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Exclusive Editorial by Allan Hamitouche
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Exclusive Editorial by Allan Hamitouche

Men Exclusive new editorial captured by the lens of Allan Hamitouche.     TEAM CREDITS: MODEL : DAVID PRINCE @ 16MEN PHOTOGRAPHY : ALLAN HAMITOUCHE STYLIST : JEREMIE CHEGRANE  STYLIST ASSISTANT : GEOFFREY SAUVAGE EDITOR: TIMOTEJ LETONJA Exclusive new editorial captured by the lens of Allan Hamitouche.     TEAM CREDITS: MODEL : DAVID PRINCE @ 16MEN PHOTOGRAPHY : ALLAN HAMITOUCHE STYLIST : JEREMIE CHEGRANE  STYLIST ASSISTANT : GEOFFREY SAUVAGE EDITOR: TIMOTEJ LETONJA

Gucci Fall-Winter 2020-2021 Advertising Campaign, The Ritual
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Gucci Fall-Winter 2020-2021 Advertising Campaign, The Ritual

Fashion Titled The Ritual, the new Gucci advertising campaign follows the reversal of perspective that characterized Creative Director Alessandro Michele’s vision for the Fall-Winter 2020-2021 show, where the audience was invited to witness what goes on behind the scenes, behind the curtains. Further exploring the idea of looking at things from a different point of view, new possibilities opened up.     Consequently, models were asked to be the authors of the new campaign and were given the brief to simply inhabit the looks in their daily lives from the comfort of their own, intimate spaces and record themselves doing so. The lens is thus that of this eclectic cast of characters, and the result is a deeply personal, honest and candid series of self-portraits.     With freshness and authenticity, these hyper-real images depict one’s home as a personal creative laboratory, whose inhabitants are free to have fun and experiment using their imagination: they acted as photographers and storytellers, producers and scenographers. The different formats echo the array of tools used, ranging from disposable cameras to camera phones, adding to the variety of results and telling of individual decisions about how the protagonists wish to be seen.     “I decided to let the clothes travel towards the houses of the cast of models – the characters that have embodied my stories for years; individuals I chose precisely, over time, for their uniqueness that usually brings my campaigns to life. I asked them to represent the idea they have of themselves, to go public with it, shaping the poetry that accompanies them. I encouraged them to play, improvising with their life”, Alessandro Michele explained.   By ceding control, a new type of creativity is unleashed. So here’s the Gucci community, knitting, gardening, sunbathing, brushing teeth, hanging out on the roof of a building, jumping off a bed, with pets, even playing darts while skateboarding indoors on a polished wooden floor.  Though the scenarios are every day, the images are anything but, showing how Gucci’s magical Romanticism inspires a peculiar, emotional dreamlike quality.   Surprisingly, a certain consistency fosters the whole visual experiment of self-portraits and their footage, a consistency that speaks of an infusion of Gucci, even from afar.   #GucciTheRitual   Credits:   Creative Director: Alessandro Michele Art Director: Christopher Simmonds Photographer/Director: models Hair stylist: models Make up: models Titled The Ritual, the new Gucci advertising campaign follows the reversal of perspective that characterized Creative Director Alessandro Michele’s vision for the Fall-Winter 2020-2021 show, where the audience was invited to witness what goes on behind the scenes, behind the curtains. Further exploring the idea of looking at things from a different point of view, new possibilities opened up.     Consequently, models were asked to be the authors of the new campaign and were given the brief to simply inhabit the looks in their daily lives from the comfort of their own, intimate spaces and record themselves doing so. The lens is thus that of this eclectic cast of characters, and the result is a deeply personal, honest and candid series of self-portraits.     With freshness and authenticity, these hyper-real images depict one’s home as a personal creative laboratory, whose inhabitants are free to have fun and experiment using their imagination: they acted as photographers and storytellers, producers and scenographers. The different formats echo the array of tools used, ranging from disposable cameras to camera phones, adding to the variety of results and telling of individual decisions about how the protagonists wish to be seen.     “I decided to let the clothes travel towards the houses of the cast of models – the characters that have embodied my stories for years; individuals I chose precisely, over time, for their uniqueness that usually brings my campaigns to life. I asked them to represent the idea they have of themselves, to go public with it, shaping the poetry that accompanies them. I encouraged them to play, improvising with their life”, Alessandro Michele explained.   By ceding control, a new type of creativity is unleashed. So here’s the Gucci community, knitting, gardening, sunbathing, brushing teeth, hanging out on the roof of a building, jumping off a bed, with pets, even playing darts while skateboarding indoors on a polished wooden floor.  Though the scenarios are every day, the images are anything but, showing how Gucci’s magical Romanticism inspires a peculiar, emotional dreamlike quality.   Surprisingly, a certain consistency fosters the whole visual experiment of self-portraits and their footage, a consistency that speaks of an infusion of Gucci, even from afar.   #GucciTheRitual   Credits:   Creative Director: Alessandro Michele Art Director: Christopher Simmonds Photographer/Director: models Hair stylist: models Make up: models

Exclusive Editorial "Consciousness" in collaboration with Givenchy, photographed by Matthieu Delbreuve
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Exclusive Editorial "Consciousness" in collaboration with Givenchy, photographed by Matthieu Delbreuve

Men Exclusive editorial in collaboration with Givenchy, captured by Matthieu Delbreuve.       TEAM CREDITS: Photographer : Matthieu Delbreuve Photographer assistant : Arthur Jung Stylist : Joana Dacheville @ agence saint germain Stylist assistant : Alexis Landolfi  Hair Stylist : Yumiko Hikage @ agence saint germain Make up artist : Aurelia Liansberg @ wise and talented Casting director : Rémi Felipe  Model : Eli Epperson @ Bananas models Editor: Timotej Letonja     #GIVENCHY #EDITORIAL #NUMERODIGITAL Exclusive editorial in collaboration with Givenchy, captured by Matthieu Delbreuve.       TEAM CREDITS: Photographer : Matthieu Delbreuve Photographer assistant : Arthur Jung Stylist : Joana Dacheville @ agence saint germain Stylist assistant : Alexis Landolfi  Hair Stylist : Yumiko Hikage @ agence saint germain Make up artist : Aurelia Liansberg @ wise and talented Casting director : Rémi Felipe  Model : Eli Epperson @ Bananas models Editor: Timotej Letonja     #GIVENCHY #EDITORIAL #NUMERODIGITAL

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Louis Vuitton is pleased to reveal its Autumn-Winter 2020 campaign
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Louis Vuitton is pleased to reveal its Autumn-Winter 2020 campaign

Fashion Louis Vuitton is pleased to reveal its Autumn-Winter 2020 campaign directed and photographed by Nicolas Ghesquière, Artistic Director of Women’s Collections. Representing total creative investment in a very personal collection, the campaign expresses contemporary freedom and the pure pleasure of clothing that is open to all manner of audacity.     To photograph this campaign, Nicolas Ghesquière invited Louis Vuitton’s friends and family to his photography studio, a creative laboratory on the Quai Voltaire in Paris: among them were close friends whose personality inspires him, kindred spirits, and favourite faces. Celebrity friends, beloved models, astonishing artists and athletes include Léa Seydoux, Marina Foïs, Noémie Merlant, Akon Changkou, Stacy Martin, Dina Asher-Smith, Lous and the Yakuza and Sora Choi. In all, 20 personalities he wished to represent in their essence. The same holds true of the House’s iconic bags that accompany this stylistic exercise — the Capucines, the Twist, the Pont 9 and the Dauphine.     With the same candor, Nicolas Ghesquière incorporates the new line “SINCE 1854.” A precious jacquard inscribed with a fundamental date, 1854, sprinkled among Monogram owers in a nod to the year the House was created. Already iconic, this Monogram distills the Louis Vuitton spirit on timeless pieces such as the Dauphine, the Neverfull and the Petit Noé. The signature “SINCE 1854” also gures on a wardrobe of essentials and accessories.     Says Nicolas Ghesquière of the campaign, “I thought it would be interesting to extend my work to photography, to follow through to the end of the creative process and give the collection its nal punctuation. In this portrait gallery, everyone is there for my own personal reasons, and I liked discovering new connections with people. I knew already. I also wanted to bring unity to di erent aspects of the House, a circular vision of what happens here. To give a timeless aspect to creations that are very anchored in the season. For me, moving into photography came from a desire to reflect the feeling we share when we’re working on a collection.”     The campaign will be unveiled in September 2020 publications worldwide. Louis Vuitton is pleased to reveal its Autumn-Winter 2020 campaign directed and photographed by Nicolas Ghesquière, Artistic Director of Women’s Collections. Representing total creative investment in a very personal collection, the campaign expresses contemporary freedom and the pure pleasure of clothing that is open to all manner of audacity.     To photograph this campaign, Nicolas Ghesquière invited Louis Vuitton’s friends and family to his photography studio, a creative laboratory on the Quai Voltaire in Paris: among them were close friends whose personality inspires him, kindred spirits, and favourite faces. Celebrity friends, beloved models, astonishing artists and athletes include Léa Seydoux, Marina Foïs, Noémie Merlant, Akon Changkou, Stacy Martin, Dina Asher-Smith, Lous and the Yakuza and Sora Choi. In all, 20 personalities he wished to represent in their essence. The same holds true of the House’s iconic bags that accompany this stylistic exercise — the Capucines, the Twist, the Pont 9 and the Dauphine.     With the same candor, Nicolas Ghesquière incorporates the new line “SINCE 1854.” A precious jacquard inscribed with a fundamental date, 1854, sprinkled among Monogram owers in a nod to the year the House was created. Already iconic, this Monogram distills the Louis Vuitton spirit on timeless pieces such as the Dauphine, the Neverfull and the Petit Noé. The signature “SINCE 1854” also gures on a wardrobe of essentials and accessories.     Says Nicolas Ghesquière of the campaign, “I thought it would be interesting to extend my work to photography, to follow through to the end of the creative process and give the collection its nal punctuation. In this portrait gallery, everyone is there for my own personal reasons, and I liked discovering new connections with people. I knew already. I also wanted to bring unity to di erent aspects of the House, a circular vision of what happens here. To give a timeless aspect to creations that are very anchored in the season. For me, moving into photography came from a desire to reflect the feeling we share when we’re working on a collection.”     The campaign will be unveiled in September 2020 publications worldwide.

Exclusive Editorial in collaboration with Dries Van Noten, photographed by Xavi Prat
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Exclusive Editorial in collaboration with Dries Van Noten, photographed by Xavi Prat

Fashion Exclusive editorial collaboration with Dries Van Noten, captured by Xavi Prat in Spain.     TEAM CREDITS: Photo & Creative Direction XAVI PRAT  Styling JUDIT MELIS  MakeUp & Hair MARIONA BOTELLA Model CARLOS DARDER at TREND Styling Assistant ALBA MIQUEL  Editor: Timotej Letonja Exclusive editorial collaboration with Dries Van Noten, captured by Xavi Prat in Spain.     TEAM CREDITS: Photo & Creative Direction XAVI PRAT  Styling JUDIT MELIS  MakeUp & Hair MARIONA BOTELLA Model CARLOS DARDER at TREND Styling Assistant ALBA MIQUEL  Editor: Timotej Letonja

Exclusive Editorial in collaboration with Calvin Klein, captured by Victor Vergara
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Exclusive Editorial in collaboration with Calvin Klein, captured by Victor Vergara

Fashion Exclusive editorial in collaboration with Calvin Klein, lensed and styled by Victor Vergara.     TEAM CREDITS: photography and styling by Victor Vergara make-up and hair by Wout Philippo casting by Timotej Letonja models: Meerle Haket at Known, Matthijs Pol at Elvis Models, Louis Dercon at The Coven. assistant hair and make-up artist: Anh Nguyaen styling assistant: Michael Geertzen special thanks to Parq Studio Amsterdam - Kim Zeeman   #CK  Exclusive editorial in collaboration with Calvin Klein, lensed and styled by Victor Vergara.     TEAM CREDITS: photography and styling by Victor Vergara make-up and hair by Wout Philippo casting by Timotej Letonja models: Meerle Haket at Known, Matthijs Pol at Elvis Models, Louis Dercon at The Coven. assistant hair and make-up artist: Anh Nguyaen styling assistant: Michael Geertzen special thanks to Parq Studio Amsterdam - Kim Zeeman   #CK 

Exclusive Editorial by Jasper Rens van Es
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Exclusive Editorial by Jasper Rens van Es

Men  Exclusive editorial inspired by hustlers in the 70's, this Numéro x Celine by Hedi Slimane special is shot exclusively for Numéro online in the iconic Soho House Amsterdam.     TEAM CREDITS: All fashion: Celine by Hedi Slimane Photography Jasper Rens van Es Styling & Creative Direction Gino Gurrieri Casting Timotej Letonja Hair & Make-up Wout Philippo Asisstant make-up artist: Mahis Chaitoe Models Masao Dae Parris via Riches MGMT and Nika Jovanovic via The Troopers Special thanks Soho House Amsterdam and Xavier  Exclusive editorial inspired by hustlers in the 70's, this Numéro x Celine by Hedi Slimane special is shot exclusively for Numéro online in the iconic Soho House Amsterdam.     TEAM CREDITS: All fashion: Celine by Hedi Slimane Photography Jasper Rens van Es Styling & Creative Direction Gino Gurrieri Casting Timotej Letonja Hair & Make-up Wout Philippo Asisstant make-up artist: Mahis Chaitoe Models Masao Dae Parris via Riches MGMT and Nika Jovanovic via The Troopers Special thanks Soho House Amsterdam and Xavier

INTRODUCING THE SECOND CHAPTER OF #ACCIDENTALINFLUENCER – THE DIGITAL PROJECT DEDICATED TO THE GUCCI TENNIS 1977
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INTRODUCING THE SECOND CHAPTER OF #ACCIDENTALINFLUENCER – THE DIGITAL PROJECT DEDICATED TO THE GUCCI TENNIS 1977

Fashion Gucci announces the second chapter of its digital project #AccidentalInfluencer, the intriguing and playful take on the idea of imitation and replication, seen through the lenses of London based artist, photographer and director Max Siedentopf – which debuted last February.     The focus is once again on the range of Gucci Tennis 1977 sneakers, this time enriched by the recently introduced styles from the Gucci Off The Grid collection, designed by Creative Director Alessandro Michele with motifs of the House and constructed with recycled, organic, bio-based and sustainably sourced materials – including ECONYL®, a regenerated nylon made from nylon offcuts and pre- and post-consumer waste.     For this new chapter, Siedentopf leads us through the every-day life of these eclectic characters accidentally matching furniture pieces and objects in their homes. The result is an array of hypnotical and haunting scenes, where individuals seem to suggest improbable visual coincidences between their looks and settings.     The campaign will be launched on Gucci’s social media platforms, and will also include bespoke videos for TikTok, dedicated clips for Instagram Stories, and a section on the Gucci App that allows customers to virtually “try on” the Gucci Tennis 1977, using the pioneering augmented reality technology the House has introduced in June 2019.     #accidentalinfluencer Gucci announces the second chapter of its digital project #AccidentalInfluencer, the intriguing and playful take on the idea of imitation and replication, seen through the lenses of London based artist, photographer and director Max Siedentopf – which debuted last February.     The focus is once again on the range of Gucci Tennis 1977 sneakers, this time enriched by the recently introduced styles from the Gucci Off The Grid collection, designed by Creative Director Alessandro Michele with motifs of the House and constructed with recycled, organic, bio-based and sustainably sourced materials – including ECONYL®, a regenerated nylon made from nylon offcuts and pre- and post-consumer waste.     For this new chapter, Siedentopf leads us through the every-day life of these eclectic characters accidentally matching furniture pieces and objects in their homes. The result is an array of hypnotical and haunting scenes, where individuals seem to suggest improbable visual coincidences between their looks and settings.     The campaign will be launched on Gucci’s social media platforms, and will also include bespoke videos for TikTok, dedicated clips for Instagram Stories, and a section on the Gucci App that allows customers to virtually “try on” the Gucci Tennis 1977, using the pioneering augmented reality technology the House has introduced in June 2019.     #accidentalinfluencer

Fall-Winter 2020/21 Haute Couture collection Photographed and captured by Mikael Jansson
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Fall-Winter 2020/21 Haute Couture collection Photographed and captured by Mikael Jansson

Fashion Week “I was thinking about a punk princess coming out of ‘Le Palace’ at dawn,” reveals Virginie Viard. “With a taffeta dress, big hair, feathers and lots of jewellery. This collection is more inspired by Karl Lagerfeld than Gabrielle Chanel. Karl would go to ‘Le Palace’, he would accompany these very sophisticated and very dressed up women, who were very eccentric too.”   While the Spring-Summer 2020 Haute Couture collection was clearly influenced by the simplicity and rigour of the abbey at Aubazine, where Gabrielle Chanel had been placed as a child, the thirty looks of the Fall-Winter 2020/21 Haute Couture collection are marked by a desire for shimmering opulence and jewelry. Some are even accompanied with jewels from the CHANEL High Jewelry collections.   “I like working like this, going in the opposite direction of what I did last time. I wanted complexity, sophistication.”   All of CHANEL’s embroidery partners, including the Métiers d’art Lesage and Montex, as well as Lemarié and Goossens have contributed to the precious tweeds embellished with sequins, strass, stones and beads. A diamond-like braiding adorns the ink black trouser suits. Short dresses with cinched waists and corolla skirts rustle alongside long dresses with a very Grand Siècle allure and the noble authority of heroines escaping from 19th century tableaux.   “It’s true that I thought about paintings, but it was more German paintings,” says Virginie Viard. “I really had Karl’s world in mind…”   Black and anthracite grey tonalities are illuminated with flashes of pink. Painted laces enrich bolero jackets along with tweeds made of silver streaked ribbon; a jacket with an entirely smocked waist is worn over tapered boot-trousers in black suede, the ultimate sign of an ultra-rock romanticism. “For me, Haute Couture is romantic by its very essence. There is so much love in each one of these silhouettes.”   See more on chanel.com   #CHANELHauteCouture “I was thinking about a punk princess coming out of ‘Le Palace’ at dawn,” reveals Virginie Viard. “With a taffeta dress, big hair, feathers and lots of jewellery. This collection is more inspired by Karl Lagerfeld than Gabrielle Chanel. Karl would go to ‘Le Palace’, he would accompany these very sophisticated and very dressed up women, who were very eccentric too.”   While the Spring-Summer 2020 Haute Couture collection was clearly influenced by the simplicity and rigour of the abbey at Aubazine, where Gabrielle Chanel had been placed as a child, the thirty looks of the Fall-Winter 2020/21 Haute Couture collection are marked by a desire for shimmering opulence and jewelry. Some are even accompanied with jewels from the CHANEL High Jewelry collections.   “I like working like this, going in the opposite direction of what I did last time. I wanted complexity, sophistication.”   All of CHANEL’s embroidery partners, including the Métiers d’art Lesage and Montex, as well as Lemarié and Goossens have contributed to the precious tweeds embellished with sequins, strass, stones and beads. A diamond-like braiding adorns the ink black trouser suits. Short dresses with cinched waists and corolla skirts rustle alongside long dresses with a very Grand Siècle allure and the noble authority of heroines escaping from 19th century tableaux.   “It’s true that I thought about paintings, but it was more German paintings,” says Virginie Viard. “I really had Karl’s world in mind…”   Black and anthracite grey tonalities are illuminated with flashes of pink. Painted laces enrich bolero jackets along with tweeds made of silver streaked ribbon; a jacket with an entirely smocked waist is worn over tapered boot-trousers in black suede, the ultimate sign of an ultra-rock romanticism. “For me, Haute Couture is romantic by its very essence. There is so much love in each one of these silhouettes.”   See more on chanel.com   #CHANELHauteCouture

At home with Casil McArthur
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At home with Casil McArthur

Culture At home with Casil McArthur, captured by Antonio Eugenio.       Who are you and what is your profession? I am Casil, a man who loves pretty things and who is trying to change what masculinity means to people. My profession is modeling, and as a trans man, I feel very lucky to be given this type of platform to be able to bring my world into the homes and sight of people who may not think too much on trans experience.    How do you think Covid-19 will affect the fashion industry both long-term and short-term?  How do you see the impact of Corona crisis on the general perception of fashion?  Obviously because photoshoots and runway shows always involve a lot of crew/people working close together to create something, I think the epidemic has effected the industry on every level.  It'll be a long time before things can go "back to normal" so the best thing fashion can do is be as innovative with its creative process as possible, video call and zoom shoots it is for now!      How do you spend your Quarantine time and are you still able to create while being quarantined? Being creative in quarantine is very easy with all the free time. I've spent my time drawing, writing songs and playing video games. But I do believe my fashion creativity has been lacking, for now I am okay with not focusing on outfits and style all the time.      What is in your planning or was in your planning for this year and how will Covid -19 effect that? I was in London when the travel ban was about to take place, luckily I got home before I ended up spending the duration of quarantine in a different country.  I had a few plans to travel for work this year which is no longer possible for an undetermined but probably very long amount of time, I think this coming fashion week in September won't play out as usual which is sad. But I'm excited to see how the industry handles these hurdles.      What is your daily beauty routine like? And what beauty products you cannot go without? Nothing too special, I've finally gotten my skin to balance out so skin care has gotten super easy (I suffered from very bad cystic acne for a while due to hormone imbalances, I found out its not great too forget to take my testosterone for a month.... oops.) I wash my face every night before I go to sleep, and then I use pure vitamin E oil to keep my skin hydrated and to help with any lasting scarring and fine lines I massage my skin with small circles gently using my ring fingers. I spend maybe 15 minutes for my whole routine. I just ran put of this product, but I was using Elysian finishing treatment after the vitamin e oil and that left my skin incredible looking/feeling. I cant live without it, I have to get more!     What is the coolest new thing you have learnt since being quarantined and how did you learn it? I learned how to hitch a car onto a towing trailer, to help my friend. Trial, error, and then FINALLY, YouTube! A good lesson for life!           Tell us something about yourself that isn't on your resume. I really miss being a barista and working at the cute coffee shop in my town. I love coffee and teas, I love creating drinks for people to enjoy. It's a relaxing job even on the most hectic of days and the constant flow of regular and new faces is always a joy.      What's the first place you'd want to go when it's safe again to travel and go out of our homes and why there? I haven't really thought of that, maybe on a road trip with friends? I've always wanted to see Zion national park, I hope I can go there soon one day.      What is your favorite song at the moment and why? Do you have a playlist that you would like to share with us?  Agostina by Puscifer, I just really really really love the guitar and bass towards the end. It gives me goosebumps. So good.  I don't really have a playlist because I don't use music apps. I like CDs, I prefer listening to full albums, my favorites are from Tool, all of their albums are episodic.        What is the first thing you like to do when you wake up, and last thing you like to do before going to bed? I like to make a cup of tea and check my animal crossing in the morning(a very cute video game I love.) Before bed I like to watch what Trevor Noah and Markiplier have uploaded for the day on YT, then I do a meditation to help me sleep.       What is your go-to work-out for staying in shape? What does working out mean to you? I don't really care for working out. I know that I should and I'll have to become serious with it as I get older but for now, I just like doing exercises that involve laying or sitting down on the floor. I've been walking a ton recently.        What is your favorite painting and has it inspired you for any of your work thus far?  I'm not sure I could name a single painting, I like tons of art but I never remember the names of them. I own a few prints of anthropomorphic goat paintings from an artist who is local to my state named Dusty Ray, I /LOVE/ their artwork. I also commissioned a goat art piece from @Jhuisk on Instagram, they're also local to Colorado and I'm so so so excited to meet with them to receive it once it's safe! ♡     What does Pride mean to you?  To uplift the amazing black and brown trans women of our community. We can't forget to thank who came before us, and why we even have pride to begin with.  There would be no pride without Marsha P Johnson and Sylvia Rivera, we would have no pride without black trans women.  We have to make sure trans women of color are supported, protected, loved, hired, paid, encouraged, thanked, and that should be year round.      Tell us about your activism activities for the Trans community.  Right now my activism has been going to protests in my state for Black lives matter, fighting against police brutality, and racism. Black people are dying at a higher rate from covid and because of systemic racism many do not have the privilege to have been able to quarantine. These marches are more important than staying in quarantine especially when so many simply cannot do that even if they desperately need and want too. We all need to be focusing, and keep going to these protests.   In the words of my friends Jame and Camille.  "This doesn't end until our officials, recognize the grievances of a people and the potency of a moment to radically redress their communities. Too demand of our congress, our house, our nation, a full and comprehensive reparations program. Until they will demand Healthcare as a human right and cut its ties from one's market exploitation. Until they will guarantee dignity and the means to live to all of our citizens. Until they will do what they were put there to do and actualize what the only legitimate role of a government is: to secure the freedom of individuals within a collective to self determine their own lives and allow our finest human capacities to flourish."   We must not allow those who wish to see this moment pass, to hijack the now. We need to defund the police and I personally believe we must fight to abolish them. Abolish ICE, predatory social work, the military, and landlords.    Create autonomous zones. Keep marching.  At home with Casil McArthur, captured by Antonio Eugenio.       Who are you and what is your profession? I am Casil, a man who loves pretty things and who is trying to change what masculinity means to people. My profession is modeling, and as a trans man, I feel very lucky to be given this type of platform to be able to bring my world into the homes and sight of people who may not think too much on trans experience.    How do you think Covid-19 will affect the fashion industry both long-term and short-term?  How do you see the impact of Corona crisis on the general perception of fashion?  Obviously because photoshoots and runway shows always involve a lot of crew/people working close together to create something, I think the epidemic has effected the industry on every level.  It'll be a long time before things can go "back to normal" so the best thing fashion can do is be as innovative with its creative process as possible, video call and zoom shoots it is for now!      How do you spend your Quarantine time and are you still able to create while being quarantined? Being creative in quarantine is very easy with all the free time. I've spent my time drawing, writing songs and playing video games. But I do believe my fashion creativity has been lacking, for now I am okay with not focusing on outfits and style all the time.      What is in your planning or was in your planning for this year and how will Covid -19 effect that? I was in London when the travel ban was about to take place, luckily I got home before I ended up spending the duration of quarantine in a different country.  I had a few plans to travel for work this year which is no longer possible for an undetermined but probably very long amount of time, I think this coming fashion week in September won't play out as usual which is sad. But I'm excited to see how the industry handles these hurdles.      What is your daily beauty routine like? And what beauty products you cannot go without? Nothing too special, I've finally gotten my skin to balance out so skin care has gotten super easy (I suffered from very bad cystic acne for a while due to hormone imbalances, I found out its not great too forget to take my testosterone for a month.... oops.) I wash my face every night before I go to sleep, and then I use pure vitamin E oil to keep my skin hydrated and to help with any lasting scarring and fine lines I massage my skin with small circles gently using my ring fingers. I spend maybe 15 minutes for my whole routine. I just ran put of this product, but I was using Elysian finishing treatment after the vitamin e oil and that left my skin incredible looking/feeling. I cant live without it, I have to get more!     What is the coolest new thing you have learnt since being quarantined and how did you learn it? I learned how to hitch a car onto a towing trailer, to help my friend. Trial, error, and then FINALLY, YouTube! A good lesson for life!           Tell us something about yourself that isn't on your resume. I really miss being a barista and working at the cute coffee shop in my town. I love coffee and teas, I love creating drinks for people to enjoy. It's a relaxing job even on the most hectic of days and the constant flow of regular and new faces is always a joy.      What's the first place you'd want to go when it's safe again to travel and go out of our homes and why there? I haven't really thought of that, maybe on a road trip with friends? I've always wanted to see Zion national park, I hope I can go there soon one day.      What is your favorite song at the moment and why? Do you have a playlist that you would like to share with us?  Agostina by Puscifer, I just really really really love the guitar and bass towards the end. It gives me goosebumps. So good.  I don't really have a playlist because I don't use music apps. I like CDs, I prefer listening to full albums, my favorites are from Tool, all of their albums are episodic.        What is the first thing you like to do when you wake up, and last thing you like to do before going to bed? I like to make a cup of tea and check my animal crossing in the morning(a very cute video game I love.) Before bed I like to watch what Trevor Noah and Markiplier have uploaded for the day on YT, then I do a meditation to help me sleep.       What is your go-to work-out for staying in shape? What does working out mean to you? I don't really care for working out. I know that I should and I'll have to become serious with it as I get older but for now, I just like doing exercises that involve laying or sitting down on the floor. I've been walking a ton recently.        What is your favorite painting and has it inspired you for any of your work thus far?  I'm not sure I could name a single painting, I like tons of art but I never remember the names of them. I own a few prints of anthropomorphic goat paintings from an artist who is local to my state named Dusty Ray, I /LOVE/ their artwork. I also commissioned a goat art piece from @Jhuisk on Instagram, they're also local to Colorado and I'm so so so excited to meet with them to receive it once it's safe! ♡     What does Pride mean to you?  To uplift the amazing black and brown trans women of our community. We can't forget to thank who came before us, and why we even have pride to begin with.  There would be no pride without Marsha P Johnson and Sylvia Rivera, we would have no pride without black trans women.  We have to make sure trans women of color are supported, protected, loved, hired, paid, encouraged, thanked, and that should be year round.      Tell us about your activism activities for the Trans community.  Right now my activism has been going to protests in my state for Black lives matter, fighting against police brutality, and racism. Black people are dying at a higher rate from covid and because of systemic racism many do not have the privilege to have been able to quarantine. These marches are more important than staying in quarantine especially when so many simply cannot do that even if they desperately need and want too. We all need to be focusing, and keep going to these protests.   In the words of my friends Jame and Camille.  "This doesn't end until our officials, recognize the grievances of a people and the potency of a moment to radically redress their communities. Too demand of our congress, our house, our nation, a full and comprehensive reparations program. Until they will demand Healthcare as a human right and cut its ties from one's market exploitation. Until they will guarantee dignity and the means to live to all of our citizens. Until they will do what they were put there to do and actualize what the only legitimate role of a government is: to secure the freedom of individuals within a collective to self determine their own lives and allow our finest human capacities to flourish."   We must not allow those who wish to see this moment pass, to hijack the now. We need to defund the police and I personally believe we must fight to abolish them. Abolish ICE, predatory social work, the military, and landlords.    Create autonomous zones. Keep marching. 

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