdswear 

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