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OCEANS RELEASES OFFICIAL MUSIC VIDEO FOR LATEST SINGLE ‘CEREAL’!
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OCEANS RELEASES OFFICIAL MUSIC VIDEO FOR LATEST SINGLE ‘CEREAL’!

Music After a period without releasing music, Oceans burst back onto the scene recently with his new single ‘Cereal’. With previous singles ‘Deep Blue’ and ‘Cold Aint For Me’ proving huge successes, and the latter standing at over 26 million streams on Spotify alone, Oceans aims to pick up where he left off with this latest single. We’re excited to share with you the exclusive premiere of the music video below, which is set across stunning locations including Copenhagen and the Scottish Highland. The video ties ties together his love for music, travel and lifestyle, as he teams up with brands such as Rolls-Royce Motor Cars, Bodaskins, and MATE. Bike. for this impressive production. We grabbed a few words with him around his new single, the music video and future plans…   watch the video: https://youtu.be/xE3oLab7lSs   Thanks for taking the time to speak to us! How has this crazy year been for you first of all? Hey! Thanks for having me and of course! Oh, goodness! It has truly been turbulent, unexpected and stressful. I was sure that 2020 was going to bring positive change and transition to my life and it did in every way but it’s just such a shame that I’ve been unable to travel as much as normal. We had so much planned! The disease is a real thing though, and I do hope it passes soon. During quarantine I actually wrote a lot of music, Cereal included. I also set up my record label “The Oceans Own” and set forth on my journey to share the next five songs with you!   We love your latest single ‘Cereal’, what was the inspiration behind it?  Thank you so much! Its also one of my personal favourites and it came about honestly from eating cereal and my genuine love for cereal! I was thinking to myself, how can I write a song about these sweet, colourful little munchies and then I pulled the guitar out! I ended up basing the story on what it feels like to break up and how that affected my living habits. We’ve all been there so I got myself in that direction of writing and once I was clear on my story, it just came super naturally. I love a sad song that makes you feel happy, but this song came almost too quickly for me to even write lyrics. I made it right there in the living room with just the MacBook, a microphone and some candles. I get inspired easily and from the weirdest and simplest things!     The music video is amazing, good work on that. We’re told you directed and produced this video yourself, that is impressive, have you always taken control of your creative output and image? Thanks again, I really appreciate that! It’s a special feeling to be in the drivers seat with everything I do around my project and I wouldn’t have it any other way, but if I’m honest, right now I’ve got no other choice. I left my previous record label because I felt they weren’t really about building my brand with me. Since the first record, Cold Ain’t For Me, I always had a clear visual in my mind for Oceans and I’ll always have that travel, lifestyle vibe about my videos. I’m also really blessed to have the partners I do involved in this project like Rolls-Royce Motor Cars, Bodaskins and MATE. Bike. I’m happy they believe in my vision and I would like to continue making visuals that explore my concepts! It’s a good bit of fun too!    What story did you want to convey through the music video? It seems fun but was there a message you wanted to run through it? For me, the story of Cereals video is that when something is not right, you have a good amount of time to digest that and understand that you were in the wrong position. Watching the TV, eating cereal (or another snack of preference) and being a lazy boy for a minute helped not only myself, but a lot of guys get through their breakups.  The dream sequence and having this adventure with the girl from the TV show is kind of a glimpse at a possible future or a desire that we all have inside somewhere. Companionship and a travel buddy to go around with and share experiences is what all of us lonely people want when we don’t have a significant other. Bumping into the same girl I was dreaming about in real life is also a simple twist I wanted to have to the ending, and that to the viewers hopefully suggests that we must get out and get over issues of our past to move forward. Also, you NEVER know when you could meet the one!   ‘Cereal’ is the first track you’ve released in a while, do you have any new releases or other projects in the pipeline? Absolutely! The next song, “Unhappy Birthday” drops on the 2ndOctober and I’m really excited to share that with the world. Following shortly after, there are another 4 confirmed singles and videos that ultimately sum up the new direction I’m going toward artistically. I’m aiming to be playing my songs live next year if/when this craziness passes and I’m also promising new visual material and plenty of summer, travel, lifestyle vibes in the upcoming music.     After a period without releasing music, Oceans burst back onto the scene recently with his new single ‘Cereal’. With previous singles ‘Deep Blue’ and ‘Cold Aint For Me’ proving huge successes, and the latter standing at over 26 million streams on Spotify alone, Oceans aims to pick up where he left off with this latest single. We’re excited to share with you the exclusive premiere of the music video below, which is set across stunning locations including Copenhagen and the Scottish Highland. The video ties ties together his love for music, travel and lifestyle, as he teams up with brands such as Rolls-Royce Motor Cars, Bodaskins, and MATE. Bike. for this impressive production. We grabbed a few words with him around his new single, the music video and future plans…   watch the video: https://youtu.be/xE3oLab7lSs   Thanks for taking the time to speak to us! How has this crazy year been for you first of all? Hey! Thanks for having me and of course! Oh, goodness! It has truly been turbulent, unexpected and stressful. I was sure that 2020 was going to bring positive change and transition to my life and it did in every way but it’s just such a shame that I’ve been unable to travel as much as normal. We had so much planned! The disease is a real thing though, and I do hope it passes soon. During quarantine I actually wrote a lot of music, Cereal included. I also set up my record label “The Oceans Own” and set forth on my journey to share the next five songs with you!   We love your latest single ‘Cereal’, what was the inspiration behind it?  Thank you so much! Its also one of my personal favourites and it came about honestly from eating cereal and my genuine love for cereal! I was thinking to myself, how can I write a song about these sweet, colourful little munchies and then I pulled the guitar out! I ended up basing the story on what it feels like to break up and how that affected my living habits. We’ve all been there so I got myself in that direction of writing and once I was clear on my story, it just came super naturally. I love a sad song that makes you feel happy, but this song came almost too quickly for me to even write lyrics. I made it right there in the living room with just the MacBook, a microphone and some candles. I get inspired easily and from the weirdest and simplest things!     The music video is amazing, good work on that. We’re told you directed and produced this video yourself, that is impressive, have you always taken control of your creative output and image? Thanks again, I really appreciate that! It’s a special feeling to be in the drivers seat with everything I do around my project and I wouldn’t have it any other way, but if I’m honest, right now I’ve got no other choice. I left my previous record label because I felt they weren’t really about building my brand with me. Since the first record, Cold Ain’t For Me, I always had a clear visual in my mind for Oceans and I’ll always have that travel, lifestyle vibe about my videos. I’m also really blessed to have the partners I do involved in this project like Rolls-Royce Motor Cars, Bodaskins and MATE. Bike. I’m happy they believe in my vision and I would like to continue making visuals that explore my concepts! It’s a good bit of fun too!    What story did you want to convey through the music video? It seems fun but was there a message you wanted to run through it? For me, the story of Cereals video is that when something is not right, you have a good amount of time to digest that and understand that you were in the wrong position. Watching the TV, eating cereal (or another snack of preference) and being a lazy boy for a minute helped not only myself, but a lot of guys get through their breakups.  The dream sequence and having this adventure with the girl from the TV show is kind of a glimpse at a possible future or a desire that we all have inside somewhere. Companionship and a travel buddy to go around with and share experiences is what all of us lonely people want when we don’t have a significant other. Bumping into the same girl I was dreaming about in real life is also a simple twist I wanted to have to the ending, and that to the viewers hopefully suggests that we must get out and get over issues of our past to move forward. Also, you NEVER know when you could meet the one!   ‘Cereal’ is the first track you’ve released in a while, do you have any new releases or other projects in the pipeline? Absolutely! The next song, “Unhappy Birthday” drops on the 2ndOctober and I’m really excited to share that with the world. Following shortly after, there are another 4 confirmed singles and videos that ultimately sum up the new direction I’m going toward artistically. I’m aiming to be playing my songs live next year if/when this craziness passes and I’m also promising new visual material and plenty of summer, travel, lifestyle vibes in the upcoming music.    

Conservatorium Hotel Amsterdam
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Conservatorium Hotel Amsterdam

Travel The three founding hotels of The Set are located in the cultural heart of their vibrant cities. They have for decades a racted people who drive change and creativity and are places where established and emerging ideas come together to shape the future. Matching the spirit and pace of contemporary life, The Set hotels are explicitly designed to enable new discoveries and to capture the hearts and minds of guests in the process. These are places people love, want to return to and to tell others about. Simply put, they are the modern grand hotels of our time.     Over 100 years ago, architect Daniel Knuttel turned to a mix of neo-Gothic and Art Nouveau principles to visually celebrate the importance of the Conservatorium building. Today, Italian architect Piero Lissoni uses a contemporary design language to complement and continue this narrative. Inside and out, a strong design aesthetic is fundamental to the Conservatorium. It actually tells its story. The building’s original function as a savings bank is apparent in the playful details so embraced by the Art Nouveau movement. There are stone pigs carved into the staircase to symbolise piggy banks; spider webs on the tiles in the shopping arcade allude to spiders trapping ies to consume later; and the tiles also portray bees, which, metaphorically, save stocks of honey for the wintertime. These elements demonstrate an attention to design detail that remains today. Italian architect and design maestro Piero Lissoni was responsible for evolving this rich design history into a contemporary space. The way he merged the 19th century edi ce by encasing its interior courtyard in glass demonstrates a seamless, innate understanding of old and new, public and private. Lissoni’s style is rich, muted and stylishly pared-back. While his vision contrasts to the decorative nature of the original 19th century edice, it brings a new mood – and a new function – to this historic landmark building.     The Conservatorium regularly collaborates with the Conservatorium van Amsterdam music school and together they started the Expression of Art Award series. Each year, students from the jazz department are invited to play at the hotel. A jury is present to announce the winner, who is awarded with a monetary fund to encourage them in their musical career. The hotel’s cultural commitment goes beyond music. It has an ever-changing roster of contemporary artists displaying their work in the hotel lobby. These artists range from emerging talent to globally established names such as Banksy and Scholten & Baijings. Local artists also decorate the Artist in Residence Suites upstairs with works. These pieces are rotated frequently and are shown alongside publications giving details. They are accompanied by a series of lectures and workshops. The permanent art collection in the hotel has been curated by architect Piero Lissoni, and includes everything from reproductions of historic Dutch masterpieces to brand new commissions inspired by the Conservatorium’s cultural and musical history.   The Conservatorium has an illustrious, century-long past where society has always gathered together. This is especially apparent today in its elegant bar and restaurants. The restaurant Taiko rede nes contemporary Asian cuisine with authentic dishes made of local, seasonal products. Taiko takes its name from the Japanese for ‘drum’, and is located in the percussion room of the old music school. For something more casual, there is the Brasserie where platters full of healthy dishes greet customers as they arrive and afternoon tea is served every day. Lastly, the Tunes Bar serves cocktails, which are best enjoyed during the weekend when the in-house DJ brings the room alive.   The Akasha Holistic Wellbeing Centre marries innovative Western practices with ancient Eastern traditions. It boasts seven treatment rooms, including a double treatment suite, and o ers some of the nest signature spa treatments in Amsterdam. There is a private Hammam for purifying scrubs and massages. Akasha also features Amsterdam’s only Watsu pool for tailored hydro-treatments and guided meditation, as well as a large gym featuring Life Fitness equipment and private studios for yoga, pilates and more.     Located on Museumplein – Amsterdam’s historic cultural hub – the Conservatorium is surrounded by legendary artworks, ne examples of the applied arts and classical and jazz music in a set of world-famous institutions. Paintings by the Netherland’s greatest master can be found at the Van Gogh Museum and the Rijksmuseum has a team of historic Dutch masterpieces by Rembrandt, Vermeer and Frans Hals. Contemporary art is shown close by at the Stedelijk Museum and Moco Museum and opposite is the Concertgebouw, which has one of Europe’s best music programmes. This community of culture is within footsteps of the Conservatorium.     Are you planning your next trip but want maximum flexibility? With The Set Flex you can book now, but change your dates and/or destination up to two times, up to the end of 2021. Have you booked your stay at the Conservatorium Hotel, but decide to go to Paris or London after all, with The Set Flex you can change the destination and the dates easily. Furthermore, you will get 25% discount on our best available rate and you can enjoy at the relaxing environment of the Akasha Holistic Wellbeing at each of our beautifully composed properties.   We love treats - who doesn't? Book your stay with us directly or via your preferred travel advisor and we'll treat you to a €30 hotel credit (or €60 for suite bookings) to enjoy in our restaurants or spa, a guaranteed upgrade, a guaranteed early check-in and a guaranteed late check-out until 3 pm. The best offer you will find, guaranteed. T&Cs apply.   For more information and booking please visit their website: conservatoriumhotel.com The three founding hotels of The Set are located in the cultural heart of their vibrant cities. They have for decades a racted people who drive change and creativity and are places where established and emerging ideas come together to shape the future. Matching the spirit and pace of contemporary life, The Set hotels are explicitly designed to enable new discoveries and to capture the hearts and minds of guests in the process. These are places people love, want to return to and to tell others about. Simply put, they are the modern grand hotels of our time.     Over 100 years ago, architect Daniel Knuttel turned to a mix of neo-Gothic and Art Nouveau principles to visually celebrate the importance of the Conservatorium building. Today, Italian architect Piero Lissoni uses a contemporary design language to complement and continue this narrative. Inside and out, a strong design aesthetic is fundamental to the Conservatorium. It actually tells its story. The building’s original function as a savings bank is apparent in the playful details so embraced by the Art Nouveau movement. There are stone pigs carved into the staircase to symbolise piggy banks; spider webs on the tiles in the shopping arcade allude to spiders trapping ies to consume later; and the tiles also portray bees, which, metaphorically, save stocks of honey for the wintertime. These elements demonstrate an attention to design detail that remains today. Italian architect and design maestro Piero Lissoni was responsible for evolving this rich design history into a contemporary space. The way he merged the 19th century edi ce by encasing its interior courtyard in glass demonstrates a seamless, innate understanding of old and new, public and private. Lissoni’s style is rich, muted and stylishly pared-back. While his vision contrasts to the decorative nature of the original 19th century edice, it brings a new mood – and a new function – to this historic landmark building.     The Conservatorium regularly collaborates with the Conservatorium van Amsterdam music school and together they started the Expression of Art Award series. Each year, students from the jazz department are invited to play at the hotel. A jury is present to announce the winner, who is awarded with a monetary fund to encourage them in their musical career. The hotel’s cultural commitment goes beyond music. It has an ever-changing roster of contemporary artists displaying their work in the hotel lobby. These artists range from emerging talent to globally established names such as Banksy and Scholten & Baijings. Local artists also decorate the Artist in Residence Suites upstairs with works. These pieces are rotated frequently and are shown alongside publications giving details. They are accompanied by a series of lectures and workshops. The permanent art collection in the hotel has been curated by architect Piero Lissoni, and includes everything from reproductions of historic Dutch masterpieces to brand new commissions inspired by the Conservatorium’s cultural and musical history.   The Conservatorium has an illustrious, century-long past where society has always gathered together. This is especially apparent today in its elegant bar and restaurants. The restaurant Taiko rede nes contemporary Asian cuisine with authentic dishes made of local, seasonal products. Taiko takes its name from the Japanese for ‘drum’, and is located in the percussion room of the old music school. For something more casual, there is the Brasserie where platters full of healthy dishes greet customers as they arrive and afternoon tea is served every day. Lastly, the Tunes Bar serves cocktails, which are best enjoyed during the weekend when the in-house DJ brings the room alive.   The Akasha Holistic Wellbeing Centre marries innovative Western practices with ancient Eastern traditions. It boasts seven treatment rooms, including a double treatment suite, and o ers some of the nest signature spa treatments in Amsterdam. There is a private Hammam for purifying scrubs and massages. Akasha also features Amsterdam’s only Watsu pool for tailored hydro-treatments and guided meditation, as well as a large gym featuring Life Fitness equipment and private studios for yoga, pilates and more.     Located on Museumplein – Amsterdam’s historic cultural hub – the Conservatorium is surrounded by legendary artworks, ne examples of the applied arts and classical and jazz music in a set of world-famous institutions. Paintings by the Netherland’s greatest master can be found at the Van Gogh Museum and the Rijksmuseum has a team of historic Dutch masterpieces by Rembrandt, Vermeer and Frans Hals. Contemporary art is shown close by at the Stedelijk Museum and Moco Museum and opposite is the Concertgebouw, which has one of Europe’s best music programmes. This community of culture is within footsteps of the Conservatorium.     Are you planning your next trip but want maximum flexibility? With The Set Flex you can book now, but change your dates and/or destination up to two times, up to the end of 2021. Have you booked your stay at the Conservatorium Hotel, but decide to go to Paris or London after all, with The Set Flex you can change the destination and the dates easily. Furthermore, you will get 25% discount on our best available rate and you can enjoy at the relaxing environment of the Akasha Holistic Wellbeing at each of our beautifully composed properties.   We love treats - who doesn't? Book your stay with us directly or via your preferred travel advisor and we'll treat you to a €30 hotel credit (or €60 for suite bookings) to enjoy in our restaurants or spa, a guaranteed upgrade, a guaranteed early check-in and a guaranteed late check-out until 3 pm. The best offer you will find, guaranteed. T&Cs apply.   For more information and booking please visit their website: conservatoriumhotel.com

In conversation with ELDERBROOK
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In conversation with ELDERBROOK

Music One-to-watch global talent ELDEBROOK releases his exemplary debut album ‘WHY DO WE SHAKE IN THE COLD?’ today, alongside a 14 date UK + EU March 2021 tour which includes a stop at London’s Electric Ballroom. Expect an exemplary debut record that intricately explores themes of identity, emotion and the importance of human connection, presenting ELDERBROOK as a unique artist in the crossover electronic space making emotive, uplifting music with a sensitive storytelling element attached to it.   Collaborations with Camelphat, Diplo, Black Coffee, Rudimental and Martin Garrix have earnt him a revered reputation across the board as a live act, multi-instrumentalist, producer and singer/songwriter; which include the stand-out single and RUDIMENTAL collaboration ‘SOMETHING ABOUT YOU’, amassing 50M combined streams and 18M video views. Other notable album moments include the reflective ‘NUMB’ and emotive title track ‘WHY DO WE SHAKE IN THE COLD?’     We had a delight speaking with him about his new album.     Who are you and what is your profession?   I’m Elderbrook and I’m a singer/producer from the UK     How do you think Covid-19 will affect the music industry both long-term and short-term? How do you see the impact of Corona crisis on the general perception of music?    Well obviously in the short term it’s meant that there are no shows. Live music is such a big part of the industry and I’ve really been missing it. A lot of people’s livelihoods have been put on the line on that side so I hope it gets better soon. I think the crisis has changed perception of the actual making of music more than anything else. I’ve written so much music with a lot of people completely online. “My House” and the song I have with Martin Garrix were online collaborations because of Covid-19 and I think it’s opened the door for a lot more online way of working going forward      How did you spend your Quarantine time and were you still able to create while being quarantined?   Definitely! I was meant to be touring all over the world but because I was confined to my house it was the perfect opportunity to finish my album and then write new music. I have a studio in a little cabin at the bottom of my garden and I spent most of my time there writing music.      Tell us something about yourself that is not on your resume.   I love badminton and I think I’m great at it although I don’t get to play as often as I would like!      We love your single “NUMB”, can you tell us more about it. What inspired you to make this tune?   I was on tour and missing being at home with my family and fiancé which inspired the lyric ‘reaching in the dark with nothing their to touch’. The song is all about that sense of being alone in a crowded and busy place and just wanting someone else there with you.      What do you want to tell with your music, and what themes are you exploring with your music?   All of the songs on the album explore the theme of human interaction and how we relate to one another. It’s about people needing other people.       What is your story and how does it reflect in your work? What does music mean to you and what made you start making music in the first place?   I first started making music when I was about 15. I loved indie music like Kings of Leon and Arctic Monkeys and had a band with some friends from school. I think that reflects in my music now because, although I now make electronic music, the songs are structured like the music I used to make. Proper verse chorus structure and indie lyrics.      Tell us more about your today  newly released album. What is your new album’s main narrative?    I called it Why Do We Shake in The Cold because it reflects the whole theme of the album of people needing other people. The lyric itself is a metaphor that people shake to show others that they need them rather than just because they are cold.      What do you have in store for us next? Working on anything exciting to come?   I have exciting collaborations in the works! Stuff I’ve been writing with people during lockdown. Other than that I’ll be getting my album out there as much as I can and then hopefully start touring in March!        New single ‘Back To My Bed’ has a brilliant video that dropped today, check it out here: https://elderbrook.lnk.to/BackToMyBed   One-to-watch global talent ELDEBROOK releases his exemplary debut album ‘WHY DO WE SHAKE IN THE COLD?’ today, alongside a 14 date UK + EU March 2021 tour which includes a stop at London’s Electric Ballroom. Expect an exemplary debut record that intricately explores themes of identity, emotion and the importance of human connection, presenting ELDERBROOK as a unique artist in the crossover electronic space making emotive, uplifting music with a sensitive storytelling element attached to it.   Collaborations with Camelphat, Diplo, Black Coffee, Rudimental and Martin Garrix have earnt him a revered reputation across the board as a live act, multi-instrumentalist, producer and singer/songwriter; which include the stand-out single and RUDIMENTAL collaboration ‘SOMETHING ABOUT YOU’, amassing 50M combined streams and 18M video views. Other notable album moments include the reflective ‘NUMB’ and emotive title track ‘WHY DO WE SHAKE IN THE COLD?’     We had a delight speaking with him about his new album.     Who are you and what is your profession?   I’m Elderbrook and I’m a singer/producer from the UK     How do you think Covid-19 will affect the music industry both long-term and short-term? How do you see the impact of Corona crisis on the general perception of music?    Well obviously in the short term it’s meant that there are no shows. Live music is such a big part of the industry and I’ve really been missing it. A lot of people’s livelihoods have been put on the line on that side so I hope it gets better soon. I think the crisis has changed perception of the actual making of music more than anything else. I’ve written so much music with a lot of people completely online. “My House” and the song I have with Martin Garrix were online collaborations because of Covid-19 and I think it’s opened the door for a lot more online way of working going forward      How did you spend your Quarantine time and were you still able to create while being quarantined?   Definitely! I was meant to be touring all over the world but because I was confined to my house it was the perfect opportunity to finish my album and then write new music. I have a studio in a little cabin at the bottom of my garden and I spent most of my time there writing music.      Tell us something about yourself that is not on your resume.   I love badminton and I think I’m great at it although I don’t get to play as often as I would like!      We love your single “NUMB”, can you tell us more about it. What inspired you to make this tune?   I was on tour and missing being at home with my family and fiancé which inspired the lyric ‘reaching in the dark with nothing their to touch’. The song is all about that sense of being alone in a crowded and busy place and just wanting someone else there with you.      What do you want to tell with your music, and what themes are you exploring with your music?   All of the songs on the album explore the theme of human interaction and how we relate to one another. It’s about people needing other people.       What is your story and how does it reflect in your work? What does music mean to you and what made you start making music in the first place?   I first started making music when I was about 15. I loved indie music like Kings of Leon and Arctic Monkeys and had a band with some friends from school. I think that reflects in my music now because, although I now make electronic music, the songs are structured like the music I used to make. Proper verse chorus structure and indie lyrics.      Tell us more about your today  newly released album. What is your new album’s main narrative?    I called it Why Do We Shake in The Cold because it reflects the whole theme of the album of people needing other people. The lyric itself is a metaphor that people shake to show others that they need them rather than just because they are cold.      What do you have in store for us next? Working on anything exciting to come?   I have exciting collaborations in the works! Stuff I’ve been writing with people during lockdown. Other than that I’ll be getting my album out there as much as I can and then hopefully start touring in March!        New single ‘Back To My Bed’ has a brilliant video that dropped today, check it out here: https://elderbrook.lnk.to/BackToMyBed  

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BALENCIAGA MUSIC
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BALENCIAGA MUSIC

On the Playlist Balenciaga is now on Apple Music, curating exclusive playlists. Balenciaga Artistic Director Demna Gvasalia has personally chosen a group of influential artists to create original playlists that will be announced over time, along with limited-edition Balenciaga product releases.   Artists whose work has greatly inspired Demna throughout his life were invited to share their own musical universes with personal references and music they themselves enjoy listening to. The resulting playlists will be available exclusivelyvia Balenciaga’s curator page on Apple Music.   Along with each playlist, a collection of limited-edition products inspired by these chosen artists will be available to purchase in select stores and on Balenciaga.com. These items loosely reference the merchandise and backstage gear found at live music venues or clubs.   “The Balenciaga x Apple Music playlists will be by some of my favorite music artists, each of whom I have personally selected,” said Demna Gvasalia about the new endeavor. “These playlists will represent their personal tastes and influences, giving insight into what they listen to in their own lives.   “To launch the project, I decided to release my own playlist, including somefavorite tracks that I listen to every day. This playlist is a musical introduction andrepresentation of me. This is why it is called Hello, My Name Is Demna.”   Demna’s playlist is available September 10th at 6pm CET. It features 13 hours ofhis favorite music, including tracks by some of the artists that will later provide Balenciaga playlists. The first limited-edition merch products feature nametag graphic that reads Hello, My Name Is Demna.   more on Balenciaga.com Balenciaga is now on Apple Music, curating exclusive playlists. Balenciaga Artistic Director Demna Gvasalia has personally chosen a group of influential artists to create original playlists that will be announced over time, along with limited-edition Balenciaga product releases.   Artists whose work has greatly inspired Demna throughout his life were invited to share their own musical universes with personal references and music they themselves enjoy listening to. The resulting playlists will be available exclusivelyvia Balenciaga’s curator page on Apple Music.   Along with each playlist, a collection of limited-edition products inspired by these chosen artists will be available to purchase in select stores and on Balenciaga.com. These items loosely reference the merchandise and backstage gear found at live music venues or clubs.   “The Balenciaga x Apple Music playlists will be by some of my favorite music artists, each of whom I have personally selected,” said Demna Gvasalia about the new endeavor. “These playlists will represent their personal tastes and influences, giving insight into what they listen to in their own lives.   “To launch the project, I decided to release my own playlist, including somefavorite tracks that I listen to every day. This playlist is a musical introduction andrepresentation of me. This is why it is called Hello, My Name Is Demna.”   Demna’s playlist is available September 10th at 6pm CET. It features 13 hours ofhis favorite music, including tracks by some of the artists that will later provide Balenciaga playlists. The first limited-edition merch products feature nametag graphic that reads Hello, My Name Is Demna.   more on Balenciaga.com

In conversation with Delilah Montagu
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In conversation with Delilah Montagu

Music London based artist Delilah Montagu today releases her empowering brand new single Loud, out now on Columbia Records.      Loud was written in Los Angeles alongside Delilah’s new confidant and acclaimed producer Robin Hannibal (Rhye, Kendrick Lamar, Anderson .Paak) just as the global pandemic we now all find ourselves a part of, was about to hit. It was here and in this moment where Delilah learned how to express herself, shifting from constant uncertainty and loss of self, to truly owning her story for the first time.   LISTEN TO LOUD HERE     Who are you and what is your profession?   My name is Delilah and I’m a singer songwriter.     How do you think Covid-19 will affect the music industry both long-term and short-term? How do you see the impact of Corona crisis on the general perception of music?    It’s already affected the music industry hugely, especially the live aspect of it!  But on a positive note, I definitely spent a lot of time over lockdown re listening to music that I haven’t listened to in years and discovering new artists.     How do you spend your Quarantine time and are you still able to create while being quarantined?   I spent it in the countryside with my mum and girlfriend, and I almost wrote a whole album!  I loved being able to write and create music from home - working with robin (Hannibal) via FaceTime wasn’t as bad as I thought it would be! It was a very creative time for me.     Tell us something about yourself that is not on your resume.   I’m an awful baker but still attempt to bake weekly      We love your new single “Version of Me”, can you tell us more about it. What inspired you to make this tune?   Thank you. It was a very honest, vulnerable process of speaking everything that was in my head out loud, while robin wrote down what I was saying - that’s pretty much how the song came to be. I’m very proud of it it feels like my baby.      What do you want to tell with your music, and what themes are you exploring with your music?   Vulnerability, honesty and imperfection. I want to tell the truth.   What do you have in store for us next? Working on anything exciting to come?   Yes!! An album! And lots more singles, I couldn’t be more excited.    How was it working with top producer Robin Hannibal and what did you learn from the experience?   I learn a lot from Robin every day.  He has taught me a lot about empowering myself, having confidence in my own abilities and structure around songwriting. He’s definitely the best mentor I have ever had and I feel grateful to have met him.      What is your story and how does it reflect in your work?   My story is one of change and discovery. I feel like I’m constantly learning new things and now that I’m more accepting of myself and confident in being myself it shows in my work - it’s very direct.     What does music mean to you and what made you start making music in the first place?   Music has saved my life so many times, it’s my way of processing and growing. Music is my home. London based artist Delilah Montagu today releases her empowering brand new single Loud, out now on Columbia Records.      Loud was written in Los Angeles alongside Delilah’s new confidant and acclaimed producer Robin Hannibal (Rhye, Kendrick Lamar, Anderson .Paak) just as the global pandemic we now all find ourselves a part of, was about to hit. It was here and in this moment where Delilah learned how to express herself, shifting from constant uncertainty and loss of self, to truly owning her story for the first time.   LISTEN TO LOUD HERE     Who are you and what is your profession?   My name is Delilah and I’m a singer songwriter.     How do you think Covid-19 will affect the music industry both long-term and short-term? How do you see the impact of Corona crisis on the general perception of music?    It’s already affected the music industry hugely, especially the live aspect of it!  But on a positive note, I definitely spent a lot of time over lockdown re listening to music that I haven’t listened to in years and discovering new artists.     How do you spend your Quarantine time and are you still able to create while being quarantined?   I spent it in the countryside with my mum and girlfriend, and I almost wrote a whole album!  I loved being able to write and create music from home - working with robin (Hannibal) via FaceTime wasn’t as bad as I thought it would be! It was a very creative time for me.     Tell us something about yourself that is not on your resume.   I’m an awful baker but still attempt to bake weekly      We love your new single “Version of Me”, can you tell us more about it. What inspired you to make this tune?   Thank you. It was a very honest, vulnerable process of speaking everything that was in my head out loud, while robin wrote down what I was saying - that’s pretty much how the song came to be. I’m very proud of it it feels like my baby.      What do you want to tell with your music, and what themes are you exploring with your music?   Vulnerability, honesty and imperfection. I want to tell the truth.   What do you have in store for us next? Working on anything exciting to come?   Yes!! An album! And lots more singles, I couldn’t be more excited.    How was it working with top producer Robin Hannibal and what did you learn from the experience?   I learn a lot from Robin every day.  He has taught me a lot about empowering myself, having confidence in my own abilities and structure around songwriting. He’s definitely the best mentor I have ever had and I feel grateful to have met him.      What is your story and how does it reflect in your work?   My story is one of change and discovery. I feel like I’m constantly learning new things and now that I’m more accepting of myself and confident in being myself it shows in my work - it’s very direct.     What does music mean to you and what made you start making music in the first place?   Music has saved my life so many times, it’s my way of processing and growing. Music is my home.

Fotomuseum aan het Vrijthof presents 'This is my Church'
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Fotomuseum aan het Vrijthof presents 'This is my Church'

Exhibition Dutch dance photographer Rutger Geerling will be exhibiting from 3 October 2020 to 28 February 2021 at Fotomuseum aan het Vrijthof in Maastricht. The exhibition 'This is my Church' shows a selection of impressive photos of international dance festivals and events in stadiums and large clubs. Dutch DJ heroes such as Afrojack, Armin van Buuren, Hardwell, Nicky Romero and Tiësto play a prominent role.   Rutger Geerling is one of the world's top photographers in Electronic Dance Music (EDM). Starting as a pioneer, he has been photographing the international dance scene for 25 years and enjoys enormous respect from organizers and artists. With his camera he captures the music, freedom, love, togetherness, energy, friendship and magic of this fascinating culture.   With the colourful exhibition, the photography museum pays tribute to Electronic Dance Music. Seventy photos and supporting videos provide a unique insight into the dance world. In addition to impressive landscapes of festivals, scenery and fire and light shows, the monumental museum also presents backstage photos, intimate portraits of concertgoers, action photos of DJs, selfies of (festival) visitors and a DJ booth.   The photographer has made numerous registrations of leading festivals and dance parties such as Sensation in Amsterdam, Tomorrowland in Boom (Belgium), Ultra Music Festival in Miami (USA) and Sunburn in Goa (India). At these events Rutger Geerling has also worked extensively with top foreign DJs as Carl Cox, David Guetta and Dimitri Vegas & Like Mike.   Rutger Geerling (1970) lives in Rotterdam where he completed a Public Administration degree. He followed his heart and became a professional photographer in 1995, also by the alias Rudgr. In 2015 his acclaimed book 'This is my Church' was published; an overview of 20 years of Electronic Dance Music. With this inspiring photo book he became the winner of the prestigious Pop Media Prize 2015. Rudgr's iconic photos are published worldwide and for the first time can now be seen in a museum setting.     www.fotomuseumaanhetvrijthof.nl Dutch dance photographer Rutger Geerling will be exhibiting from 3 October 2020 to 28 February 2021 at Fotomuseum aan het Vrijthof in Maastricht. The exhibition 'This is my Church' shows a selection of impressive photos of international dance festivals and events in stadiums and large clubs. Dutch DJ heroes such as Afrojack, Armin van Buuren, Hardwell, Nicky Romero and Tiësto play a prominent role.   Rutger Geerling is one of the world's top photographers in Electronic Dance Music (EDM). Starting as a pioneer, he has been photographing the international dance scene for 25 years and enjoys enormous respect from organizers and artists. With his camera he captures the music, freedom, love, togetherness, energy, friendship and magic of this fascinating culture.   With the colourful exhibition, the photography museum pays tribute to Electronic Dance Music. Seventy photos and supporting videos provide a unique insight into the dance world. In addition to impressive landscapes of festivals, scenery and fire and light shows, the monumental museum also presents backstage photos, intimate portraits of concertgoers, action photos of DJs, selfies of (festival) visitors and a DJ booth.   The photographer has made numerous registrations of leading festivals and dance parties such as Sensation in Amsterdam, Tomorrowland in Boom (Belgium), Ultra Music Festival in Miami (USA) and Sunburn in Goa (India). At these events Rutger Geerling has also worked extensively with top foreign DJs as Carl Cox, David Guetta and Dimitri Vegas & Like Mike.   Rutger Geerling (1970) lives in Rotterdam where he completed a Public Administration degree. He followed his heart and became a professional photographer in 1995, also by the alias Rudgr. In 2015 his acclaimed book 'This is my Church' was published; an overview of 20 years of Electronic Dance Music. With this inspiring photo book he became the winner of the prestigious Pop Media Prize 2015. Rudgr's iconic photos are published worldwide and for the first time can now be seen in a museum setting.     www.fotomuseumaanhetvrijthof.nl

In conversation with GLIA
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In conversation with GLIA

Music "GLIA is a creative and very talented female music producer, dj and many other things. She used to be my roommate back in Ljubljana when we were students. So I am very happy interviewing her now, with the release of her  two new tracks." - Timotej Letonja     Who are you and what is your profession?   I am an audio content creator, music producer, sound designer, dj, educator and an artist. I have been working in the music industry for the last seven years. I got indulged into the field through the love for music and got familiar with sound and audio creation, which made me even more immersed into the field that I adore. I am heavily into product design and hardware design but also into sound design through synthesis. What I am primarily focused on at the moment is the production of my own music, which is contemporary and electronic, however I have collaborated as well with other artists and singers in non-electronic genres, especially with mixing and recording.      Growing up in the late 90s she was influenced by the new electronic spirit in Europe. She has performed with some of the key persons in today’s techno music as well as played in various European clubs and festivals. The most significant ones were opening a dark techno set for Coyu, playing alongside Claptone, Fernanda Martins, Reiner Zonneveld, Clara Cuvé, Uto Karem, Insolate, Umek as well as playing her set on Ibiza Sonica Radio, Spain. After 2017 she accomplished a break-through into Berlin techno scene and played in a popular clubbing destination Urban Spree at Warschauer Straße as wellas in Loftus Hall and in of the most popular Berlin clubs Griessmuehle. Influenced by multicultural environment her dark evolving musical style is always changing by her.    Impressions of her surrounding. For her it is about the freedom of complete self-expression and experiencing music on all levels possible. Her main focus has always been music production and not long ago she singed her newest record deal with Suara. Suara is one of techno’s biggest record label established by Coyu. They are based in Spain and have had releases from artists like Moby, DJ Rush, Jay Clarke, Charlotte de Witte, Green Velvet, Slam, Oxia, Anna and more.   Glia singed her two tracks to the label in June with the release date on the 7th of September. The release consists VVAAA (Various Artist) release compilation that is solely female based.     You have recently signed your first two tracks with Suara label, can you tell us more about that? How did the story start, and when are you releasing the tracks? Tell us about your new tracks, what are they about and what inspired you create them?    After seven years of intense learning about sound design, music, arrangements and mixing, playing around Europe and connecting with people the hard work finally started to pay off.  I created a few songs, which I sent to Suara's demo pool and got a message back that they are interested in singing two of the tracks to the new VVAA Power compilation, which came out yesterday on the 7th of September!    The two tracks that are in compilation were synthesized almost solely with analog synthesizers and other acoustic components. The track 2x Gola has a Slovenian lyrics, which I believe is quite different than what we are used to in techno so far. I wanted to create something in my mother tongue to try to play with the melodies of our language rather than making it is English. The lyrics are written in the poetry form Pantoum, which is an Indonesian verse form. The second track Laws of Physics and Karma is much more melodic and has a driving arpeggiator throughout the entire track supported by layers and layers of synths and driven by a hard kick drum.    When I got the message back from the label owner Coyu, I was so thrilled and happy. Getting singed to Suara has been a dream for the last seven years! Before that I have released music on smaller labels, with some of which I still collaborate one of them worth mentioning is Deepnd Records.     You can listen to the songs bellow: Soundcloud: GLIA - 2x Gola(Hard Edit)  https://soundcloud.com/suara/scom043-glia-2x-gola-hard-edit?in=suara/set...   GLIA - Laws of Physics and Karma https://soundcloud.com/suara/scom043-glia-laws-of-phyisics?in=suara/sets...     You Tube: GLIA - 2x Gola (Hard Edit) https://www.youtube.com/watch?v=vFQp5UWMRGs   GLIA - Laws of Physics and Karma https://www.youtube.com/watch?v=Wh4JSJ_rAF4     How do you think Covid-19 will affect the music industry both long-term and short-term?  How do you see the impact of Corona crisis on the general perception of music?    What we all really miss is live performances. Unfortunately the music business has not been the kindest in the sense of being able to get monetary comfort through only your own productions, therefore many artists depend on live performances, which are almost non existent at the moment. Besides the artists you have event organizers, club owners, promoters, audio engineers, technicians, all the staff that are heavily depended on events and it is an alarming number of how many are feeling the consequences of COVID-19 crisis. Even those who will have enough security to somewhat survive the situation, may not be able to further operate after COVID-19 crisis, therefore the governments will have to offer additional aid for the event/music/culture businesses just like they have aid for tourism and other sectors of economy. I believe there are two scenarios of how this shall end. The optimistic one and the pessimistic one, however neither of those will exist in the world before corona crisis and the music scene will change forever. Still I believe creativity manages to find its way from our unexplained minds back to the external world. Human creativity is eternal and humans will always find new ways to socialize and express themselves, even when obstacles are on the horizon.      How do you spend your Quarantine time and are you still able to create while being quarantined?   The biggest difference nowadays is that there are almost no gigs, which I something that I really miss and something that we will have to wait until it comes back. I have been really productive in these times as I don't have many gigs. I make music every day for a few hours and then I take breaks in between, when I run out of my creativity and gain energy from the external world I go back and produce some more. I believe that I have befriended many more local artists in these times, which makes me feel more connected and not alone. Still I believe I am far more creative than before, I do not travel as much as I used to and there are no parties so less distractions and more energy to be channeled in a creative way!     How is it like performing during this times, because you performed in Barcelona, Berlin, Zrće and other venues around Europe?   I was doing some live streams and online festivals during quarantine, however performing in front of a crowd is nothing compared to performing in front of a camera! The energy you get on the stage from people is indescribable and you can't really compare it to anything else! You are surrounded by so much love, smiles and energy! I believe a lot of artists suffer from lacking this energy they are used to having around them weakly. It is kind of like a drug from which you have to abstain from - and it hurts when you don't get it. Not only because so many aritsts financially depend from it but also because you are just used to such large amounts of adrenaline, dopamine, endorphins, which you now don't get.  A few weeks back I finally had my first gig after March and it was amazing! There were people dancing next to me on the stage and the energy and connection we had was powerful!     Tell us something about yourself that isn't on your resume.   I am lactose intolerant :)     What is the coolest new thing you have learnt since being quarantined and how did you learn it?   Patience. I think I was always just rushing around wanting to have everything as soon as possible. I had a plan of how this year I will finally be able to play outside of Europe in Buenos Aires and in Japan but of course that did not come to place. Things will eventually happen if we work for them in one way or another.       What is your favorite painting and has it inspired you for any of your work thus far?    I think there are two paintings that I could call ''my favorite''. The first one I'd like to mention is from Wassily Kandinsky  - Compostition VII and I ''met'' this painting when I was travelling in Moscow last year. I love the colors, I love the ''chaos'' of abstract art, I love the expression of pure imagination hidden behind ''geometrical'' forms. Similarly The Black Square from Malevich represents how our imagination is the art itself. I love how with modern art our perception of what we see changes based on our internal world. It is just a black square but it is also everything we think about what it represents to each individual that is looking at it!     What do you have planned next?   Being good to people around me and - producing, producing, producing, producing and again producing.    "GLIA is a creative and very talented female music producer, dj and many other things. She used to be my roommate back in Ljubljana when we were students. So I am very happy interviewing her now, with the release of her  two new tracks." - Timotej Letonja     Who are you and what is your profession?   I am an audio content creator, music producer, sound designer, dj, educator and an artist. I have been working in the music industry for the last seven years. I got indulged into the field through the love for music and got familiar with sound and audio creation, which made me even more immersed into the field that I adore. I am heavily into product design and hardware design but also into sound design through synthesis. What I am primarily focused on at the moment is the production of my own music, which is contemporary and electronic, however I have collaborated as well with other artists and singers in non-electronic genres, especially with mixing and recording.      Growing up in the late 90s she was influenced by the new electronic spirit in Europe. She has performed with some of the key persons in today’s techno music as well as played in various European clubs and festivals. The most significant ones were opening a dark techno set for Coyu, playing alongside Claptone, Fernanda Martins, Reiner Zonneveld, Clara Cuvé, Uto Karem, Insolate, Umek as well as playing her set on Ibiza Sonica Radio, Spain. After 2017 she accomplished a break-through into Berlin techno scene and played in a popular clubbing destination Urban Spree at Warschauer Straße as wellas in Loftus Hall and in of the most popular Berlin clubs Griessmuehle. Influenced by multicultural environment her dark evolving musical style is always changing by her.    Impressions of her surrounding. For her it is about the freedom of complete self-expression and experiencing music on all levels possible. Her main focus has always been music production and not long ago she singed her newest record deal with Suara. Suara is one of techno’s biggest record label established by Coyu. They are based in Spain and have had releases from artists like Moby, DJ Rush, Jay Clarke, Charlotte de Witte, Green Velvet, Slam, Oxia, Anna and more.   Glia singed her two tracks to the label in June with the release date on the 7th of September. The release consists VVAAA (Various Artist) release compilation that is solely female based.     You have recently signed your first two tracks with Suara label, can you tell us more about that? How did the story start, and when are you releasing the tracks? Tell us about your new tracks, what are they about and what inspired you create them?    After seven years of intense learning about sound design, music, arrangements and mixing, playing around Europe and connecting with people the hard work finally started to pay off.  I created a few songs, which I sent to Suara's demo pool and got a message back that they are interested in singing two of the tracks to the new VVAA Power compilation, which came out yesterday on the 7th of September!    The two tracks that are in compilation were synthesized almost solely with analog synthesizers and other acoustic components. The track 2x Gola has a Slovenian lyrics, which I believe is quite different than what we are used to in techno so far. I wanted to create something in my mother tongue to try to play with the melodies of our language rather than making it is English. The lyrics are written in the poetry form Pantoum, which is an Indonesian verse form. The second track Laws of Physics and Karma is much more melodic and has a driving arpeggiator throughout the entire track supported by layers and layers of synths and driven by a hard kick drum.    When I got the message back from the label owner Coyu, I was so thrilled and happy. Getting singed to Suara has been a dream for the last seven years! Before that I have released music on smaller labels, with some of which I still collaborate one of them worth mentioning is Deepnd Records.     You can listen to the songs bellow: Soundcloud: GLIA - 2x Gola(Hard Edit)  https://soundcloud.com/suara/scom043-glia-2x-gola-hard-edit?in=suara/set...   GLIA - Laws of Physics and Karma https://soundcloud.com/suara/scom043-glia-laws-of-phyisics?in=suara/sets...     You Tube: GLIA - 2x Gola (Hard Edit) https://www.youtube.com/watch?v=vFQp5UWMRGs   GLIA - Laws of Physics and Karma https://www.youtube.com/watch?v=Wh4JSJ_rAF4     How do you think Covid-19 will affect the music industry both long-term and short-term?  How do you see the impact of Corona crisis on the general perception of music?    What we all really miss is live performances. Unfortunately the music business has not been the kindest in the sense of being able to get monetary comfort through only your own productions, therefore many artists depend on live performances, which are almost non existent at the moment. Besides the artists you have event organizers, club owners, promoters, audio engineers, technicians, all the staff that are heavily depended on events and it is an alarming number of how many are feeling the consequences of COVID-19 crisis. Even those who will have enough security to somewhat survive the situation, may not be able to further operate after COVID-19 crisis, therefore the governments will have to offer additional aid for the event/music/culture businesses just like they have aid for tourism and other sectors of economy. I believe there are two scenarios of how this shall end. The optimistic one and the pessimistic one, however neither of those will exist in the world before corona crisis and the music scene will change forever. Still I believe creativity manages to find its way from our unexplained minds back to the external world. Human creativity is eternal and humans will always find new ways to socialize and express themselves, even when obstacles are on the horizon.      How do you spend your Quarantine time and are you still able to create while being quarantined?   The biggest difference nowadays is that there are almost no gigs, which I something that I really miss and something that we will have to wait until it comes back. I have been really productive in these times as I don't have many gigs. I make music every day for a few hours and then I take breaks in between, when I run out of my creativity and gain energy from the external world I go back and produce some more. I believe that I have befriended many more local artists in these times, which makes me feel more connected and not alone. Still I believe I am far more creative than before, I do not travel as much as I used to and there are no parties so less distractions and more energy to be channeled in a creative way!     How is it like performing during this times, because you performed in Barcelona, Berlin, Zrće and other venues around Europe?   I was doing some live streams and online festivals during quarantine, however performing in front of a crowd is nothing compared to performing in front of a camera! The energy you get on the stage from people is indescribable and you can't really compare it to anything else! You are surrounded by so much love, smiles and energy! I believe a lot of artists suffer from lacking this energy they are used to having around them weakly. It is kind of like a drug from which you have to abstain from - and it hurts when you don't get it. Not only because so many aritsts financially depend from it but also because you are just used to such large amounts of adrenaline, dopamine, endorphins, which you now don't get.  A few weeks back I finally had my first gig after March and it was amazing! There were people dancing next to me on the stage and the energy and connection we had was powerful!     Tell us something about yourself that isn't on your resume.   I am lactose intolerant :)     What is the coolest new thing you have learnt since being quarantined and how did you learn it?   Patience. I think I was always just rushing around wanting to have everything as soon as possible. I had a plan of how this year I will finally be able to play outside of Europe in Buenos Aires and in Japan but of course that did not come to place. Things will eventually happen if we work for them in one way or another.       What is your favorite painting and has it inspired you for any of your work thus far?    I think there are two paintings that I could call ''my favorite''. The first one I'd like to mention is from Wassily Kandinsky  - Compostition VII and I ''met'' this painting when I was travelling in Moscow last year. I love the colors, I love the ''chaos'' of abstract art, I love the expression of pure imagination hidden behind ''geometrical'' forms. Similarly The Black Square from Malevich represents how our imagination is the art itself. I love how with modern art our perception of what we see changes based on our internal world. It is just a black square but it is also everything we think about what it represents to each individual that is looking at it!     What do you have planned next?   Being good to people around me and - producing, producing, producing, producing and again producing.   

Memphis Depay teases debut EP  with hot new single ‘2 Corinthians 5:7’
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Memphis Depay teases debut EP with hot new single ‘2 Corinthians 5:7’

Music After releasing his debut single ‘No Love’ in 2018, and with singles like ‘5 Milli Freestyle’, ‘Fall Back’, ‘Dubai Freestyle’, and over 31 million plays on Spotify and YouTube alone, Memphis Depay proved that music is a serious passion and commitment for him. The 26-year-old Olympique Lyonnais football player’s new single ‘2 Corinthians 5:7’ keeps his impressive catalogue rolling and is the first taste of a debut EP which he is currently working on, to his fans’ delight.     It’s a dark hip hop tune with plucked tones and a sparsely placed distorted bass that fits his smooth voice perfectly. The menacing and deep trap beat adds catchy energy to the track’s sleek vocals. The lyrics tell of his glamorous lifestyle and of his career as a football player. It’s a unique angle for a rapper to also be able to talk about excelling at a world-class level in another field, making for some distinctive bars.     The video stays true to Memphis’ ideology, believing that for the world to change, we have to be the change, and this can only be achieved by lifting each other up. The video features some fine outfits, a gloomy dinner scene, and Depay’s tattoo-covered body. He slips into French for the outro, showing he can bring the heat in either language.    2 Corinthians 5:7 is out now: https://youtu.be/xjtNp-RStOs         Widely considered as one of the best football players in the world, Memphis Depay’s talent is much more extensive than that. Not only does the 26-year old serve the French club Olympique Lyonnais and The Netherlands’ national football team, he has also successfully been trying his hand at music.    Memphis Depay made his official debut for PSV Eindhoven in 2011 and for the Dutch national team in 2013. His football style is often compared to Cristiano Ronaldo’s, resulting in being praised as “one of the best young players in the world”.     His debut single ‘No Love’ was released in 2018, announcing a great musical career ahead. Followed by ‘Fall Back’ and with tracks like ‘5 Milli Freestyle’ and ‘Dubai Freestyle’, Memphis has amassed over 31 million plays on Spotify and YouTube alone.      In 2019, Memphis Depay also published his inspiring biography ‘Heart of a Lion’, written with Dutch sports reporter Simon Zwartkruis. The book tells his story from his childhood full of aggression and fear, with the ball as sole lifebuoy, to being the star of the Dutch national team and Lyon. In this vulnerable, yet powerful and inspiring biography, Memphis also reveals his musical ambitions.  After releasing his debut single ‘No Love’ in 2018, and with singles like ‘5 Milli Freestyle’, ‘Fall Back’, ‘Dubai Freestyle’, and over 31 million plays on Spotify and YouTube alone, Memphis Depay proved that music is a serious passion and commitment for him. The 26-year-old Olympique Lyonnais football player’s new single ‘2 Corinthians 5:7’ keeps his impressive catalogue rolling and is the first taste of a debut EP which he is currently working on, to his fans’ delight.     It’s a dark hip hop tune with plucked tones and a sparsely placed distorted bass that fits his smooth voice perfectly. The menacing and deep trap beat adds catchy energy to the track’s sleek vocals. The lyrics tell of his glamorous lifestyle and of his career as a football player. It’s a unique angle for a rapper to also be able to talk about excelling at a world-class level in another field, making for some distinctive bars.     The video stays true to Memphis’ ideology, believing that for the world to change, we have to be the change, and this can only be achieved by lifting each other up. The video features some fine outfits, a gloomy dinner scene, and Depay’s tattoo-covered body. He slips into French for the outro, showing he can bring the heat in either language.    2 Corinthians 5:7 is out now: https://youtu.be/xjtNp-RStOs         Widely considered as one of the best football players in the world, Memphis Depay’s talent is much more extensive than that. Not only does the 26-year old serve the French club Olympique Lyonnais and The Netherlands’ national football team, he has also successfully been trying his hand at music.    Memphis Depay made his official debut for PSV Eindhoven in 2011 and for the Dutch national team in 2013. His football style is often compared to Cristiano Ronaldo’s, resulting in being praised as “one of the best young players in the world”.     His debut single ‘No Love’ was released in 2018, announcing a great musical career ahead. Followed by ‘Fall Back’ and with tracks like ‘5 Milli Freestyle’ and ‘Dubai Freestyle’, Memphis has amassed over 31 million plays on Spotify and YouTube alone.      In 2019, Memphis Depay also published his inspiring biography ‘Heart of a Lion’, written with Dutch sports reporter Simon Zwartkruis. The book tells his story from his childhood full of aggression and fear, with the ball as sole lifebuoy, to being the star of the Dutch national team and Lyon. In this vulnerable, yet powerful and inspiring biography, Memphis also reveals his musical ambitions. 

A.G.COOK releases a new single and video
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A.G.COOK releases a new single and video

Music PC Music is proud to announce ‘Apple’ a new album from A. G. Cook set for release on September 18th. A first track from the album, ‘Oh Yeah’, is released today, accompanied by a self-directed video. The track was premiered last night (August 16th) with a BBC Radio 1 First Play from Annie Mac and follows last week’s release of A. G. Cook’s critically acclaimed 49-track opus 7G.     Watch ‘Oh Yeah’ here: https://youtu.be/koI7IRSjfxc     The notion of pure, classic songwriting is one of the core aspects of ‘Apple’ and 'Oh Yeah' is Cook’s most direct attempt. The track begins with his untreated vocals placed atop a strummed acoustic guitar singing the entrancing main hook. The video is just as open: Cook is front-and-centre performing the song directly to camera. Cook says “the song itself - like most pop music - is really about confidence & escapism, and how bittersweet those things can feel.”     Cook further states: “‘Apple’ is my own take on Personal Computer Music. I've always been interested in the blurred line between bedroom and professional studio production, and at what point a personality either gets created or accidentally takes shape. For me there's a great sense of freedom in combining something slick with something naive - a reality where anything could happen. In calling the album ‘Apple’, I wanted to draw attention to one of the simplest, most everyday objects, which somehowcontains references to almost everything imaginable - from computers to The Beatles, New York to Snow White, and an entire world of history and mythology. A little free advertising doesn't hurt”     7G’s seven instruments (Drums, Guitar, Supersaw, Piano, Nord, Spoken Word, Extreme Vocals) form the sound palette of ‘Apple’. Described by Cook as “threatening to be an instrumental producer album, then becoming a songwriter album”, the album features some of his most ambitious and emotional songwriting, as well as his most vivid sonic ideas as a producer. Together, 7G and Apple showcase Cook’s sheer breadth of ideas, and illustrate why he’s one of the most vital artists working today.     Pre-Save & Pre-Order: apple.net.ag     Instagram: https://www.instagram.com/agcook404 Twitter: https://twitter.com/agcook404 PC Music is proud to announce ‘Apple’ a new album from A. G. Cook set for release on September 18th. A first track from the album, ‘Oh Yeah’, is released today, accompanied by a self-directed video. The track was premiered last night (August 16th) with a BBC Radio 1 First Play from Annie Mac and follows last week’s release of A. G. Cook’s critically acclaimed 49-track opus 7G.     Watch ‘Oh Yeah’ here: https://youtu.be/koI7IRSjfxc     The notion of pure, classic songwriting is one of the core aspects of ‘Apple’ and 'Oh Yeah' is Cook’s most direct attempt. The track begins with his untreated vocals placed atop a strummed acoustic guitar singing the entrancing main hook. The video is just as open: Cook is front-and-centre performing the song directly to camera. Cook says “the song itself - like most pop music - is really about confidence & escapism, and how bittersweet those things can feel.”     Cook further states: “‘Apple’ is my own take on Personal Computer Music. I've always been interested in the blurred line between bedroom and professional studio production, and at what point a personality either gets created or accidentally takes shape. For me there's a great sense of freedom in combining something slick with something naive - a reality where anything could happen. In calling the album ‘Apple’, I wanted to draw attention to one of the simplest, most everyday objects, which somehowcontains references to almost everything imaginable - from computers to The Beatles, New York to Snow White, and an entire world of history and mythology. A little free advertising doesn't hurt”     7G’s seven instruments (Drums, Guitar, Supersaw, Piano, Nord, Spoken Word, Extreme Vocals) form the sound palette of ‘Apple’. Described by Cook as “threatening to be an instrumental producer album, then becoming a songwriter album”, the album features some of his most ambitious and emotional songwriting, as well as his most vivid sonic ideas as a producer. Together, 7G and Apple showcase Cook’s sheer breadth of ideas, and illustrate why he’s one of the most vital artists working today.     Pre-Save & Pre-Order: apple.net.ag     Instagram: https://www.instagram.com/agcook404 Twitter: https://twitter.com/agcook404

LONDON GRAMMAR RETURN WITH BRAND NEW SINGLE BABY IT’S YOU OUT TODAY ON MINISTRY OF SOUND
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LONDON GRAMMAR RETURN WITH BRAND NEW SINGLE BABY IT’S YOU OUT TODAY ON MINISTRY OF SOUND

Music London Grammar today return with their incredible brand new single Baby It’s You, out now on Ministry Of Sound. Following its premiere as Annie Mac’s Hottest Record last night on Radio 1, Baby It’s You arrives as the first piece of music the band have released since their 2017 #1 selling album Truth Is A Beautiful Thing. The new single marks a certain new beginning for the British trio, as dynamics are transformed and power within is reclaimed gloriously.   Listen to Baby It’s You here.   Drawn from the redemptive energy of love, Baby It’s You embodies a newly embellished confidence at the forefront of London Grammar, cushioned by the familiarity of their sound, but enriched by a colourful new clarity of purpose. The pulsing new single was co-produced by the band themselves alongside lauded electronic pioneer George FitzGerald, with Hannah’s immaculately identifiable vocals soaring high and immediate.   London Grammar are Hannah Reid, Dan Rothman and Dot Major. They released their #2 double platinum selling debut album If You Wait in 2013, followed by their #1 album Truth Is A Beautiful Thing in 2017. They’ve garnered numerous BRIT nominations and have been awarded a prestigious Ivor Novello. The band have worked with an array of contemporary talent and brands including Paul Epworth, Flume, Dior and Disclosure, played an envious list of sold out tours and headlined festivals across the globe. Most recently their track Hey Now (Arty Remix) was featured on the hit show Normal People.    www.londongrammar.com   London Grammar today return with their incredible brand new single Baby It’s You, out now on Ministry Of Sound. Following its premiere as Annie Mac’s Hottest Record last night on Radio 1, Baby It’s You arrives as the first piece of music the band have released since their 2017 #1 selling album Truth Is A Beautiful Thing. The new single marks a certain new beginning for the British trio, as dynamics are transformed and power within is reclaimed gloriously.   Listen to Baby It’s You here.   Drawn from the redemptive energy of love, Baby It’s You embodies a newly embellished confidence at the forefront of London Grammar, cushioned by the familiarity of their sound, but enriched by a colourful new clarity of purpose. The pulsing new single was co-produced by the band themselves alongside lauded electronic pioneer George FitzGerald, with Hannah’s immaculately identifiable vocals soaring high and immediate.   London Grammar are Hannah Reid, Dan Rothman and Dot Major. They released their #2 double platinum selling debut album If You Wait in 2013, followed by their #1 album Truth Is A Beautiful Thing in 2017. They’ve garnered numerous BRIT nominations and have been awarded a prestigious Ivor Novello. The band have worked with an array of contemporary talent and brands including Paul Epworth, Flume, Dior and Disclosure, played an envious list of sold out tours and headlined festivals across the globe. Most recently their track Hey Now (Arty Remix) was featured on the hit show Normal People.    www.londongrammar.com  

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