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BOTTEGA VENETA RELEASES THEIR WARDROBE 01 CAMPAIGN
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BOTTEGA VENETA RELEASES THEIR WARDROBE 01 CAMPAIGN

Fashion With Tobias Dionisi, Cyrielle Lalande, Selena Forrest, Martijn Faaij, Guinevere van Seenus, Malaika Holmén, Fernando Cabral   Photographed by Tyrone Lebon With Tobias Dionisi, Cyrielle Lalande, Selena Forrest, Martijn Faaij, Guinevere van Seenus, Malaika Holmén, Fernando Cabral   Photographed by Tyrone Lebon

Exclusive editorial by Bryan Torres
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Exclusive editorial by Bryan Torres

Fashion Exclusive digital editorial by Bryan Torres.     TEAM CREDITS:  Photo BRYAN TORRES  Styling FRANCISCO UGARTE Grooming REGINA KHANIPOVA Model TAKFARINES BENGANA at UNO MODELS Exclusive digital editorial by Bryan Torres.     TEAM CREDITS:  Photo BRYAN TORRES  Styling FRANCISCO UGARTE Grooming REGINA KHANIPOVA Model TAKFARINES BENGANA at UNO MODELS

ZALANDO PRESENTS THEIR NEW HOLIDAY CAMPAIGN: WE WILL HUG AGAIN
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ZALANDO PRESENTS THEIR NEW HOLIDAY CAMPAIGN: WE WILL HUG AGAIN

Fashion This holiday season, Zalando, Europe’s leading online platform forfashion and lifestyle, is celebrating the ultimate expression of human connection and solidarity: the hug. Against the backdrop of a challenging year of uncertainty and separation, human connection has never felt more important and the new Holiday Campaign, “We Will Hug Again”,seeks to convey the feeling of optimism and hope across Europe.   The campaign is brought to life through a series of Hug Portraits, intimate and emotive images captured by documentary and portrait photographer Sarah Blais. Complementing this is a heart-warming film, “100 Years of Hugs”, overseen and directed by globally renowned visual storyteller, Vincent Haycock, and set to the track ‘Godspeed’ by legendary singer-songwriter, Frank Ocean.   The simplicity and emotional impact of the hug can be felt throughout the campaign. Whether it’sfriends walking arm in arm, a daughter hugging her elderly father, or couples of all ages, genders and orientations embracing – the protagonists throughout are real and relatable people, taking the focus away from staging, models and fashion and placing it on the message of hope for the future when we will be able to hug our loved ones again.   “The central idea of our holiday campaign, human connection, is echoed in the way we engage with our customers. Our strategy is to be social first, allowing us to connect and engage withconsumers through relevant and relatable stories.” Barbara Daliri, Zalando’s Senior VicePresident Sales & Marketing, comments, “It was important for us to address the exceptionalcircumstances and uncertainty of this holiday season and at the same time share with ourcommunity the feeling of hope for the time when we will be able to reconnect with our loved ones.”     The campaign launched on 1st November and takes place across two months.    Hug Portraits appearing as huge unbranded murals in highly visible urban locations across Europe. They show two figures in an embrace, where the second person is missing and thequestion “Will We Hug Again?” is posed. From 8th November, Zalando reveals ownership an “100 Years of Hugs” shot by Haycock, still photography by Blais, OOH, DOOH and owned social channels by the large and diverse cast of this campaign. The 360°campaign was created in collaboration with creative agency, Anomaly Berlin and will be rolled out across Europe, in all 17 of Zalando’s markets.   The film was shot across Nigeria, Vietnam, Italy, Mexico, Sweden and Germany by four directors, beautifully curated by Haycock. Each film tells the story of one hug*, united by a central look and feel, enabling all films to be cut individually or together. Further adding to its moving nature, FrankOcean’s ‘Godspeed’ is a track that epitomises the feeling of human connection and togetherness. Message: “We Will Hug Again”. This message of hope will be depicted across numerous formats: from the completion of the murals with the second figure through all advertising, digital and social channels, including the moving film   Veit Moeller, Anomaly Berlin Executive Creative Director, adds: “This simple but powerful campaignis a promise for our future. The goal was to peel off all those outer layers associated with the Holiday season and identify the rawest and most iconic symbol of human connection: the hug. Shooting a campaign around the globe, totally remotely, during a global pandemic has been a beautiful challengeand we are excited to bring Zalando’s message to the world.”   #wewillhugagain @Zalando This holiday season, Zalando, Europe’s leading online platform forfashion and lifestyle, is celebrating the ultimate expression of human connection and solidarity: the hug. Against the backdrop of a challenging year of uncertainty and separation, human connection has never felt more important and the new Holiday Campaign, “We Will Hug Again”,seeks to convey the feeling of optimism and hope across Europe.   The campaign is brought to life through a series of Hug Portraits, intimate and emotive images captured by documentary and portrait photographer Sarah Blais. Complementing this is a heart-warming film, “100 Years of Hugs”, overseen and directed by globally renowned visual storyteller, Vincent Haycock, and set to the track ‘Godspeed’ by legendary singer-songwriter, Frank Ocean.   The simplicity and emotional impact of the hug can be felt throughout the campaign. Whether it’sfriends walking arm in arm, a daughter hugging her elderly father, or couples of all ages, genders and orientations embracing – the protagonists throughout are real and relatable people, taking the focus away from staging, models and fashion and placing it on the message of hope for the future when we will be able to hug our loved ones again.   “The central idea of our holiday campaign, human connection, is echoed in the way we engage with our customers. Our strategy is to be social first, allowing us to connect and engage withconsumers through relevant and relatable stories.” Barbara Daliri, Zalando’s Senior VicePresident Sales & Marketing, comments, “It was important for us to address the exceptionalcircumstances and uncertainty of this holiday season and at the same time share with ourcommunity the feeling of hope for the time when we will be able to reconnect with our loved ones.”     The campaign launched on 1st November and takes place across two months.    Hug Portraits appearing as huge unbranded murals in highly visible urban locations across Europe. They show two figures in an embrace, where the second person is missing and thequestion “Will We Hug Again?” is posed. From 8th November, Zalando reveals ownership an “100 Years of Hugs” shot by Haycock, still photography by Blais, OOH, DOOH and owned social channels by the large and diverse cast of this campaign. The 360°campaign was created in collaboration with creative agency, Anomaly Berlin and will be rolled out across Europe, in all 17 of Zalando’s markets.   The film was shot across Nigeria, Vietnam, Italy, Mexico, Sweden and Germany by four directors, beautifully curated by Haycock. Each film tells the story of one hug*, united by a central look and feel, enabling all films to be cut individually or together. Further adding to its moving nature, FrankOcean’s ‘Godspeed’ is a track that epitomises the feeling of human connection and togetherness. Message: “We Will Hug Again”. This message of hope will be depicted across numerous formats: from the completion of the murals with the second figure through all advertising, digital and social channels, including the moving film   Veit Moeller, Anomaly Berlin Executive Creative Director, adds: “This simple but powerful campaignis a promise for our future. The goal was to peel off all those outer layers associated with the Holiday season and identify the rawest and most iconic symbol of human connection: the hug. Shooting a campaign around the globe, totally remotely, during a global pandemic has been a beautiful challengeand we are excited to bring Zalando’s message to the world.”   #wewillhugagain @Zalando

Advertising
Advertising
GUCCI LAUNCHES ITS 2020 GIFT GIVING CAMPAIGN
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GUCCI LAUNCHES ITS 2020 GIFT GIVING CAMPAIGN

Fashion For this holiday season, Gucci envisions a special night of the year, set in the ‘90s, when the workplace became an unlikely mixture of dance floor, nightclub and bar.     Channeling the retro vibe of those years’ office parties, the new Gucci Gift Giving campaign, conceived by Gucci Creative Director Alessandro Michele, shot by photographer Mark Peckmezian and filmed by director Akinola Davies Jr, portrays a cast of characters impatiently running down the clock to the end of the working day, aimlessly tapping on their keyboards and clock-watching. The date has been in the calendar for months, and there is a palpable frisson of excitement running through the grey and dull landscape of desks, photocopiers and metal filing cabinets. The seasonal decorations have been hastily put up: the tinsel, streamers and balloons are all in their places for this artificial festive setting.     As the clock strikes five, tables are turned and the corporate order of the place is shattered by ‘80s pop music and the popping of corks. Like superheroes transformed by their outfits, the Gucci-clad workers become extrovert clubbers, eager to show off their dance moves on the carpeted dancefloor. Liberated by their outfits and the sounds coming from the tape deck, the co-workers reveal their innermost characters as in a theatrical play where roles are changed and identities shuffled, transforming the normally homogenised surroundings into an exciting fantasy world.     The Gucci Gift Giving Collection offers therefore the key to access this enchanted party, bringing comfort and sparkle in the corporate land. The products were in fact shaped following two distinct families: the first batch is inspired by the cosy warmth of a winter blanket and makes use of a woolly jacquard fabric with houndstooth checks in green and red, while the second celebrates the party spirit with shiny sequins sparkling in a variety of colours from gold and silver to pastels and black.     The GG Marmont 2.0 medium and small chain shoulder bags are given the woolly jacquard treatment, as are small leather goods and luggage pieces, like the East/West Tote and medium backpack. There is also a vintage spirit at play here, as the same fabric is used on the shoes: women’s merino wool lined booties and a new genderless mule, as well as the Gucci Tennis 1977 sneaker in several styles. Other iconic accessories include a baseball cap, bucket hat, earmuffs, socks, a scarf and a poncho.     The same handbags in mini and small chain shoulder models are also offered covered with sparkling sequins, in black, silver, gold and pastel pink and green, and in a striped multicolour version. The effect is achieved by sewing three-millimetre micro sequins onto a silk panel, creating a fabric that shimmers and shines. A mini bucket bag comes in the same material and colours as the GG Marmont designs (including the stripe), and the sequins have also been applied to shoes in the form of women’s slides and loafers, as well as to the Gucci Tennis 1977 sneakers  . For those who wish to match their footwear to their bags, there are also glistening sequin-covered heels. Soft accessories complete the sequin offer: a hairband, beret and gloves in a variety of colours.     A new Gucci Arcade game inspired by the campaign will be released in the Gucci App. Taking the lead from the legendary Conga Master arcade game developed by Undercoders, the latest Gucci digital creation sees players take control of an employee inside an office setting, with the aim of joining up with colleagues to take part in a Conga dance. Bringing the party to multiple platforms, users will also be able to immerse themselves in the Gucci holiday season atmosphere enjoying a 3D experience that recreates the campaign environment. Through these innovative digital contents, Gucci keeps pushing the codes of the House in unexplored virtual territories – tightening the bond between the GG logo and the “Good Game” high five in gaming vernacular. Visiting the microsite created for the occasion, players will discover the Gucci Gift Giving collection while navigating into an interactive and joyful office, being able to purchase their favorite items on Gucci.com through this fully digital path.      The campaign also marks, on November 11th, the launch of the new Gucci packaging that features an ornate green decorative pattern embossed onto paper bags and cardboard boxes. Beige tissue paper featuring the same pattern is used to wrap pieces. Natural-coloured dust bags and suit carriers are also utilised, and throughout the packaging the Gucci logo is rendered in black. Significantly, in keeping with Gucci’s commitment to sustainability, the packaging has been created with strategic design choices at every step to have a reduced impact on the environment. All paper and cardboard come from sustainably managed forest sources and an uncoated paper has been used to ensure it is fully recyclable. The paper is also colored a unique green at the beginning of the production process to reduce the use of inks. The shopping bag handles are black torchon made of 100% recycled polyester and knotted to avoid using glues. Garment and dust bags materials are a mix of regenerated cotton and recycled polyester. Black grosgrain ribbons are 100% organic cotton. Hangers are made of recycled polystyrene.     Credits: Creative Director: Alessandro Michele Art Director: Christopher Simmonds Photographer: Mark Peckmezian Film Director: Akinola Davies Jr For this holiday season, Gucci envisions a special night of the year, set in the ‘90s, when the workplace became an unlikely mixture of dance floor, nightclub and bar.     Channeling the retro vibe of those years’ office parties, the new Gucci Gift Giving campaign, conceived by Gucci Creative Director Alessandro Michele, shot by photographer Mark Peckmezian and filmed by director Akinola Davies Jr, portrays a cast of characters impatiently running down the clock to the end of the working day, aimlessly tapping on their keyboards and clock-watching. The date has been in the calendar for months, and there is a palpable frisson of excitement running through the grey and dull landscape of desks, photocopiers and metal filing cabinets. The seasonal decorations have been hastily put up: the tinsel, streamers and balloons are all in their places for this artificial festive setting.     As the clock strikes five, tables are turned and the corporate order of the place is shattered by ‘80s pop music and the popping of corks. Like superheroes transformed by their outfits, the Gucci-clad workers become extrovert clubbers, eager to show off their dance moves on the carpeted dancefloor. Liberated by their outfits and the sounds coming from the tape deck, the co-workers reveal their innermost characters as in a theatrical play where roles are changed and identities shuffled, transforming the normally homogenised surroundings into an exciting fantasy world.     The Gucci Gift Giving Collection offers therefore the key to access this enchanted party, bringing comfort and sparkle in the corporate land. The products were in fact shaped following two distinct families: the first batch is inspired by the cosy warmth of a winter blanket and makes use of a woolly jacquard fabric with houndstooth checks in green and red, while the second celebrates the party spirit with shiny sequins sparkling in a variety of colours from gold and silver to pastels and black.     The GG Marmont 2.0 medium and small chain shoulder bags are given the woolly jacquard treatment, as are small leather goods and luggage pieces, like the East/West Tote and medium backpack. There is also a vintage spirit at play here, as the same fabric is used on the shoes: women’s merino wool lined booties and a new genderless mule, as well as the Gucci Tennis 1977 sneaker in several styles. Other iconic accessories include a baseball cap, bucket hat, earmuffs, socks, a scarf and a poncho.     The same handbags in mini and small chain shoulder models are also offered covered with sparkling sequins, in black, silver, gold and pastel pink and green, and in a striped multicolour version. The effect is achieved by sewing three-millimetre micro sequins onto a silk panel, creating a fabric that shimmers and shines. A mini bucket bag comes in the same material and colours as the GG Marmont designs (including the stripe), and the sequins have also been applied to shoes in the form of women’s slides and loafers, as well as to the Gucci Tennis 1977 sneakers  . For those who wish to match their footwear to their bags, there are also glistening sequin-covered heels. Soft accessories complete the sequin offer: a hairband, beret and gloves in a variety of colours.     A new Gucci Arcade game inspired by the campaign will be released in the Gucci App. Taking the lead from the legendary Conga Master arcade game developed by Undercoders, the latest Gucci digital creation sees players take control of an employee inside an office setting, with the aim of joining up with colleagues to take part in a Conga dance. Bringing the party to multiple platforms, users will also be able to immerse themselves in the Gucci holiday season atmosphere enjoying a 3D experience that recreates the campaign environment. Through these innovative digital contents, Gucci keeps pushing the codes of the House in unexplored virtual territories – tightening the bond between the GG logo and the “Good Game” high five in gaming vernacular. Visiting the microsite created for the occasion, players will discover the Gucci Gift Giving collection while navigating into an interactive and joyful office, being able to purchase their favorite items on Gucci.com through this fully digital path.      The campaign also marks, on November 11th, the launch of the new Gucci packaging that features an ornate green decorative pattern embossed onto paper bags and cardboard boxes. Beige tissue paper featuring the same pattern is used to wrap pieces. Natural-coloured dust bags and suit carriers are also utilised, and throughout the packaging the Gucci logo is rendered in black. Significantly, in keeping with Gucci’s commitment to sustainability, the packaging has been created with strategic design choices at every step to have a reduced impact on the environment. All paper and cardboard come from sustainably managed forest sources and an uncoated paper has been used to ensure it is fully recyclable. The paper is also colored a unique green at the beginning of the production process to reduce the use of inks. The shopping bag handles are black torchon made of 100% recycled polyester and knotted to avoid using glues. Garment and dust bags materials are a mix of regenerated cotton and recycled polyester. Black grosgrain ribbons are 100% organic cotton. Hangers are made of recycled polystyrene.     Credits: Creative Director: Alessandro Michele Art Director: Christopher Simmonds Photographer: Mark Peckmezian Film Director: Akinola Davies Jr

Filling Pieces presents AW20 Editorial ‘Au Revoir’, shot in Morocco by Miftha Bahardeen
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Filling Pieces presents AW20 Editorial ‘Au Revoir’, shot in Morocco by Miftha Bahardeen

Fashion A story made in collaboration with local Morrocan creatives.      In succession of the release of the AW20 SPIRIT collection, Amsterdam fashion house Filling Pieces created a new magical editorial, shot in Morocco by photographer Miftha Bahardeen.      Au Revoir, as the editorial is titled, shows a journey to Casablanca. As a way of visualizing human connection, the story captures different individuals brought together by desire, longing, and spiritual bond—representing the so-called, fifth element of Spirit, referring to this season’s collection theme.      The editorial is shot in the Casablanca region in collaboration with local creatives. Menswear creative Mohcine Harisse stars as the protagonist in this spiritual love story, along with Moroccan talents Rania Malek, Youssef Mascou, Younes Mascou, and Youssef Hani. Harisse is also featured in a short Q&A about the editorial, his relationship with the brand, and the creative scene in Morocco. The interview can be found on the Filling Pieces website.     Filling Pieces full AW20 collection is now available at Fillingpieces.com, the Filling Pieces Satellite Store in Amsterdam, and selected retailers worldwide.     The full editorial, along with the exclusive interview with Mohcine, will go live on Fillingpieces.com from Monday, November 9th. A story made in collaboration with local Morrocan creatives.      In succession of the release of the AW20 SPIRIT collection, Amsterdam fashion house Filling Pieces created a new magical editorial, shot in Morocco by photographer Miftha Bahardeen.      Au Revoir, as the editorial is titled, shows a journey to Casablanca. As a way of visualizing human connection, the story captures different individuals brought together by desire, longing, and spiritual bond—representing the so-called, fifth element of Spirit, referring to this season’s collection theme.      The editorial is shot in the Casablanca region in collaboration with local creatives. Menswear creative Mohcine Harisse stars as the protagonist in this spiritual love story, along with Moroccan talents Rania Malek, Youssef Mascou, Younes Mascou, and Youssef Hani. Harisse is also featured in a short Q&A about the editorial, his relationship with the brand, and the creative scene in Morocco. The interview can be found on the Filling Pieces website.     Filling Pieces full AW20 collection is now available at Fillingpieces.com, the Filling Pieces Satellite Store in Amsterdam, and selected retailers worldwide.     The full editorial, along with the exclusive interview with Mohcine, will go live on Fillingpieces.com from Monday, November 9th.

Exclusive Editorial by Kevin Drelon
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Exclusive Editorial by Kevin Drelon

Beauty Exclusive beauty editorial captured by Kevin Drelon.     TEAM CREDITS: Photographer: Kevin Drelon  Mua: Allie Smith  Hair: Erol Karadag  Casting: Felix Cadieu  Model: Steph Shiu of APM Models and Sara Hiromi of Heroes Models NYC Stylist: Jahulie Elizalde fashion director: Lisa Jarvis editor: Timotej Letonja Exclusive beauty editorial captured by Kevin Drelon.     TEAM CREDITS: Photographer: Kevin Drelon  Mua: Allie Smith  Hair: Erol Karadag  Casting: Felix Cadieu  Model: Steph Shiu of APM Models and Sara Hiromi of Heroes Models NYC Stylist: Jahulie Elizalde fashion director: Lisa Jarvis editor: Timotej Letonja

Exclusive Editorial in the spirit of Halloween
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Exclusive Editorial in the spirit of Halloween

Fashion Exclusive digital editorial in the spirit of Halloween today, captured by Natalia Holland.   TEAM CREDITS: PHOTO: NATALIA HOLLAND @nataliahollandphoto STYLE: PAKU SUKUDA @pakusukuda MAKE UP: MARISOL STEWARD @ STELLA CREATIVE ARTISTS using DIOR COSMETICS @marisolstewardd HAIR: CHRISTOS BAIRABAS @ STELLA CREATIVE ARTISTS using AVEDA and BUMBLE and BUMBLE @chriscrossedd NAIL: EDYTA BETKA @DAVID ARTISTS @edytabetka_nailpro MODEL: DEVON ROSS @ NEXT devonross_ CASTING: STUDIO BAJEK @studiobajek RETOUCH: BEN HOLLAND STYLING ASSISTANT: ELIN TOR STYLING ASSISTANT: OLIWIA JANCEROWICZ SPECIAL THANKS TO WOLF&BADGER STUDIOS @wolfandbadgerstudios Exclusive digital editorial in the spirit of Halloween today, captured by Natalia Holland.   TEAM CREDITS: PHOTO: NATALIA HOLLAND @nataliahollandphoto STYLE: PAKU SUKUDA @pakusukuda MAKE UP: MARISOL STEWARD @ STELLA CREATIVE ARTISTS using DIOR COSMETICS @marisolstewardd HAIR: CHRISTOS BAIRABAS @ STELLA CREATIVE ARTISTS using AVEDA and BUMBLE and BUMBLE @chriscrossedd NAIL: EDYTA BETKA @DAVID ARTISTS @edytabetka_nailpro MODEL: DEVON ROSS @ NEXT devonross_ CASTING: STUDIO BAJEK @studiobajek RETOUCH: BEN HOLLAND STYLING ASSISTANT: ELIN TOR STYLING ASSISTANT: OLIWIA JANCEROWICZ SPECIAL THANKS TO WOLF&BADGER STUDIOS @wolfandbadgerstudios

CAROLINA HERRERA New York presents ONE GRAND GESTURE by Elizaveta Porodina
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CAROLINA HERRERA New York presents ONE GRAND GESTURE by Elizaveta Porodina

Fashion In celebration of the Fall Winter 2020 Collection which was inspired by the works for Spanish Baroque painter Zurbarán and the idea of ‘One Grand Gesture’, Creative Director Wes Gordon collaborated with photographer and visual artist Elizaveta Porodina on a portfolio of images shot entirely over Zoom, capturing ballet dancers around the world in fearless and fabulous movement and color.     Elizaveta captured six dancers around the world from their homes and studios amid various stages of quarantine: Natasha Diamond-Walker, Soloist, Martha Graham Dance Company, Ako Kondo, Prima Ballerina, Melbourne, Misa Kuranaga, Principal Dancer, San Francisco Ballet, Inès McIntosh, Quadrille, Opéra National de Paris, Claudia Monja, Principal Dancer, Joburg Ballet, and Wendy Whelan, Associate Artistic Director, New York City Ballet. In celebration of the Fall Winter 2020 Collection which was inspired by the works for Spanish Baroque painter Zurbarán and the idea of ‘One Grand Gesture’, Creative Director Wes Gordon collaborated with photographer and visual artist Elizaveta Porodina on a portfolio of images shot entirely over Zoom, capturing ballet dancers around the world in fearless and fabulous movement and color.     Elizaveta captured six dancers around the world from their homes and studios amid various stages of quarantine: Natasha Diamond-Walker, Soloist, Martha Graham Dance Company, Ako Kondo, Prima Ballerina, Melbourne, Misa Kuranaga, Principal Dancer, San Francisco Ballet, Inès McIntosh, Quadrille, Opéra National de Paris, Claudia Monja, Principal Dancer, Joburg Ballet, and Wendy Whelan, Associate Artistic Director, New York City Ballet.

PRADA LINEA ROSSA FALL & WINTER 2020 THE CAMPAIGN
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PRADA LINEA ROSSA FALL & WINTER 2020 THE CAMPAIGN

Fashion Dynamic, modern, new. The Prada Linea Rossa Fall/Winter 2020 campaign celebrates the new active collection with an exceptional cast of young and international talents from different parts of the world - globally in uential gures, cultural game-changers. This Linea Rossa campaign features Chinese actress and dancer Jin Chen, South-Korean musician and producer Chanyeol Park, and American actress and change agent Yara Shahidi.     The singular nature of each of their talents is matched via the pairing of these Linea Rossa personas with different photographers: each creates an image re ective of the individual, a window into their lives. Supporting diverse local artistic realities, the three talents were shot separately, each in their own countries, by local photographers: Jin Chen was portrayed by Leslie Zhang, Chanyeol Park by Jung Wook Mok, and Yara Shahidi by Renell Medrano.   Reinterpreting the meaning of the line that is the emblem of Prada Linea Rossa, the concept of the Fall/Winter 2020 campaign is the timeline, a lineage of the self. Like Linea Rossa, it represents evolution, progress, pushing forwards - a line of life.   This season, the red line is used to narrate the three talent’s lines of work, which re ect their multifaceted careers and unique back-stories, the histories and encounters that have brought them to today.   In the connection of each to contemporary society, to the experience of the now, and their focus and drive to pioneer and to excel, this trio of campaign talents are united through attitude with each other, and with Linea Rossa, with its ethos of modern, high-performance clothes engineered to the needs of dynamic life today. They share a line of thought.     Credits: Photography and video by: Leslie Zhang for Jin Chen Jung Wook Mok for Chanyeol Park Renell Medrano for Yara Shahidi Creative direction: Ferdinando Verderi Dynamic, modern, new. The Prada Linea Rossa Fall/Winter 2020 campaign celebrates the new active collection with an exceptional cast of young and international talents from different parts of the world - globally in uential gures, cultural game-changers. This Linea Rossa campaign features Chinese actress and dancer Jin Chen, South-Korean musician and producer Chanyeol Park, and American actress and change agent Yara Shahidi.     The singular nature of each of their talents is matched via the pairing of these Linea Rossa personas with different photographers: each creates an image re ective of the individual, a window into their lives. Supporting diverse local artistic realities, the three talents were shot separately, each in their own countries, by local photographers: Jin Chen was portrayed by Leslie Zhang, Chanyeol Park by Jung Wook Mok, and Yara Shahidi by Renell Medrano.   Reinterpreting the meaning of the line that is the emblem of Prada Linea Rossa, the concept of the Fall/Winter 2020 campaign is the timeline, a lineage of the self. Like Linea Rossa, it represents evolution, progress, pushing forwards - a line of life.   This season, the red line is used to narrate the three talent’s lines of work, which re ect their multifaceted careers and unique back-stories, the histories and encounters that have brought them to today.   In the connection of each to contemporary society, to the experience of the now, and their focus and drive to pioneer and to excel, this trio of campaign talents are united through attitude with each other, and with Linea Rossa, with its ethos of modern, high-performance clothes engineered to the needs of dynamic life today. They share a line of thought.     Credits: Photography and video by: Leslie Zhang for Jin Chen Jung Wook Mok for Chanyeol Park Renell Medrano for Yara Shahidi Creative direction: Ferdinando Verderi

Exclusive editorial with Bottega Veneta
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Exclusive editorial with Bottega Veneta

Men Exclusive editorial with Bottega Veneta, captured by Walter Pierre.   Bottega Veneta just opened an exclusive Pop-up at De Bijenkorf in Amsterdam where the Italian heritage brand is offering their latest footwear as well as bags.   TEAM CREDITS:   photography: WALTER PIERRE styling: KOEN T. HENDRIKS at House of Orange model: ABE PAYMANS at Rebel Model Management hair and make-up: DAVID KOPPELAAR at House of Orange videographer: MARIJE SEIJN     Exclusive editorial with Bottega Veneta, captured by Walter Pierre.   Bottega Veneta just opened an exclusive Pop-up at De Bijenkorf in Amsterdam where the Italian heritage brand is offering their latest footwear as well as bags.   TEAM CREDITS:   photography: WALTER PIERRE styling: KOEN T. HENDRIKS at House of Orange model: ABE PAYMANS at Rebel Model Management hair and make-up: DAVID KOPPELAAR at House of Orange videographer: MARIJE SEIJN    

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