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Daily Paper Debuts NYC Flagship Retailer Experience on the Lower East Side
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Daily Paper Debuts NYC Flagship Retailer Experience on the Lower East Side

Fashion Amsterdam based clothing brand, Daily Paper, proudly announces the launch of its first permanent retail space outside of Amsterdam with the opening of its inaugural NYC Flagship Store on October 24, 2020. Located on the Lower East Side of Manhattan in New York, the Daily Paper store is perfectly placed to bring the brand’s unique strain of multicultural Afro-centric Dutch culture stateside.      Store and Clubhouse: More than just a store, the space includes a cafe/lounge area that’s poised to become a sought-out destination and clubhouse for the city’s creatives with the brand seeking to transplant the strong sense of community found in it’s Amsterdam store to New York.     Design of the store: The Daily Paper Team in partnership with interior architect designer Heather Faulding of 4plus Design, the 1,140 sq ft space serves as a physical manifestation of Daily Paper’s unique aesthetic combining ancient African culture with contemporary European design all transmitted through a modern architectural lens. Key elements are a facade, statues, mosaic, arches, glass floor, coffee bar & lounge and mural. Amsterdam based clothing brand, Daily Paper, proudly announces the launch of its first permanent retail space outside of Amsterdam with the opening of its inaugural NYC Flagship Store on October 24, 2020. Located on the Lower East Side of Manhattan in New York, the Daily Paper store is perfectly placed to bring the brand’s unique strain of multicultural Afro-centric Dutch culture stateside.      Store and Clubhouse: More than just a store, the space includes a cafe/lounge area that’s poised to become a sought-out destination and clubhouse for the city’s creatives with the brand seeking to transplant the strong sense of community found in it’s Amsterdam store to New York.     Design of the store: The Daily Paper Team in partnership with interior architect designer Heather Faulding of 4plus Design, the 1,140 sq ft space serves as a physical manifestation of Daily Paper’s unique aesthetic combining ancient African culture with contemporary European design all transmitted through a modern architectural lens. Key elements are a facade, statues, mosaic, arches, glass floor, coffee bar & lounge and mural.

CK ONE launches their Fall 2020 capsule collection
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CK ONE launches their Fall 2020 capsule collection

Fashion A tribute to individuality and the freedom of self-expression, the CK ONE collection showcases a range of energetic, enigmatic visuals that explore the many aspects of self, we challenge norms - race and gender identity, sexual orientation, age and body type - and through dialogue, education, and brand action, we unite as one.     The CK ONE collection is shot by a group of talented photographers including: Ryan McGinley, Stevie Dance, Bibi Borthwick. These images capture both Calvin Klein’s latest Underwear and Jeans styles redefined for a new generation. The imagery is a unique, stripped back perspective of Fall 2020 Calvin Klein and starts a very cool group of models.   You can now shop the collection at https://www.calvinklein.nl   A tribute to individuality and the freedom of self-expression, the CK ONE collection showcases a range of energetic, enigmatic visuals that explore the many aspects of self, we challenge norms - race and gender identity, sexual orientation, age and body type - and through dialogue, education, and brand action, we unite as one.     The CK ONE collection is shot by a group of talented photographers including: Ryan McGinley, Stevie Dance, Bibi Borthwick. These images capture both Calvin Klein’s latest Underwear and Jeans styles redefined for a new generation. The imagery is a unique, stripped back perspective of Fall 2020 Calvin Klein and starts a very cool group of models.   You can now shop the collection at https://www.calvinklein.nl  

FENTY releases new 10-20 Sunglasses
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FENTY releases new 10-20 Sunglasses

Accessories Communicating that FENTY audacity and design flair for which our eyewear has become known, we introduce two new styles of sunglasses for fall: the ultra-glamorous Screenplay and larger-than-life Director’s Cut.     Titled Screenplay on account of its playful lens design and old Hollywood glamour, the first new style is a classic, feminine cat-eye shape. Of course, we couldn’t leave it as a classic cat-eye without breaking a few design rules! The signature FENTY twist comes in the lenses, which extend beyond the inner border of the frame and wrap around the outside edge, adding a flash of lens color to the profile. Screenplay comes in two colorways: Jet Black with Baby Blue lenses or Shiny Ivory with Solid Green lenses, complete with FENTY monogrammed tips.     The second style is a reinterpretation of our bestselling Blockt sunglasses, following the upside down frame design with lenses cutting out just shy of the frame, creating side slits at the edge in contrast to the overhanging lens of Screenplay. Named Director’s Cut on account of the sliced lenses, this style is quintessentially FENTY with its oversized shape and uncompromising design attitude. Director’s Cut is also available in two colorways: Jet Black with matching lenses or Shiny Ivory with Solid Green lenses, gold detailing and monogrammed tips.     The campaign was captured by Arnaud Lajeunie.   Screenplay and Director’s Cut are available now at FENTY.com Communicating that FENTY audacity and design flair for which our eyewear has become known, we introduce two new styles of sunglasses for fall: the ultra-glamorous Screenplay and larger-than-life Director’s Cut.     Titled Screenplay on account of its playful lens design and old Hollywood glamour, the first new style is a classic, feminine cat-eye shape. Of course, we couldn’t leave it as a classic cat-eye without breaking a few design rules! The signature FENTY twist comes in the lenses, which extend beyond the inner border of the frame and wrap around the outside edge, adding a flash of lens color to the profile. Screenplay comes in two colorways: Jet Black with Baby Blue lenses or Shiny Ivory with Solid Green lenses, complete with FENTY monogrammed tips.     The second style is a reinterpretation of our bestselling Blockt sunglasses, following the upside down frame design with lenses cutting out just shy of the frame, creating side slits at the edge in contrast to the overhanging lens of Screenplay. Named Director’s Cut on account of the sliced lenses, this style is quintessentially FENTY with its oversized shape and uncompromising design attitude. Director’s Cut is also available in two colorways: Jet Black with matching lenses or Shiny Ivory with Solid Green lenses, gold detailing and monogrammed tips.     The campaign was captured by Arnaud Lajeunie.   Screenplay and Director’s Cut are available now at FENTY.com

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The Lady D-Lite Velvet by Dior
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The Lady D-Lite Velvet by Dior

Accessories With its architectural lines and irresistible charms, the Lady D-Lite is reinvented in a new velvet version for Autumn-Winter 2020-2021 by Maria Grazia Chiuri. Adorned with this soft, plush fabric – using an exclusive three-dimensional embroidery technique – the iconic bag features a tone-on-tone cannage motif, enhanced by the use of deep shades, resulting in a uniquely vibrant signature piece that provides an instantly distinctive allure. With its architectural lines and irresistible charms, the Lady D-Lite is reinvented in a new velvet version for Autumn-Winter 2020-2021 by Maria Grazia Chiuri. Adorned with this soft, plush fabric – using an exclusive three-dimensional embroidery technique – the iconic bag features a tone-on-tone cannage motif, enhanced by the use of deep shades, resulting in a uniquely vibrant signature piece that provides an instantly distinctive allure.

In conversation with  Per Axen
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In conversation with Per Axen

Fashion Continuing their work towards a more responsible design process, Weekday is proud to launch a 100% recyclable and 100% biodegradable* denim set, as part of the Ellen MacArthur Foundation’s Jeans Redesign project.   Jeans have always been a core Weekday product, they are the foundation of most wardrobes, they’re timeless, genderless and an everyday basic but unfortunately the processes that goes into making them often creates both waste and pollution. Through this project, Weekday along with 50+ other brands, uses new solutions and processes to ensure garment durability, material health, recyclability and traceability when creating denim pieces.   Made from sturdy blend of post-consumer waste cotton and organic cotton; Klean Jeans and Milton Denim Jacket were designed to last. Using as little material as possible to create the pieces, the Weekday design team looked into every detail, making sure they used the best, most durable and sustainable options possible. The ambition is now that both pieces will last for a very long time before being passed on or recycled when they reach end of life with their first owner.   “For us, this isn’t a one off , we are now looking at how we can be more e cient and responsible within all our design practices.” says Per Axen, Responsible Denim Designer at Weekday. “We really had to think about every detail, such as trims, fabric even packaging, and now that we have done this, we will look into how we can take these learnings and bring them into future designs. For example, we are super excited about the fact that we have now started using post-consumer/industrial waste cotton in all our denim products for SS21”.   20% post-consumer waste cotton 80% organic cotton, 100% recyclable, 100% biodegradable* - Available October 22   We had a delight speaking with Per Axe about the collection.     How important do you think sustainability is becoming, and how do you incorporate it within your brand?   Sustainability is a huge focus for us. When it comes to being a responsible business, there’s alwaysmore to be done. Today we are testing and investigating new ways of production, for example producing more collections on demand, instead of saturating the market with too many products. We also have a collection that we produce yearly called Re-made, which we create with unsold pieces from older collections.   Jeans have always been a core Weekday product, they are the foundation of most wardrobes, they’retimeless, genderless and an everyday basic but unfortunately the processes that goes into making them often creates both waste and pollution. Through this project, with the Ellen MacArthur Foundation, we were able to truly shift from a linear process into a circular design process. In a circular model, resources stay in use for as long as possible before being recycled into new products, the new products also stay in use as long as possible before being recycled, again and again.   Moving forward we will continue to find innovating solutions on how to create a more responsible assortment, using less water and no chemicals.       Who are you and what is your profession?   My name Per Axe and I’m the Responsible Denim Designer, Menswear at Weekday. I’m originally from Varberg, a small town on the Swedish west coast. After studying fashion design at The Swedish School of Textiles in Borås I started working as a designer for both men and women. My focus has been on denim during the last six years. I live in Stockholm, Sweden, and have been at Weekday since 2011.     What can we look forward to from Weekday to come in the future?   The aim is to use the learnings from this project to become fully circular in all our production processes, in the future.   We are now looking at how we can be more efficient and responsible within all our design practices. With this project, we really had to think about every detail, such as trims, fabric, fit and even packaging, and now that we have done this, we will look into how we can take these learnings and bring them into future designs. For example, we are super excited about the fact that we have now started using post-consumer/industrial waste cotton in all our denim products for SS21     How do you think Covid-19 will affect the fashion industry both long-term and short- term? How do you see the impact of Corona crisis on the general perception of fashion?   For us, we have used this time to reinvent how we do what we do. Because of limitations due tolockdowns, we’ve really had to be more creative than ever when it comes to how we create collections and how we share them with our customers. For example, we have been working more with our Store Made Studio collections, where we take current unsold products and rework them in fun ways to create unique pieces as well as sharing with our customers tips and tricks, they can use at home to reinvent their wardrobe. We’ve also had to operate more flexibly across the value chain, for example break down processes between product teams and rethink the need for office meetings and travel.     Tell us something about yourself that isn't on your resume.   I have a creative studio where I do textile experiments. I share the space with a furniture designer, some artists and another designer. It’s a creative and fun place to be. I also just bought a wooden boat, so I’ll be spending a lot of free time fixing it up and sailing.     What is the most important thing to you when thinking of the future?   I think a lot about being able to make positive and sustainable change within the fashion industry. A lot of the work we do now, at Weekday, is about fundamentally challenging the perception of waste, from an unwanted thing to a valuable resource. I think this is the future, thinking in a circular way in all that we do.     What has been a longtime dream of yours? After already achieving so much.   I feel like I’m living one of my dreams, but I guess the big dream is freedom. Freedom in all that I do;economic freedom, creative freedom, freedom to live and work from anywhere. I think culture and creativity are an essential part of sustainable development because innovation needs the space to implementing new ideas. My dream is to spend more time in my studio or other places where I can be free to test different ideas.     Tell us more about the new campaign: THE FUTURE IS CIRCULAR.   We really wanted to join the Ellen MacArthur Foundation’s Jeans Redesign project because circular design is the future. We are therefore very proud to launch this 100% recyclable and 100% biodegradable (when you remove the buttons) denim set.   With this project we are shifting from a linear process into a circular design proces, which feels fantastic. In a circular model, resources stay in use for as long as possible before being recycled into new products, the new products also stay in use as long as possible before being recycled, again and again.   Since denim is one of our core categories it felt natural for us to start with that and to be in the forefront, when designing our denim assortment. This project has been a great challenge, because we have learned so much. When designing our next denim assortment, we have taken a lot of learnings from this project, to make sure we design and develop denim products that will last for many years, and at the same time have as low of an impact as possible on the environment. To give you one example: in all denim, starting SS21 we will use post- consumer/industrial waste cotton. We think about all the details, how can we be better – not only through the Redesign project but with everything we do. Continuing their work towards a more responsible design process, Weekday is proud to launch a 100% recyclable and 100% biodegradable* denim set, as part of the Ellen MacArthur Foundation’s Jeans Redesign project.   Jeans have always been a core Weekday product, they are the foundation of most wardrobes, they’re timeless, genderless and an everyday basic but unfortunately the processes that goes into making them often creates both waste and pollution. Through this project, Weekday along with 50+ other brands, uses new solutions and processes to ensure garment durability, material health, recyclability and traceability when creating denim pieces.   Made from sturdy blend of post-consumer waste cotton and organic cotton; Klean Jeans and Milton Denim Jacket were designed to last. Using as little material as possible to create the pieces, the Weekday design team looked into every detail, making sure they used the best, most durable and sustainable options possible. The ambition is now that both pieces will last for a very long time before being passed on or recycled when they reach end of life with their first owner.   “For us, this isn’t a one off , we are now looking at how we can be more e cient and responsible within all our design practices.” says Per Axen, Responsible Denim Designer at Weekday. “We really had to think about every detail, such as trims, fabric even packaging, and now that we have done this, we will look into how we can take these learnings and bring them into future designs. For example, we are super excited about the fact that we have now started using post-consumer/industrial waste cotton in all our denim products for SS21”.   20% post-consumer waste cotton 80% organic cotton, 100% recyclable, 100% biodegradable* - Available October 22   We had a delight speaking with Per Axe about the collection.     How important do you think sustainability is becoming, and how do you incorporate it within your brand?   Sustainability is a huge focus for us. When it comes to being a responsible business, there’s alwaysmore to be done. Today we are testing and investigating new ways of production, for example producing more collections on demand, instead of saturating the market with too many products. We also have a collection that we produce yearly called Re-made, which we create with unsold pieces from older collections.   Jeans have always been a core Weekday product, they are the foundation of most wardrobes, they’retimeless, genderless and an everyday basic but unfortunately the processes that goes into making them often creates both waste and pollution. Through this project, with the Ellen MacArthur Foundation, we were able to truly shift from a linear process into a circular design process. In a circular model, resources stay in use for as long as possible before being recycled into new products, the new products also stay in use as long as possible before being recycled, again and again.   Moving forward we will continue to find innovating solutions on how to create a more responsible assortment, using less water and no chemicals.       Who are you and what is your profession?   My name Per Axe and I’m the Responsible Denim Designer, Menswear at Weekday. I’m originally from Varberg, a small town on the Swedish west coast. After studying fashion design at The Swedish School of Textiles in Borås I started working as a designer for both men and women. My focus has been on denim during the last six years. I live in Stockholm, Sweden, and have been at Weekday since 2011.     What can we look forward to from Weekday to come in the future?   The aim is to use the learnings from this project to become fully circular in all our production processes, in the future.   We are now looking at how we can be more efficient and responsible within all our design practices. With this project, we really had to think about every detail, such as trims, fabric, fit and even packaging, and now that we have done this, we will look into how we can take these learnings and bring them into future designs. For example, we are super excited about the fact that we have now started using post-consumer/industrial waste cotton in all our denim products for SS21     How do you think Covid-19 will affect the fashion industry both long-term and short- term? How do you see the impact of Corona crisis on the general perception of fashion?   For us, we have used this time to reinvent how we do what we do. Because of limitations due tolockdowns, we’ve really had to be more creative than ever when it comes to how we create collections and how we share them with our customers. For example, we have been working more with our Store Made Studio collections, where we take current unsold products and rework them in fun ways to create unique pieces as well as sharing with our customers tips and tricks, they can use at home to reinvent their wardrobe. We’ve also had to operate more flexibly across the value chain, for example break down processes between product teams and rethink the need for office meetings and travel.     Tell us something about yourself that isn't on your resume.   I have a creative studio where I do textile experiments. I share the space with a furniture designer, some artists and another designer. It’s a creative and fun place to be. I also just bought a wooden boat, so I’ll be spending a lot of free time fixing it up and sailing.     What is the most important thing to you when thinking of the future?   I think a lot about being able to make positive and sustainable change within the fashion industry. A lot of the work we do now, at Weekday, is about fundamentally challenging the perception of waste, from an unwanted thing to a valuable resource. I think this is the future, thinking in a circular way in all that we do.     What has been a longtime dream of yours? After already achieving so much.   I feel like I’m living one of my dreams, but I guess the big dream is freedom. Freedom in all that I do;economic freedom, creative freedom, freedom to live and work from anywhere. I think culture and creativity are an essential part of sustainable development because innovation needs the space to implementing new ideas. My dream is to spend more time in my studio or other places where I can be free to test different ideas.     Tell us more about the new campaign: THE FUTURE IS CIRCULAR.   We really wanted to join the Ellen MacArthur Foundation’s Jeans Redesign project because circular design is the future. We are therefore very proud to launch this 100% recyclable and 100% biodegradable (when you remove the buttons) denim set.   With this project we are shifting from a linear process into a circular design proces, which feels fantastic. In a circular model, resources stay in use for as long as possible before being recycled into new products, the new products also stay in use as long as possible before being recycled, again and again.   Since denim is one of our core categories it felt natural for us to start with that and to be in the forefront, when designing our denim assortment. This project has been a great challenge, because we have learned so much. When designing our next denim assortment, we have taken a lot of learnings from this project, to make sure we design and develop denim products that will last for many years, and at the same time have as low of an impact as possible on the environment. To give you one example: in all denim, starting SS21 we will use post- consumer/industrial waste cotton. We think about all the details, how can we be better – not only through the Redesign project but with everything we do.

DR. MARTENS X MEDICOM TOY
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DR. MARTENS X MEDICOM TOY

Accessories It’s the 60th anniversary of the 1460 boot. And to celebrate, they’ve partnered with 12 world-renowned brands, labels and creatives on a series of one-off collaborations. And number ten goes beyond our original boot. Their collection with MEDICOM TOY includes six bespoke BE@RBRICKS — inspired by each decade of Dr. Martens — as well as a one-of-a-kind 1460 boot rework.     Known for their collectable BE@RBRICKS, Japanese cult favourite MEDICOM TOY uses these canvases to channel modern creative expression. They’ve near enough taken over the fashion world. And now they’re taking over our original boot. MEDICOM TOY collaborations can span art, design and modern subcultures. For this collection, we’re shining the spotlight on all three — as we look back on DM’s six-decade heritage.     ‘THEIR FANS SHARE COMMON GROUND. BOTH COLLECTORS AND WEARERS RECOGNISE AUTHENTICITY.’     Their limited edition 1460 boot is not just a one-off. It’s a first. Co-designed by the creators of the MEDICOM TOY label, it’s one of their only non-figurine collaborations. And they’ve made a hell of an impression. A completely debossed upper and ‘@’ stamp on the side is both subtle — yet instantly recognisable to MEDICOM TOY heads. Nodding to the brand’s signature BE@RBRICKS, the boot has been crafted with a fleece lining and fluffy laces — included in both red and blue. Their instantly recognisable logo is stamped on a branded debossed upper — framed by our standout DNA.   Along with their boot, they’ve also created six bespoke BE@RBRICKS* — taking cues from our wearers in each decade. Kicking off with our 60s BE@RBRICK. Where DM’s began, it’s complete with a buzzcut and ska music on loop. The 70s BE@RBRICK is no-nonsense punk — loud, brash and ready to challenge the norm. The 80sgoth BE@RBRICK is all leather, lace and fishnets, while the 90s flannel, Docs and an unwashed attitude canonly be grunge BE@RBRICK. The vibrant Kawaii movement inspires the colourful 00s BE@RBRICK. And the 10s BE@RBRICK likes plaid, sports a beard, and knew about your favourite band way before you did. Together, they’re a tribute to the alternative subcultures that have made us the brand we are today. It’s the 60th anniversary of the 1460 boot. And to celebrate, they’ve partnered with 12 world-renowned brands, labels and creatives on a series of one-off collaborations. And number ten goes beyond our original boot. Their collection with MEDICOM TOY includes six bespoke BE@RBRICKS — inspired by each decade of Dr. Martens — as well as a one-of-a-kind 1460 boot rework.     Known for their collectable BE@RBRICKS, Japanese cult favourite MEDICOM TOY uses these canvases to channel modern creative expression. They’ve near enough taken over the fashion world. And now they’re taking over our original boot. MEDICOM TOY collaborations can span art, design and modern subcultures. For this collection, we’re shining the spotlight on all three — as we look back on DM’s six-decade heritage.     ‘THEIR FANS SHARE COMMON GROUND. BOTH COLLECTORS AND WEARERS RECOGNISE AUTHENTICITY.’     Their limited edition 1460 boot is not just a one-off. It’s a first. Co-designed by the creators of the MEDICOM TOY label, it’s one of their only non-figurine collaborations. And they’ve made a hell of an impression. A completely debossed upper and ‘@’ stamp on the side is both subtle — yet instantly recognisable to MEDICOM TOY heads. Nodding to the brand’s signature BE@RBRICKS, the boot has been crafted with a fleece lining and fluffy laces — included in both red and blue. Their instantly recognisable logo is stamped on a branded debossed upper — framed by our standout DNA.   Along with their boot, they’ve also created six bespoke BE@RBRICKS* — taking cues from our wearers in each decade. Kicking off with our 60s BE@RBRICK. Where DM’s began, it’s complete with a buzzcut and ska music on loop. The 70s BE@RBRICK is no-nonsense punk — loud, brash and ready to challenge the norm. The 80sgoth BE@RBRICK is all leather, lace and fishnets, while the 90s flannel, Docs and an unwashed attitude canonly be grunge BE@RBRICK. The vibrant Kawaii movement inspires the colourful 00s BE@RBRICK. And the 10s BE@RBRICK likes plaid, sports a beard, and knew about your favourite band way before you did. Together, they’re a tribute to the alternative subcultures that have made us the brand we are today.

Calvin Klein LAUNCHES one future. #CKone
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Calvin Klein LAUNCHES one future. #CKone

Fashion   Calvin Klein launched their latest campaign ‘one future’ as part of #ckone. The campaign features young and powerful voices. For over 25 years, ck one has embodied youth culture. It all started 25 years ago with the unisex fragrance. In its latest brand campaign, one future #ckone, Calvin Klein curates powerful young voices captured by a vanguard of photographers. Shot against the backdrop of their hometowns, eleven individuals are captured in their everyday environments, speaking to their individual experiences, perspectives, and hopes. They are the voices of a generation united by one future. The dedicated platform Calvin Klein created celebrates expression and individuality.   CK ONE is giving a platform to young talents who are expressing their personal stories with the campaign, which is something we connect to easily and stand behind fully. We  find it very inspiring. You can read more about the featured youth  as well as see the images of all of them bellow. The campaign is truly something that stands out to us, especially in the current difficult times.    "We all have our own path and we create our own story. Make sure to be proud of who you  are and use your voice, even if told otherwise. Self-expression and individuality are very important." - Timotej Letonja     TONI BRAVO, 20, LONG BEACH, CA A native of Long Beach, California, Toni Bravo is a multifaceted creator with a passion for storytelling and depicting diverse points of view. Roller-skating has greatly impacted her life by giving her a sense of community. She also loves music, drawing and reselling vintage clothing. Toni is currently studying Film.    “Something I would like to change in the world would be perspective.”     JACE MITCHELL, 21, CROWHEART, WY Born and raised in Crowheart, Wyoming, Jace Mitchel is a rancher who bought his first cattle at 16. He is passionate about his work on the ranch and his small rural community. He wants the ranching community to be preserved so his daughter can continue to experience it as she grows. Working with animals has taught him patience.    “Everyone’s story is different than yours.” –Jace       LEX BAUTISTA, 22, EL PASO, TX Lex Bautista likes to sing and play the violin. They were born in California but has lived in El Paso since they were three. Lex is highly involved in the local community and is passionate about LGBTQIA+ issues as well as immigration as El Paso is a border city.    “Don't be afraid to change your mind. It doesn't make you any less of what you were before. If anything, you're growing as a person.”     CHRIS GOMEZ, 18, CORAL SPRINGS, FL Born and raised in Coral Springs, Florida, Chris Gomez was greatly impacted by the Stoneman Douglas High School shooting. Since then, he and his friends have been much more involved politically.    “We’ve been promised a better future for a long time. We want something more.”     JAWN DAVIS, 24, COMPTON, CA Born and raised in Los Angeles, Jawn Davis spent most of his life in Compton. He has a passion for skateboarding and would love to make it a career. He also enjoys creating music, bringing his artistic visions to life through his various creative outlets such as painting and repurposing thrifted clothes with embroidery for his friends.    “I feel like now everyone is more aware of what is really going on.”      TING TAI, 21, BALTIMORE, MD Ting Tai grew up in Memphis, Tennessee before moving to Baltimore where she has lived for the past 13 years with her family. Ting is Asian-American/Malaysian-Chinese and is passionate about increasing representation of marginalized groups. She also enjoys art and photography and is currently in her sophomore year at Howard Community College where she is studying environmental science.    “If I had seen more representation growing up, it would have helped me to be more comfortable with who I am today and get to where I am now faster.”      JUAN PAUL FLORES VAZQUEZ, 21, EL PASO, TX Juan Paul was born in Mexico and migrated to Modesto, California where he was raised. Juan became a DACA recipient at age 16 and moved to El Paso, Texas a year ago to pursue his dreams of becoming a filmmaker. He is currently working at a call center to support himself while working on film projects and learning from various directors in the El Paso film community. He wants to continue writing and directing projects inspired by real people and experiences.    “I’m 21 years old, and I won’t be able to vote.”   Calvin Klein launched their latest campaign ‘one future’ as part of #ckone. The campaign features young and powerful voices. For over 25 years, ck one has embodied youth culture. It all started 25 years ago with the unisex fragrance. In its latest brand campaign, one future #ckone, Calvin Klein curates powerful young voices captured by a vanguard of photographers. Shot against the backdrop of their hometowns, eleven individuals are captured in their everyday environments, speaking to their individual experiences, perspectives, and hopes. They are the voices of a generation united by one future. The dedicated platform Calvin Klein created celebrates expression and individuality.   CK ONE is giving a platform to young talents who are expressing their personal stories with the campaign, which is something we connect to easily and stand behind fully. We  find it very inspiring. You can read more about the featured youth  as well as see the images of all of them bellow. The campaign is truly something that stands out to us, especially in the current difficult times.    "We all have our own path and we create our own story. Make sure to be proud of who you  are and use your voice, even if told otherwise. Self-expression and individuality are very important." - Timotej Letonja     TONI BRAVO, 20, LONG BEACH, CA A native of Long Beach, California, Toni Bravo is a multifaceted creator with a passion for storytelling and depicting diverse points of view. Roller-skating has greatly impacted her life by giving her a sense of community. She also loves music, drawing and reselling vintage clothing. Toni is currently studying Film.    “Something I would like to change in the world would be perspective.”     JACE MITCHELL, 21, CROWHEART, WY Born and raised in Crowheart, Wyoming, Jace Mitchel is a rancher who bought his first cattle at 16. He is passionate about his work on the ranch and his small rural community. He wants the ranching community to be preserved so his daughter can continue to experience it as she grows. Working with animals has taught him patience.    “Everyone’s story is different than yours.” –Jace       LEX BAUTISTA, 22, EL PASO, TX Lex Bautista likes to sing and play the violin. They were born in California but has lived in El Paso since they were three. Lex is highly involved in the local community and is passionate about LGBTQIA+ issues as well as immigration as El Paso is a border city.    “Don't be afraid to change your mind. It doesn't make you any less of what you were before. If anything, you're growing as a person.”     CHRIS GOMEZ, 18, CORAL SPRINGS, FL Born and raised in Coral Springs, Florida, Chris Gomez was greatly impacted by the Stoneman Douglas High School shooting. Since then, he and his friends have been much more involved politically.    “We’ve been promised a better future for a long time. We want something more.”     JAWN DAVIS, 24, COMPTON, CA Born and raised in Los Angeles, Jawn Davis spent most of his life in Compton. He has a passion for skateboarding and would love to make it a career. He also enjoys creating music, bringing his artistic visions to life through his various creative outlets such as painting and repurposing thrifted clothes with embroidery for his friends.    “I feel like now everyone is more aware of what is really going on.”      TING TAI, 21, BALTIMORE, MD Ting Tai grew up in Memphis, Tennessee before moving to Baltimore where she has lived for the past 13 years with her family. Ting is Asian-American/Malaysian-Chinese and is passionate about increasing representation of marginalized groups. She also enjoys art and photography and is currently in her sophomore year at Howard Community College where she is studying environmental science.    “If I had seen more representation growing up, it would have helped me to be more comfortable with who I am today and get to where I am now faster.”      JUAN PAUL FLORES VAZQUEZ, 21, EL PASO, TX Juan Paul was born in Mexico and migrated to Modesto, California where he was raised. Juan became a DACA recipient at age 16 and moved to El Paso, Texas a year ago to pursue his dreams of becoming a filmmaker. He is currently working at a call center to support himself while working on film projects and learning from various directors in the El Paso film community. He wants to continue writing and directing projects inspired by real people and experiences.    “I’m 21 years old, and I won’t be able to vote.”

Vans and MoMA Debut Second Installment of Footwear and Apparel Featuring Works of Art by Edvard Munch, Jackson Pollock, Lybov Popova and Faith Ringgold
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Vans and MoMA Debut Second Installment of Footwear and Apparel Featuring Works of Art by Edvard Munch, Jackson Pollock, Lybov Popova and Faith Ringgold

Accessories Following the September debut collaboration, Vans, the original action sports brand, and The Museum of Modern Art (MoMA) are proud to launch a second installment of footwear and apparel. The latest iteration of the Vans and MoMA collaboration takes inspiration from impactful works of art by artists Edvard Munch, Jackson Pollock, Lybov Popova and Faith Ringgold. A diverse selection of work by these artists has been thoughtfully translated onto Vans Classic Footwear and apparel styles that will be available to shop worldwide on November 11.   “Our collaboration with MoMA is a true partnership that involved working together to select both the works and footwear to ensure an authentic connection between the art and the canvas footwear models we chose,” said Angie Dita, Vans Head of Global Footwear Design for Lifestyle Footwear. “Faith Ringgold worked closely with both the Vans design and MoMA teams to story tell through the details, bringing in quilted borders to contextualize her work atop Vans.”      Edvard Munch, whose best-known work, ‘The Scream 1895’, captures the “infinite scream of nature” and angst. A print version of this work has been carefully captured on each of the canvas panels of the Vans Era in a repeat pattern that can also be found on the Old Skool backpack, short sleeve tee and pullover hoodie.    ackson Pollock was a pioneer of action painting, flinging and pouring ropes of paint onto his surfaces in a decidedly physical way. Pollock’s ‘One: Number 31, 1950’ has transformed the Vans Authentic with an all-over application atop the canvas and across the sidewalls and is complimented by a digitally printed short sleeve button-down and camper style hat.    Popova approached painting as an act of “construction” using color, line and shape to create dimensional work that expressed movement and dynamism. For the Vans MoMA collaboration, Popova’s ‘Untitled, 1917’ has been applied to the Vans Sk8-Hi using each medial and lateral side to translate her avant-garde vision across the hi-top model which is found on complimenting fleece and ringer tee options.    Faith Ringgold is an acclaimed painter, writer, sculptor, performance artist, educator and activist whose body of work highlights her experiences with racism and social injustice. Vans and MoMA. Curators worked closely with Ringgold to uplift her feminist poster art including ‘Woman Free Yourself 1971’ which brings bold type to the left side of the Vans Era while ‘Freedom Woman Now 1971’ poster art has been applied to the right side to form the affirmative demands that were called during the arrest of Angela Davis. Ringgold’s powerful words can be found on a reversible bucket hat and long sleeve tee. A second footwear style, the Classic Slip-On is inspired by Ringgold’s first series of abstract paintings, ‘The Windows of the Wedding’ which was made in the 1970’s. Inscribed on the sidewall is a quote. From Ringgold, printed in her handwriting, that states “My mother said I’d have to work twice as hard to go half as far.”   Vans and MoMA are proud to come together to instill creative expression and uplift art education through special product this fall and holiday. The second installment of the Vans and MoMA collaboration will be available globally on November 11 on Vans.euat Vans retail, MoMA Design Store locations, store.moma.org, and select retail locations where Vans are sold. To experience the collection and learn more, visit vans.eu/moma. Following the September debut collaboration, Vans, the original action sports brand, and The Museum of Modern Art (MoMA) are proud to launch a second installment of footwear and apparel. The latest iteration of the Vans and MoMA collaboration takes inspiration from impactful works of art by artists Edvard Munch, Jackson Pollock, Lybov Popova and Faith Ringgold. A diverse selection of work by these artists has been thoughtfully translated onto Vans Classic Footwear and apparel styles that will be available to shop worldwide on November 11.   “Our collaboration with MoMA is a true partnership that involved working together to select both the works and footwear to ensure an authentic connection between the art and the canvas footwear models we chose,” said Angie Dita, Vans Head of Global Footwear Design for Lifestyle Footwear. “Faith Ringgold worked closely with both the Vans design and MoMA teams to story tell through the details, bringing in quilted borders to contextualize her work atop Vans.”      Edvard Munch, whose best-known work, ‘The Scream 1895’, captures the “infinite scream of nature” and angst. A print version of this work has been carefully captured on each of the canvas panels of the Vans Era in a repeat pattern that can also be found on the Old Skool backpack, short sleeve tee and pullover hoodie.    ackson Pollock was a pioneer of action painting, flinging and pouring ropes of paint onto his surfaces in a decidedly physical way. Pollock’s ‘One: Number 31, 1950’ has transformed the Vans Authentic with an all-over application atop the canvas and across the sidewalls and is complimented by a digitally printed short sleeve button-down and camper style hat.    Popova approached painting as an act of “construction” using color, line and shape to create dimensional work that expressed movement and dynamism. For the Vans MoMA collaboration, Popova’s ‘Untitled, 1917’ has been applied to the Vans Sk8-Hi using each medial and lateral side to translate her avant-garde vision across the hi-top model which is found on complimenting fleece and ringer tee options.    Faith Ringgold is an acclaimed painter, writer, sculptor, performance artist, educator and activist whose body of work highlights her experiences with racism and social injustice. Vans and MoMA. Curators worked closely with Ringgold to uplift her feminist poster art including ‘Woman Free Yourself 1971’ which brings bold type to the left side of the Vans Era while ‘Freedom Woman Now 1971’ poster art has been applied to the right side to form the affirmative demands that were called during the arrest of Angela Davis. Ringgold’s powerful words can be found on a reversible bucket hat and long sleeve tee. A second footwear style, the Classic Slip-On is inspired by Ringgold’s first series of abstract paintings, ‘The Windows of the Wedding’ which was made in the 1970’s. Inscribed on the sidewall is a quote. From Ringgold, printed in her handwriting, that states “My mother said I’d have to work twice as hard to go half as far.”   Vans and MoMA are proud to come together to instill creative expression and uplift art education through special product this fall and holiday. The second installment of the Vans and MoMA collaboration will be available globally on November 11 on Vans.euat Vans retail, MoMA Design Store locations, store.moma.org, and select retail locations where Vans are sold. To experience the collection and learn more, visit vans.eu/moma.

Elhanati is launching a new collection, X Man at MYTHERESA.com this November
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Elhanati is launching a new collection, X Man at MYTHERESA.com this November

Jewelry For the first time, Elhanati launches new collection, X Man at MYTHERESA.com this November. X is handcrafted in 24K Gold-coated Sterling Silver in the Copenhagen atelier and is coated 3 times for a long life. Three malachite pieces will be available exclusively at mytheresa.com   Elhanati MAN X, draws on strong parallels between the Scandi minimalistic style and Elhanati’s Middle Eastern mystical universe. Featuring symbols from Elhanati’s previous collections, the sleek chains add character and feature a strong, powerful yet minimalistic expression for easy-to-wear men’s jewellery.     About Orit Elhanati, designer: I have been creating jewellery for men since I started in 2011. I have never had the need to do  men’s as I have been working from a unisex approach, we have always seen men ‘stealing’ their girlfriends and wives jewellery and vice versa. After much demand we launched our new jewellery men’s collection last year, and it was natural for me to continue X for men on a larger canvas. I used my signature symbols such as the rocks from the Sinai desert and the Malachite stone that is known to protect the bearer. For me it is a question of attitude, a question of using jewellery as something that makes a statement. It becomes of a part of your every day wardrobe, but also something that you can use for that special occasion. I love beautifying the bearer, and the X collection for me is somewhat a tribute to that raw, sexy personal expression. I love the old flashy jewellery statement from the 70ies and 80ies, but this collection is more something that becomes a part of the man’s everyday attire. I want the bearer to have a natural connection with the piece, to fall in love with the piece. For the first time, Elhanati launches new collection, X Man at MYTHERESA.com this November. X is handcrafted in 24K Gold-coated Sterling Silver in the Copenhagen atelier and is coated 3 times for a long life. Three malachite pieces will be available exclusively at mytheresa.com   Elhanati MAN X, draws on strong parallels between the Scandi minimalistic style and Elhanati’s Middle Eastern mystical universe. Featuring symbols from Elhanati’s previous collections, the sleek chains add character and feature a strong, powerful yet minimalistic expression for easy-to-wear men’s jewellery.     About Orit Elhanati, designer: I have been creating jewellery for men since I started in 2011. I have never had the need to do  men’s as I have been working from a unisex approach, we have always seen men ‘stealing’ their girlfriends and wives jewellery and vice versa. After much demand we launched our new jewellery men’s collection last year, and it was natural for me to continue X for men on a larger canvas. I used my signature symbols such as the rocks from the Sinai desert and the Malachite stone that is known to protect the bearer. For me it is a question of attitude, a question of using jewellery as something that makes a statement. It becomes of a part of your every day wardrobe, but also something that you can use for that special occasion. I love beautifying the bearer, and the X collection for me is somewhat a tribute to that raw, sexy personal expression. I love the old flashy jewellery statement from the 70ies and 80ies, but this collection is more something that becomes a part of the man’s everyday attire. I want the bearer to have a natural connection with the piece, to fall in love with the piece.

Tiffany & Co. celebrating the festive season
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Tiffany & Co. celebrating the festive season

Jewelry With the Holiday season approaching, Tiffany is planning to make your celebrations big this year. Let’s make the house even warmer than it was with Tiffany’s best home essentials. In Tiffany’s key launch this year – the T1 collection – things are all about celebrating. The T1 collection is all about being reminded of and celebrating your own successes every day. To give you some extra sparkle this Christmas and New Year's Eve, we would like to highlight the most beautiful pieces from both the Victoria and Schlumberger lines.     For the home: - Everyday Objects amazonite and wood chess and dam set, - Everyday Objects mahjong set in Tiffany Blue® leather box, - Tiffany Victoria® graduated line necklace in platinum with diamonds, - Diamond Point double old-fashioned glass in clear crystal (EU85, -), - Tiffany 1837® Maker Ice Tongs in Sterling Silver (EU620, -), - Tiffany 1837® Makers signet ring in 18k gold, 12 mm wide, - Tiffany 1837 Makers cocktail tray in sterling silver (EU3750, -).   For your four-legged friends: - Dog leash in Tiffany Blue® leather, large (EU410, -), - Drinking bowl for dogs in china, extra small (EU120, -), - Double dog bowl in china, - Nameplate for the dog in metal, extra small (EU220, -).     For celebrating your own successes:   Which year is even more suitable than this one to celebrate your own successes instead of parties? With this T1 collection, a special gift is automatically turned into a special occasion. Make your personal successes a lifelong memory by gifting these beautiful jewels so you can always carry them with you.   The T1 collection consists of rings and bracelets in rose gold, yellow gold and white gold. The entire collection is available in different widths and both with and without diamonds. The T1 collection is a modern reinterpretation of the original T line. You can distinguish the collections because the Tiffany T collection has openwork T structures, where they are always closed in the T1 collection.   Atlas X closed wide hinged bangle in 18k rose gold with pavé diamonds, Tiffany T1 wide diamond hinged bangle in 18k white gold, Tiffany T1 narrow diamond ring in 18k white gold, 2.5 mm wide, Tiffany T1 wide diamond ring in 18k rose gold, Tiffany T pavé diamond square bracelet in 18k rose gold, Tiffany HardWear link bracelet in 18k rose gold with diamonds, Tiffany T True wide ring in 18k rose gold with pavé diamonds, 5.5 mm wide, Tiffany T square bracelet in 18k gold, Tiffany T1 narrow diamond hinged bangle in 18k rose gold, Tiffany T medium smile pendant in 18k white gold with diamonds, The Tiffany® Setting engagement ring in platinum, Tiffany solitaire diamond earrings in platinum, Tiffany Victoria® diamond vine necklace in platinum, 16 ", Tiffany T1 wide diamond hinged bangle in 18k rose gold.   With the Holiday season approaching, Tiffany is planning to make your celebrations big this year. Let’s make the house even warmer than it was with Tiffany’s best home essentials. In Tiffany’s key launch this year – the T1 collection – things are all about celebrating. The T1 collection is all about being reminded of and celebrating your own successes every day. To give you some extra sparkle this Christmas and New Year's Eve, we would like to highlight the most beautiful pieces from both the Victoria and Schlumberger lines.     For the home: - Everyday Objects amazonite and wood chess and dam set, - Everyday Objects mahjong set in Tiffany Blue® leather box, - Tiffany Victoria® graduated line necklace in platinum with diamonds, - Diamond Point double old-fashioned glass in clear crystal (EU85, -), - Tiffany 1837® Maker Ice Tongs in Sterling Silver (EU620, -), - Tiffany 1837® Makers signet ring in 18k gold, 12 mm wide, - Tiffany 1837 Makers cocktail tray in sterling silver (EU3750, -).   For your four-legged friends: - Dog leash in Tiffany Blue® leather, large (EU410, -), - Drinking bowl for dogs in china, extra small (EU120, -), - Double dog bowl in china, - Nameplate for the dog in metal, extra small (EU220, -).     For celebrating your own successes:   Which year is even more suitable than this one to celebrate your own successes instead of parties? With this T1 collection, a special gift is automatically turned into a special occasion. Make your personal successes a lifelong memory by gifting these beautiful jewels so you can always carry them with you.   The T1 collection consists of rings and bracelets in rose gold, yellow gold and white gold. The entire collection is available in different widths and both with and without diamonds. The T1 collection is a modern reinterpretation of the original T line. You can distinguish the collections because the Tiffany T collection has openwork T structures, where they are always closed in the T1 collection.   Atlas X closed wide hinged bangle in 18k rose gold with pavé diamonds, Tiffany T1 wide diamond hinged bangle in 18k white gold, Tiffany T1 narrow diamond ring in 18k white gold, 2.5 mm wide, Tiffany T1 wide diamond ring in 18k rose gold, Tiffany T pavé diamond square bracelet in 18k rose gold, Tiffany HardWear link bracelet in 18k rose gold with diamonds, Tiffany T True wide ring in 18k rose gold with pavé diamonds, 5.5 mm wide, Tiffany T square bracelet in 18k gold, Tiffany T1 narrow diamond hinged bangle in 18k rose gold, Tiffany T medium smile pendant in 18k white gold with diamonds, The Tiffany® Setting engagement ring in platinum, Tiffany solitaire diamond earrings in platinum, Tiffany Victoria® diamond vine necklace in platinum, 16 ", Tiffany T1 wide diamond hinged bangle in 18k rose gold.  

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