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Palm Angels for Pre Fall 2020
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Palm Angels for Pre Fall 2020

Fashion Palm Angels releases the new Pre Fall collection.   @palmangels Palm Angels releases the new Pre Fall collection.   @palmangels

Naive Transparency by Arkan Zakharov
242

Naive Transparency by Arkan Zakharov

Fashion Exclusive digital editorial, captured by Arkan Zakharov.   TEAM: Photographer – Arkan Zakharov  Stylist – Jèss Monterde @ Bernstein & Andriulli Model – Anna Rubin @ Next Models NY  Makeup – Deanna Melluso @ L’Atelier NY Hair – Jerome Cultera @ L’Atelier NY  Props – Elisia Mirabelli  @ Bernstein & Andriulli  Photo assistant – Marysia Schultz Stylist assistant – Inès Itsaso Exclusive digital editorial, captured by Arkan Zakharov.   TEAM: Photographer – Arkan Zakharov  Stylist – Jèss Monterde @ Bernstein & Andriulli Model – Anna Rubin @ Next Models NY  Makeup – Deanna Melluso @ L’Atelier NY Hair – Jerome Cultera @ L’Atelier NY  Props – Elisia Mirabelli  @ Bernstein & Andriulli  Photo assistant – Marysia Schultz Stylist assistant – Inès Itsaso

At home with Lou and Nils Schoof
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At home with Lou and Nils Schoof

Photography We spent some quality time and had a great conversation with Lou & Nils Schoof during these quarantine times.   Who are you (the long answer, no cheating by just giving your name!) and what is your profession (as in, how do you define it, rather than just the job title it has)?   L&N: We are siblings. We share a lot of main elements in our lives such as the house we live in when we have time off work, the passion for food, sustainability and nature. Also, we love creating things together. We are in constant exchange, shoot eachother, give ideas, work on projects. That's what drives us!    L: It feels interesting to me, how this answer never is easy to answer on. Im ever changing and it is hard for me to define myself. Also typical for our time, where we want all doors to be open and the future to be unwritten. What is a red thread in my life is curiosity, I guess. Modeling brought me to the creative industry and I love finding new perceptions, projects and elements to play with.    N: Nils Schoof is my name, my life is built out of many facets. One of them is taking pictures and getting pictured. I try to learn and to live most of the time, but that does not work out all the time.   How do you think Covid-19 will effect the fashion industry both long-term and short-term?  How do you see the impact of Corona crisis on the general perception of fashion? Do you believe everything will just go back to normal after Covid-19, or how do you see it will be?   L: We live in an overly informed, yet quite hesitant and passive society when it comes to acting upon information. Humans, I read, are good at deciding and acting when consequences lie in the near future. The urgency of climate change action for example - a relatively slow and long termed process- is harder to understand for the human brain.  Covid sets things in perspective.  The unimaginable all of a sudden becomes reality. People have to act now, change happens fast and as a direct reaction to information.  The unimaginable such as not flying, reduction of work and consumerism, focus on the presence and the direct world around us.  This all is doable, we experience.  Experience teaches. Change happens.  Personally, I made my decision about leaving the norm in the fashion industry last year, while actually spending some weeks in isolation in my northern german eco home. I since then only work with brands and on projects with authentic sustainable commitment. Slowing down processes and raising their quality is another big theme for me.      How do you spend your Quarantine time and are you still able to create while being quarantined?   L: I create nonstop and photograph so much since being quarantined. I love the process of finding inspiraton in solitude.  I spend quarantine riding my racing bike, jumping into lakes and baking bread. Also I lay around in the fields, the garden, the woods and on the beach with a book in my hands.   N: I spend most of the time studying for the university. In the end, I think that gives me even more drive to create. It is the same as with laughing in a church -if you are not allowed to or can not, you ABSOLUTELY have to! So in that way quarantine is pushing me in a very nice direction and brings back a natural force.    What is in your planning for this year and how will Covid-19 effect that?   L : I had plans before lockdown happened, but I guess my job is the best training to become a person living the moment and taking life day by day. Things change and that is good - if you are willing to do so too.  The last weeks have not been planned, yet been filled with unexpected and gamechanging experiences. I have grown without pursuing growth. Thats wonderful to realise.    N: I planned to go to several concerts this year and a bicycle tour from Germany to Italy with my bicycle i designed and built from scratch - if I cant do that, I will for sure find other things to do. In general, I don’t have big plans because I prefer to live now and not tomorrow   What is your favourite painting and has it inspired you for any of your work thus far?   L: We have in fact been inspired by old angelic paintings for this shoot, such as Michelangelo's unimitable artwork in the sistine chapel.  Creating modern day paintings with a camera is a beautiful approach.    -What keeps you rooted?    L: To observe and re-experience the well known. to go deeper, basically like roots digging their way down to stand stable - and know their origin and surrounding.    N: What keeps me rooted is the knowledge that there are people who I love and they love me. Love and trust are fundamental things in my life.   -What gives you wings?    L: Ideas! New opportunities I create for myself, for the world around. The unexpected, the butterflies in the belly.    N: Two things on this earth let me take off from the ground. 1. People or myself burning for something and learn from each other- sharing moments - sharing point of views 2. Nature which is so old and powerful. You can go with every intention into nature and you will come back satisfied.   -What is the coolest new thing you have learnt since being quarantined?   N: I learned to press myself out of the L-sit into the handstand-  I have been training for a while!   L: I will have my first ever singing lesson tonight! I am so excited!   What's your work-from-home style like during these times?   L: Summer has arrived so I am barefoot and in my favorite shorts and tank tops.  Still wearing my favorite jewellery. My german countrylife uniform!    N: I join the uniform!   Tell us something about yourself that isn't on your resume (a secret skill, a hobby, a previous job or fun fact about you).   L&N: We grow our own vegetable garden. You can harvest pumpkin, herbs, zucchini, beans, potatos,  fennel, carrots, salad, garlic and a lot of fruits and nuts from the trees! Everything tastes so much better when fresh and plucked with your own hands.    What inspired you to start working in the fashion industry? And what are you most proud achieving of thus far?   N: Before I started working in the fashion industry, I never thought about working there. I was always interested in dressing myself and try new things. At this point I am proud of having workded with some of my idols in fashion, art and phtography and having learned and observed people  working in such different and inspiring ways.    L: I have always been interested in photography and art, yet this world seemed very distant and abstract to me when I was younger. I got scouted and went straight to New York after finishing high school.  Im proud of that my life makes me reconsider, find new paths and truth now and then, grow in creativity. What makes me truly grateful are the unique people around me, the beauty of nature and my own strength.   What is your favourite song at the moment and why? Do you have a playlist that you would like to share with us?   L: Some days ago, a friend sent me a small, self-written song that is about visiting and staying at our country home. Listening to it while sitting in my living room made me extremely happy.   N: The last weeks I really liked B2 from Bladehouse, it’s a small label which I found on soundcloud while working out. It is hard for me to find music which I can do sports to. This one allows me to think and focus, yet it is there for giving me motivation for the next sprint, set or jump!     What is the first thing you like to do when you wake up, and last thing you like to do before going to bed?   N: In the morning I have a quick snack and a coffee, then the day starts and I go from where I have to. Before going to bed I write my diary.    L: I have a coffee and then I do my yoga workout. Every morning.  Laying in bed at night, i prepare my wings to lift me up high, fly over the experienced day, create new realities. All night long and to inspire the next day.    How is it like being models and photographers both?   L&N: It adds so much! You get a deeper understanding for the different elements and people that only together make a good picture.  Capturing and being captured  Also, you start being more playful and open for perspectives, angles. Also shooting each other has given a new language to our siblings relationship.    You can follow them on instagram: @louschoof & @nilsschoof We spent some quality time and had a great conversation with Lou & Nils Schoof during these quarantine times.   Who are you (the long answer, no cheating by just giving your name!) and what is your profession (as in, how do you define it, rather than just the job title it has)?   L&N: We are siblings. We share a lot of main elements in our lives such as the house we live in when we have time off work, the passion for food, sustainability and nature. Also, we love creating things together. We are in constant exchange, shoot eachother, give ideas, work on projects. That's what drives us!    L: It feels interesting to me, how this answer never is easy to answer on. Im ever changing and it is hard for me to define myself. Also typical for our time, where we want all doors to be open and the future to be unwritten. What is a red thread in my life is curiosity, I guess. Modeling brought me to the creative industry and I love finding new perceptions, projects and elements to play with.    N: Nils Schoof is my name, my life is built out of many facets. One of them is taking pictures and getting pictured. I try to learn and to live most of the time, but that does not work out all the time.   How do you think Covid-19 will effect the fashion industry both long-term and short-term?  How do you see the impact of Corona crisis on the general perception of fashion? Do you believe everything will just go back to normal after Covid-19, or how do you see it will be?   L: We live in an overly informed, yet quite hesitant and passive society when it comes to acting upon information. Humans, I read, are good at deciding and acting when consequences lie in the near future. The urgency of climate change action for example - a relatively slow and long termed process- is harder to understand for the human brain.  Covid sets things in perspective.  The unimaginable all of a sudden becomes reality. People have to act now, change happens fast and as a direct reaction to information.  The unimaginable such as not flying, reduction of work and consumerism, focus on the presence and the direct world around us.  This all is doable, we experience.  Experience teaches. Change happens.  Personally, I made my decision about leaving the norm in the fashion industry last year, while actually spending some weeks in isolation in my northern german eco home. I since then only work with brands and on projects with authentic sustainable commitment. Slowing down processes and raising their quality is another big theme for me.      How do you spend your Quarantine time and are you still able to create while being quarantined?   L: I create nonstop and photograph so much since being quarantined. I love the process of finding inspiraton in solitude.  I spend quarantine riding my racing bike, jumping into lakes and baking bread. Also I lay around in the fields, the garden, the woods and on the beach with a book in my hands.   N: I spend most of the time studying for the university. In the end, I think that gives me even more drive to create. It is the same as with laughing in a church -if you are not allowed to or can not, you ABSOLUTELY have to! So in that way quarantine is pushing me in a very nice direction and brings back a natural force.    What is in your planning for this year and how will Covid-19 effect that?   L : I had plans before lockdown happened, but I guess my job is the best training to become a person living the moment and taking life day by day. Things change and that is good - if you are willing to do so too.  The last weeks have not been planned, yet been filled with unexpected and gamechanging experiences. I have grown without pursuing growth. Thats wonderful to realise.    N: I planned to go to several concerts this year and a bicycle tour from Germany to Italy with my bicycle i designed and built from scratch - if I cant do that, I will for sure find other things to do. In general, I don’t have big plans because I prefer to live now and not tomorrow   What is your favourite painting and has it inspired you for any of your work thus far?   L: We have in fact been inspired by old angelic paintings for this shoot, such as Michelangelo's unimitable artwork in the sistine chapel.  Creating modern day paintings with a camera is a beautiful approach.    -What keeps you rooted?    L: To observe and re-experience the well known. to go deeper, basically like roots digging their way down to stand stable - and know their origin and surrounding.    N: What keeps me rooted is the knowledge that there are people who I love and they love me. Love and trust are fundamental things in my life.   -What gives you wings?    L: Ideas! New opportunities I create for myself, for the world around. The unexpected, the butterflies in the belly.    N: Two things on this earth let me take off from the ground. 1. People or myself burning for something and learn from each other- sharing moments - sharing point of views 2. Nature which is so old and powerful. You can go with every intention into nature and you will come back satisfied.   -What is the coolest new thing you have learnt since being quarantined?   N: I learned to press myself out of the L-sit into the handstand-  I have been training for a while!   L: I will have my first ever singing lesson tonight! I am so excited!   What's your work-from-home style like during these times?   L: Summer has arrived so I am barefoot and in my favorite shorts and tank tops.  Still wearing my favorite jewellery. My german countrylife uniform!    N: I join the uniform!   Tell us something about yourself that isn't on your resume (a secret skill, a hobby, a previous job or fun fact about you).   L&N: We grow our own vegetable garden. You can harvest pumpkin, herbs, zucchini, beans, potatos,  fennel, carrots, salad, garlic and a lot of fruits and nuts from the trees! Everything tastes so much better when fresh and plucked with your own hands.    What inspired you to start working in the fashion industry? And what are you most proud achieving of thus far?   N: Before I started working in the fashion industry, I never thought about working there. I was always interested in dressing myself and try new things. At this point I am proud of having workded with some of my idols in fashion, art and phtography and having learned and observed people  working in such different and inspiring ways.    L: I have always been interested in photography and art, yet this world seemed very distant and abstract to me when I was younger. I got scouted and went straight to New York after finishing high school.  Im proud of that my life makes me reconsider, find new paths and truth now and then, grow in creativity. What makes me truly grateful are the unique people around me, the beauty of nature and my own strength.   What is your favourite song at the moment and why? Do you have a playlist that you would like to share with us?   L: Some days ago, a friend sent me a small, self-written song that is about visiting and staying at our country home. Listening to it while sitting in my living room made me extremely happy.   N: The last weeks I really liked B2 from Bladehouse, it’s a small label which I found on soundcloud while working out. It is hard for me to find music which I can do sports to. This one allows me to think and focus, yet it is there for giving me motivation for the next sprint, set or jump!     What is the first thing you like to do when you wake up, and last thing you like to do before going to bed?   N: In the morning I have a quick snack and a coffee, then the day starts and I go from where I have to. Before going to bed I write my diary.    L: I have a coffee and then I do my yoga workout. Every morning.  Laying in bed at night, i prepare my wings to lift me up high, fly over the experienced day, create new realities. All night long and to inspire the next day.    How is it like being models and photographers both?   L&N: It adds so much! You get a deeper understanding for the different elements and people that only together make a good picture.  Capturing and being captured  Also, you start being more playful and open for perspectives, angles. Also shooting each other has given a new language to our siblings relationship.    You can follow them on instagram: @louschoof & @nilsschoof

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In conversation with Marie-Paule Minchelli
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In conversation with Marie-Paule Minchelli

Fashion During this long lasting quarantine time we had a delight speaking with Marie-Paule Minchelli about the corona crisis as well as her newest activewear collection for Eres.    How do you think Covid-19 will effect the fashion industry both long-term and short-term? One thing is certain, there will be a before and after Covid-19, even in the fashion industry. At least in the next few months things will have to change. I think there is a general awareness on a lot of subjects... And the way of consuming is one of them. We are all currently dependent of factors that we cannot control.  The idea is to refocus the economy on local shops and for fashion it' s going to be, I think, a major idea: Consume less but better with good basics and think about our fashion fundamentals.   How do you see the impact of Corona crisis on the general perception of fashion? I think the general perception of fashion is about to be turned upside down.  Digital will play an increasingly important role in the years to come. Especially in the way we present our products. Maybe there will be fewer fashion shows and we will have to find new ways to present the collections, and I believe strongly in digital for that.  I think we will also have to think about new customer experiences, perhaps with services that are closer to our customers, more personalized.   Do you believe everything will just go back to normal after Covid-19, or how do you see it will be ? As I said previously, I think we will see real changes. This period is so special and unprecedented, it is impossible that nothing change after this. Sometimes I wonder if our usual methods were "normal" after all ?   How do you spend your Quarantine time and are you still able to create while being quarantined? I try as much as possible to establish a kind of "routine" for my days by keeping a daily work flow. A coffee to start my day, depending on my mood I do a sports class, either elliptical or a live one on Instagram.  Of course, on Wednesdays i'am used to follow  Julie Granger for her live performance on Eres Instagram.  In the meantime, every morning I take care to prepare myself as if I was going to the office: I dress, do my hair and make-up and above all I continue to wear my jewellery. I respect work days and weekend days, this is my "containment routine". As far as creation is concerned, the process is a little different. There are a lot of questions about current processes: the durability of products or collections over time. I think that today, more than ever, creativity lies in reflection. That's why I read a lot, both recent books and books from my personal archives. This has even allowed me to find hidden treasures at home! On the other hand, there is also the importance of keeping in touch with my team, it encourages creativity and reinforces cohesion within the studio. To do this, I receive a lot of fabrics and prototypes at home to share with my team.    What is in your planning for this year?  Firstly, I look forward to our collaboration with Bonpoint, just in time for the end of the lockdown. I can't wait to unveil our first children's model capsule. In June, we will be launching a collaboration with Palorosa to offer three models of baskets.  Then will follow the launch of our "Sunwear" line, a top-of-the-range line of swimwear and beachwear with exceptional materials. Everything is designed to match the colour scheme of the collaboration with Palorosa. I first made the baskets which then inspired me to create different models of bathing suits. Then I imagined a complete wardrobe by working on kaftans and dresses. The idea was to offer a complete high-end wardrobe, chic and full of savoir-faire.   What is in your planning for this year and how will Covid-19 effect that? I always had a passion for the Impressionists, but I have a particular admiration for Monet. I love his poetry and his work on colour.  I also love Klint in the Viennese art.  That inspired me the tachist side for some of my prints: shapes without really being able to see them.   Tell us about your latest ERES Activewear collection ? This is a collection that was very important to me. The first line was launched in January 2019. The products have been thought as a meeting between the world of bath and lingerie. Two emblematic ERES universes. The iconic ERES « Peau Douce », the technicality of the materials and the refinement of details, such as lace braids worked for sport, in technical materials. This collection has been designed for the practice of soft sports, particularly for sports such as Bikram Yoga. To tell you the truth, some of our customers were already using our "Aquarelle" swimsuit as a sports body. So the idea remains to appropriate the pieces and turn them away from their initial uses. For example, I very often wear my activewear brassiere with my cashmere sweater.   What are the key items and materials in the collection? The key materials are our iconic Peau Douce and our technical lace logoed ERES. The main products are the high waist leggings with lace insert and the brassiere.  Personally, I have a big crush on the suit which I find very fashionable. I also had fun to decline our famous wild print to this line of activewear to  put it in a fashionable approach.    Do you practice yoga? I practice several sports including yoga and pilates. That's why the creation of this line was dear to me. I also like to discover new sports, combined with cardio..   During this long lasting quarantine time we had a delight speaking with Marie-Paule Minchelli about the corona crisis as well as her newest activewear collection for Eres.    How do you think Covid-19 will effect the fashion industry both long-term and short-term? One thing is certain, there will be a before and after Covid-19, even in the fashion industry. At least in the next few months things will have to change. I think there is a general awareness on a lot of subjects... And the way of consuming is one of them. We are all currently dependent of factors that we cannot control.  The idea is to refocus the economy on local shops and for fashion it' s going to be, I think, a major idea: Consume less but better with good basics and think about our fashion fundamentals.   How do you see the impact of Corona crisis on the general perception of fashion? I think the general perception of fashion is about to be turned upside down.  Digital will play an increasingly important role in the years to come. Especially in the way we present our products. Maybe there will be fewer fashion shows and we will have to find new ways to present the collections, and I believe strongly in digital for that.  I think we will also have to think about new customer experiences, perhaps with services that are closer to our customers, more personalized.   Do you believe everything will just go back to normal after Covid-19, or how do you see it will be ? As I said previously, I think we will see real changes. This period is so special and unprecedented, it is impossible that nothing change after this. Sometimes I wonder if our usual methods were "normal" after all ?   How do you spend your Quarantine time and are you still able to create while being quarantined? I try as much as possible to establish a kind of "routine" for my days by keeping a daily work flow. A coffee to start my day, depending on my mood I do a sports class, either elliptical or a live one on Instagram.  Of course, on Wednesdays i'am used to follow  Julie Granger for her live performance on Eres Instagram.  In the meantime, every morning I take care to prepare myself as if I was going to the office: I dress, do my hair and make-up and above all I continue to wear my jewellery. I respect work days and weekend days, this is my "containment routine". As far as creation is concerned, the process is a little different. There are a lot of questions about current processes: the durability of products or collections over time. I think that today, more than ever, creativity lies in reflection. That's why I read a lot, both recent books and books from my personal archives. This has even allowed me to find hidden treasures at home! On the other hand, there is also the importance of keeping in touch with my team, it encourages creativity and reinforces cohesion within the studio. To do this, I receive a lot of fabrics and prototypes at home to share with my team.    What is in your planning for this year?  Firstly, I look forward to our collaboration with Bonpoint, just in time for the end of the lockdown. I can't wait to unveil our first children's model capsule. In June, we will be launching a collaboration with Palorosa to offer three models of baskets.  Then will follow the launch of our "Sunwear" line, a top-of-the-range line of swimwear and beachwear with exceptional materials. Everything is designed to match the colour scheme of the collaboration with Palorosa. I first made the baskets which then inspired me to create different models of bathing suits. Then I imagined a complete wardrobe by working on kaftans and dresses. The idea was to offer a complete high-end wardrobe, chic and full of savoir-faire.   What is in your planning for this year and how will Covid-19 effect that? I always had a passion for the Impressionists, but I have a particular admiration for Monet. I love his poetry and his work on colour.  I also love Klint in the Viennese art.  That inspired me the tachist side for some of my prints: shapes without really being able to see them.   Tell us about your latest ERES Activewear collection ? This is a collection that was very important to me. The first line was launched in January 2019. The products have been thought as a meeting between the world of bath and lingerie. Two emblematic ERES universes. The iconic ERES « Peau Douce », the technicality of the materials and the refinement of details, such as lace braids worked for sport, in technical materials. This collection has been designed for the practice of soft sports, particularly for sports such as Bikram Yoga. To tell you the truth, some of our customers were already using our "Aquarelle" swimsuit as a sports body. So the idea remains to appropriate the pieces and turn them away from their initial uses. For example, I very often wear my activewear brassiere with my cashmere sweater.   What are the key items and materials in the collection? The key materials are our iconic Peau Douce and our technical lace logoed ERES. The main products are the high waist leggings with lace insert and the brassiere.  Personally, I have a big crush on the suit which I find very fashionable. I also had fun to decline our famous wild print to this line of activewear to  put it in a fashionable approach.    Do you practice yoga? I practice several sports including yoga and pilates. That's why the creation of this line was dear to me. I also like to discover new sports, combined with cardio..  

Alexander McQueen Spring & Summer 2020 exclusive by Don McCullin
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Alexander McQueen Spring & Summer 2020 exclusive by Don McCullin

Fashion Taken from artwork painted by hand in the Alexander McQueen studio, calligraphy flowers are woven into jacquards for signature tailoring and printed onto cotton poplin shirting. In guchsia, black, ivory and indigo, they blossom from delicate inky watercolours to x-ray florals and exploded kaleidoscopic blooms mirrored and magnified in scale.     All images shot by Don McCullin. Taken from artwork painted by hand in the Alexander McQueen studio, calligraphy flowers are woven into jacquards for signature tailoring and printed onto cotton poplin shirting. In guchsia, black, ivory and indigo, they blossom from delicate inky watercolours to x-ray florals and exploded kaleidoscopic blooms mirrored and magnified in scale.     All images shot by Don McCullin.

COLMAR Originals by Originals for Spring & Summer
237

COLMAR Originals by Originals for Spring & Summer

Fashion The sporty Originals by Originals collection by the Italian heritage label Colmar is made to steal the show (at home). Comfortable and colourful athleisure wear for the summer - from sweatpants to sweaters and tees to shorts. This collection brings a fresh sparkle to appropriate garments for life indoors, but just as easily transition to impress on a sunny stroll through your hood. The seventies inspired colourblocking combined with a printed design of the original Colmar logo, brings out nothing but happy feelings.     more on: www.colmar.it The sporty Originals by Originals collection by the Italian heritage label Colmar is made to steal the show (at home). Comfortable and colourful athleisure wear for the summer - from sweatpants to sweaters and tees to shorts. This collection brings a fresh sparkle to appropriate garments for life indoors, but just as easily transition to impress on a sunny stroll through your hood. The seventies inspired colourblocking combined with a printed design of the original Colmar logo, brings out nothing but happy feelings.     more on: www.colmar.it

Yasmin Wijnaldum by Hugh Lippe
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Yasmin Wijnaldum by Hugh Lippe

Fashion Yasmin captured by Hugh Lippe in our second edition.    TEAM CREDITS: Fotografie: Hugh Lippe at Print & Contact Styling: Lisa Jarvis Talent: Yasmin at The Society Management Haar: Lucas Wilson using Bumble and bumble / Home Agency Make-Up: Ralph Siciliano at The Wall Group Manicurist: Dawn Sterling at Statement Artist using Pear Nova Props Stylist: Kounthear Kuch Production: Zhelma San Millan at Navia Vision Locatie: Industria Studios Casting: Timotej Letonja Fashion Market Assistants: Sierra Smith and Share Koech Yasmin captured by Hugh Lippe in our second edition.    TEAM CREDITS: Fotografie: Hugh Lippe at Print & Contact Styling: Lisa Jarvis Talent: Yasmin at The Society Management Haar: Lucas Wilson using Bumble and bumble / Home Agency Make-Up: Ralph Siciliano at The Wall Group Manicurist: Dawn Sterling at Statement Artist using Pear Nova Props Stylist: Kounthear Kuch Production: Zhelma San Millan at Navia Vision Locatie: Industria Studios Casting: Timotej Letonja Fashion Market Assistants: Sierra Smith and Share Koech

Louboutin World
230

Louboutin World

Men Exclusive editorial from our second edition in collaboration with Christian Louboutin.   TEAM CREDITS photography: Jorre Janssens Stylist: Victor Vergara Hair and make-up: Wout Philippo Models: Jelle, Ilam en Bruno via Republic Models, Andro at John en Brooks Agency Casting: Timotej Letonja STYLING CREDITS all shoes and bags: Christian Lououtin SS2020 Exclusive editorial from our second edition in collaboration with Christian Louboutin.   TEAM CREDITS photography: Jorre Janssens Stylist: Victor Vergara Hair and make-up: Wout Philippo Models: Jelle, Ilam en Bruno via Republic Models, Andro at John en Brooks Agency Casting: Timotej Letonja STYLING CREDITS all shoes and bags: Christian Lououtin SS2020

Luckylefthand adorns Louis Vuitton headquarters with “Nine Colours, Nine Eyes and Nine Hearts“
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Luckylefthand adorns Louis Vuitton headquarters with “Nine Colours, Nine Eyes and Nine Hearts“

Art In the 1920s, Gaston-Louis Vuitton wrote, “Let’s make the street a happy place. ” A century later, Louis Vuitton asked artist Luckylefthand to decorate the façade of its Paris headquarters located by the Pont Neuf bridge. The fresco covers 280m2 and is made up of 14 colourful, sleek and playful paintings. With this painting, Louis Vuitton and Luckylefthand want to bring positivity and positive vibes to the Pont Neuf neighbourhood during the current lockdown. Luckylefthand was given carte blanche and used a minimalist, condensed style inspired by 1960s and 70s aesthetics to transport passers-by far away on a trip to the landscapes of Hossegor, his adopted town. With colourful transitions and primitive shapes, the wall painting was created using only acrylic paints and features a number of hands, one of the artist’s cherished symbols. The hands are physically set about a metre and a half apart yet are linked in spirit as a representation of our current mindset.   “I wanted to create this wall painting to o er Parisians a colourful stroll past the 14 windows, evoking a summer holiday while still representing the temporary period we are going through. The hands placed a metre and a half apart is a nod to what we’re currently experiencing. I hope this wall painting’s bright, saturated colours and rainbows made of big, curved lines will bring the positive energy we all need right now,” the artist said about his work.   Steven Burke is a French artist born in 1982. He works in the south-west French town of Hossegor, a place that has inspired him for years. After a 15-year career in the eld of graphic design, he practises his art in search of simplicity of shapes and purity of colours to convey a positive and enthusiastic message. The symbol of the hand is often represented in compositions to suggest humankind in its most universal form. Over time, this symbol has become an invitation to the meditative state, certainly pushed by the beauty of surrounding nature. For further informations : www.luckylefthand.com In the 1920s, Gaston-Louis Vuitton wrote, “Let’s make the street a happy place. ” A century later, Louis Vuitton asked artist Luckylefthand to decorate the façade of its Paris headquarters located by the Pont Neuf bridge. The fresco covers 280m2 and is made up of 14 colourful, sleek and playful paintings. With this painting, Louis Vuitton and Luckylefthand want to bring positivity and positive vibes to the Pont Neuf neighbourhood during the current lockdown. Luckylefthand was given carte blanche and used a minimalist, condensed style inspired by 1960s and 70s aesthetics to transport passers-by far away on a trip to the landscapes of Hossegor, his adopted town. With colourful transitions and primitive shapes, the wall painting was created using only acrylic paints and features a number of hands, one of the artist’s cherished symbols. The hands are physically set about a metre and a half apart yet are linked in spirit as a representation of our current mindset.   “I wanted to create this wall painting to o er Parisians a colourful stroll past the 14 windows, evoking a summer holiday while still representing the temporary period we are going through. The hands placed a metre and a half apart is a nod to what we’re currently experiencing. I hope this wall painting’s bright, saturated colours and rainbows made of big, curved lines will bring the positive energy we all need right now,” the artist said about his work.   Steven Burke is a French artist born in 1982. He works in the south-west French town of Hossegor, a place that has inspired him for years. After a 15-year career in the eld of graphic design, he practises his art in search of simplicity of shapes and purity of colours to convey a positive and enthusiastic message. The symbol of the hand is often represented in compositions to suggest humankind in its most universal form. Over time, this symbol has become an invitation to the meditative state, certainly pushed by the beauty of surrounding nature. For further informations : www.luckylefthand.com

Dance with me
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Dance with me

Fashion Editorial from our second edition.    TEAM CREDITS Fotograaf: Zeb Daemen Assistant fotografie / Fotografie assistent: Koen Vernimmen Casting: Timotej Letonja Model: Ahmed Kontar via Elite Stylist: Gabriella Norberg Set (decor) designer: Felix Gesnouin via Wschupfer Make-up: Vera Dierckx Haar: Eduardo Bravo Producer (producent): Joanna Burczynska via OpenSpaceParis Locatie: L’atelier - Demoriane Editorial from our second edition.    TEAM CREDITS Fotograaf: Zeb Daemen Assistant fotografie / Fotografie assistent: Koen Vernimmen Casting: Timotej Letonja Model: Ahmed Kontar via Elite Stylist: Gabriella Norberg Set (decor) designer: Felix Gesnouin via Wschupfer Make-up: Vera Dierckx Haar: Eduardo Bravo Producer (producent): Joanna Burczynska via OpenSpaceParis Locatie: L’atelier - Demoriane

GUCCI presents the new eyewear collection
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GUCCI presents the new eyewear collection

Accessories Gucci presents a new limited-edition eyewear collection exclusive to Gucci.com, which is characterised by bold detachable chains that dangle from the glasses’ temples, displaying logoed “earrings”. This innovative idea stems from Gucci’s belief that people should be able to express character and personality through their clothing and accessories, and is typical of Gucci’s unconventional approach, transforming eyewear by adding an unexpected element of playfulness.  Three limited-edition sunglasses styles are available, and each comes in two different colours. The availability is truly restricted, with only 100 pairs of each version being made. Two of the frames are more conventionally feminine in their design, while the third is more masculine, though in reality this selection is intended to have a gender-neutral appeal, in keeping with Gucci’s aesthetic. All models have temples that look like shiny Endura Gold chains, and the actual chains attached to the “earrings” fix onto these.     One style has an oversized butterfly frame in shiny Endura Gold and comes with shiny pink mother-of-pearl earrings and a solid brown lens, or shiny black earrings and a solid yellow lens. A second model has a shiny black thick squared frame, shiny white mother-of-pearl earrings and a double gradient smoke/pink lens; the same style also comes with a shiny black and ivory zebra pattern frame in acetate created exclusively for Gucci, matching earrings and a solid red lens. The third model is an aviator style with a thick frame in shiny black, with matching earrings and a solid grey lens; this style also comes with a shiny transparent light yellow-and-brown frame, matching earrings and a solid green lens. The collection has its own dedicated packaging: a pink velvet and red glasses case and a red carry pouch. A label in the case specifies that these sunglasses belong to a limited edition, exclusively created for Gucci.com.  To promote the collection, Gucci has shot a campaign in and around a sunlit swimming pool, and on a beach. The models featured display their carefree, uninhibited attitude by jumping into the water of the pool fully clothed. Pictured singly, or in pairs, often blowing pink bubble gum bubbles, Gucci’s cast of distinctive-looking male and female characters are clearly enjoying the decorative, free-swinging earrings attached to their sunglasses.     The styles will be available exclusively on Gucci.com, worldwide from April 30th 2020.    Campaign Credits   Creative Director: Alessandro Michele Art Director: Christopher SimmondsPhotographer: Mark Peckmezian Styling: Emma Wyman Hair Stylist: Alex Bronswell Make Up: Thomas de Kluyver Gucci presents a new limited-edition eyewear collection exclusive to Gucci.com, which is characterised by bold detachable chains that dangle from the glasses’ temples, displaying logoed “earrings”. This innovative idea stems from Gucci’s belief that people should be able to express character and personality through their clothing and accessories, and is typical of Gucci’s unconventional approach, transforming eyewear by adding an unexpected element of playfulness.  Three limited-edition sunglasses styles are available, and each comes in two different colours. The availability is truly restricted, with only 100 pairs of each version being made. Two of the frames are more conventionally feminine in their design, while the third is more masculine, though in reality this selection is intended to have a gender-neutral appeal, in keeping with Gucci’s aesthetic. All models have temples that look like shiny Endura Gold chains, and the actual chains attached to the “earrings” fix onto these.     One style has an oversized butterfly frame in shiny Endura Gold and comes with shiny pink mother-of-pearl earrings and a solid brown lens, or shiny black earrings and a solid yellow lens. A second model has a shiny black thick squared frame, shiny white mother-of-pearl earrings and a double gradient smoke/pink lens; the same style also comes with a shiny black and ivory zebra pattern frame in acetate created exclusively for Gucci, matching earrings and a solid red lens. The third model is an aviator style with a thick frame in shiny black, with matching earrings and a solid grey lens; this style also comes with a shiny transparent light yellow-and-brown frame, matching earrings and a solid green lens. The collection has its own dedicated packaging: a pink velvet and red glasses case and a red carry pouch. A label in the case specifies that these sunglasses belong to a limited edition, exclusively created for Gucci.com.  To promote the collection, Gucci has shot a campaign in and around a sunlit swimming pool, and on a beach. The models featured display their carefree, uninhibited attitude by jumping into the water of the pool fully clothed. Pictured singly, or in pairs, often blowing pink bubble gum bubbles, Gucci’s cast of distinctive-looking male and female characters are clearly enjoying the decorative, free-swinging earrings attached to their sunglasses.     The styles will be available exclusively on Gucci.com, worldwide from April 30th 2020.    Campaign Credits   Creative Director: Alessandro Michele Art Director: Christopher SimmondsPhotographer: Mark Peckmezian Styling: Emma Wyman Hair Stylist: Alex Bronswell Make Up: Thomas de Kluyver

The house of Givenchy celebrates the Antigona family of bags
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The house of Givenchy celebrates the Antigona family of bags

Accessories This Fall, Givenchy celebrates the 10th anniversary of its iconic Antigona handbag by unveiling the Antigona Soft, a supple, more relaxed version of its elder sister.     Inspired by the heroine of Greek mythology, the now-classic Antigona, which debuted for Fall-Winter 2010, reinterpreted the House’s signature Boston shape and quickly became a House signature. Its architectural, rigid construction featured a tension between feminine and masculine allure — a duality that defines the Givenchy aesthetic. Today, this timeless modern style has grown into a full-fledged collection of accessories for women and men. There’s a clear family resemblance in the Antigona Soft. Like its elder sister, it comes in the same colorways and is embellished with bold zippers and a distinctive pentagonal patch.   Yet the Antigona Soft gamely plays on contradiction. Building on Givenchy duality, it offers a counterpoint to the original Antigona by blending sleek lines with suppleness. To the structured, graphic statement of a classic, the Antigona Soft replies with serene languor. Like a favorite leather coat, the Antigona Soft conveys a versatile, second-skin sensuality. Crafted in smooth calfskin, it tempers the Antigona’s signature architecture with a more fluid, androgynous appeal. Its subtle slouchiness speaks with the quiet confidence of an embrace, contrasting volume with purity of line. Inviting, enveloping straps allow the Antigona Soft to move seamlessly from day bag to weekender. Stylish and down-to-earth, the Antigona Soft comes in medium and large formats, with an ample central compartment featuring dual zip closures with signature bombé zip pulls, an inner pocket for storing cards, side straps with turn-lock fastenings, two top handles, and a removable shoulder strap for versatility of wear. A scaled-down version likewise accommodates all the essentials, with a zipped compartment, a card pocket and an adjustable, removable strap to adapt to three styles of wear. Both the Antigona and the Antigona Soft come in timeless black, white, pearl gray, aubergine and midnight blue as well as a seasonal palette of candy pink, military green and ice blue. Directional variations include styles in vintage leather with hand-placed studs; with embroidered, printed stripes; with a lustrous gradient gold metallic finish on black leather, and a version in woven cord and leather.     Retail prices: from 1,450 euros for the Antigona Soft and from 1,290 euros for the classic Antigona. This Fall, Givenchy celebrates the 10th anniversary of its iconic Antigona handbag by unveiling the Antigona Soft, a supple, more relaxed version of its elder sister.     Inspired by the heroine of Greek mythology, the now-classic Antigona, which debuted for Fall-Winter 2010, reinterpreted the House’s signature Boston shape and quickly became a House signature. Its architectural, rigid construction featured a tension between feminine and masculine allure — a duality that defines the Givenchy aesthetic. Today, this timeless modern style has grown into a full-fledged collection of accessories for women and men. There’s a clear family resemblance in the Antigona Soft. Like its elder sister, it comes in the same colorways and is embellished with bold zippers and a distinctive pentagonal patch.   Yet the Antigona Soft gamely plays on contradiction. Building on Givenchy duality, it offers a counterpoint to the original Antigona by blending sleek lines with suppleness. To the structured, graphic statement of a classic, the Antigona Soft replies with serene languor. Like a favorite leather coat, the Antigona Soft conveys a versatile, second-skin sensuality. Crafted in smooth calfskin, it tempers the Antigona’s signature architecture with a more fluid, androgynous appeal. Its subtle slouchiness speaks with the quiet confidence of an embrace, contrasting volume with purity of line. Inviting, enveloping straps allow the Antigona Soft to move seamlessly from day bag to weekender. Stylish and down-to-earth, the Antigona Soft comes in medium and large formats, with an ample central compartment featuring dual zip closures with signature bombé zip pulls, an inner pocket for storing cards, side straps with turn-lock fastenings, two top handles, and a removable shoulder strap for versatility of wear. A scaled-down version likewise accommodates all the essentials, with a zipped compartment, a card pocket and an adjustable, removable strap to adapt to three styles of wear. Both the Antigona and the Antigona Soft come in timeless black, white, pearl gray, aubergine and midnight blue as well as a seasonal palette of candy pink, military green and ice blue. Directional variations include styles in vintage leather with hand-placed studs; with embroidered, printed stripes; with a lustrous gradient gold metallic finish on black leather, and a version in woven cord and leather.     Retail prices: from 1,450 euros for the Antigona Soft and from 1,290 euros for the classic Antigona.

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