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The Tall Story by Alexander McQueen
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The Tall Story by Alexander McQueen

Accessories The Autumn/Winter 2020 collection sees the development of The Tall Story in new seasonal iterations, following the codes and colours seen on the runway.  Taller sister of The Story, the sculptural lines of the tote are enhanced by the option of a contrast colour lining. The Alexander McQueen seal also appears on a leather tag. This elegant statement bag is constructed to fit all essentials, including a laptop, and has a front zip pocket to easily access phone or credit cards on the go. The modern metallic handles, inspired by jewellery, allow the tote to be handheld comfortably due to their natural curve, or these can be folded down and the bag may be carried on the shoulder via leather straps.      The Tall Story is available in black with contrast red lining and features the new oversized quilting, achieved through heated moulding. It is also available in black stamped croc, or in a handmade patchwork style which references the ready-to-wear.   #McQueenStory The Autumn/Winter 2020 collection sees the development of The Tall Story in new seasonal iterations, following the codes and colours seen on the runway.  Taller sister of The Story, the sculptural lines of the tote are enhanced by the option of a contrast colour lining. The Alexander McQueen seal also appears on a leather tag. This elegant statement bag is constructed to fit all essentials, including a laptop, and has a front zip pocket to easily access phone or credit cards on the go. The modern metallic handles, inspired by jewellery, allow the tote to be handheld comfortably due to their natural curve, or these can be folded down and the bag may be carried on the shoulder via leather straps.      The Tall Story is available in black with contrast red lining and features the new oversized quilting, achieved through heated moulding. It is also available in black stamped croc, or in a handmade patchwork style which references the ready-to-wear.   #McQueenStory

MARNI TRUNK SUBLIME BAG for Fall/Winter 2020
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MARNI TRUNK SUBLIME BAG for Fall/Winter 2020

Accessories For the Fall/Winter 2020 collection, Marni presents the precious and evocative Trunk Sublime Bag in Venetian brocade. The new interpretation of the signature Trunk Bag stands out for its arabesque jacquard velvet, hand-made with 17th century looms from the Venetian textile tradition. A velvet reminiscent of a blooming garden, with vivid colours and baroque motifs. The bag with leather finishes comes in two variations in burgundy/beige and green/beige shades. An homage to ancient Italian textile and the noble art of weaving, with an eye to modernity.     The Trunk Sublime Bag is now available in Marni boutiques and on marni.com For the Fall/Winter 2020 collection, Marni presents the precious and evocative Trunk Sublime Bag in Venetian brocade. The new interpretation of the signature Trunk Bag stands out for its arabesque jacquard velvet, hand-made with 17th century looms from the Venetian textile tradition. A velvet reminiscent of a blooming garden, with vivid colours and baroque motifs. The bag with leather finishes comes in two variations in burgundy/beige and green/beige shades. An homage to ancient Italian textile and the noble art of weaving, with an eye to modernity.     The Trunk Sublime Bag is now available in Marni boutiques and on marni.com

GUCCI IS PLEASED TO PRESENT THE EPILOGUE CAMPAIGN
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GUCCI IS PLEASED TO PRESENT THE EPILOGUE CAMPAIGN

Fashion Last July, Creative Director Alessandro Michele opened the final chapter of a three-part tale of subversion – one of shifting the gaze and questioning the rules, roles and liturgies that have come to define fashion as we know it. On that occasion, a twelve-hour live stream framed a narrative feature, revealing to the outside world what usually lies behind closed curtains. Here, throughout the course of one day, the Gucci design team became the hectic cast of models, captured on camera while patiently posing on set.   That intense shooting day paved the way to the campaign that is now presented. Set within two contrasting Roman locations, the grandiose, late-Mannerist Palazzo Sacchetti and the distressed, graffiti-covered Campo Boario area, the pictures bring together the Gucci design team, which worked with Alessandro Michele on the very same collection they are wearing, under a poetic play of juxtapositions and perspectives.    In an open dialogue between the external decadence and the personal extroversion of these two seemingly irreconcilable spaces, these usually anonymous faces come and go between their on-set tasks in the palazzo and the ramshackle squat. By doing so, they present a theatrical allegory that reconciles the real and the surreal, reflecting on the relationship between fashion fictional imagery and the reality of its productions.    In the words of Creative Director Alessandro Michele: “I brought together different things, which represent the messy beauty that I have always sought: the chaos of beauty. What happens to the relation between reality and fiction when prying eyes sneak into the mechanisms of the production of an image? What happens to fashion, when the true goes back to being just a moment of the false? Breaking the spell that forces my collaborators to passionately work on clothes they later have to abandon, I asked the team to wear them. And so we did a self-sufficient job, all inside our house, mixing things we had already done with things we were about to – overcoming the schemes of the time coherently with my idea of The Epilogue, the final resolution of a future that is largely present”.    Shot by Minneapolis-based photographer Alec Soth and filmed by Roman directors Damiano and Fabio D’Innocenzo, winners of the 2020 Berlin International Film Festival's Silver Bear for Best Screenplay, the campaign leads to the conclusion of the narrative arc that began in February with the An Unrepeatable Ritual show, when Alessandro Michele brought the backstage preparations to the centre stage. The tale continued in May, with the release of The Ritual campaign, a radical experimentation that blurred the lines between models and authors in search of a spontaneous, unpredicted idea of beauty. Now, following July’s live-streamed presentation, this fairy tale eventually finds its Epilogue.   CREDITS: Creative Director: Alessandro Michele Art Director: Christopher Simmonds Photographer: Alec Soth Film Directors: Damiano and Fabio D’Innocenzo Locations: Palazzo Sacchetti and Campo Boario Last July, Creative Director Alessandro Michele opened the final chapter of a three-part tale of subversion – one of shifting the gaze and questioning the rules, roles and liturgies that have come to define fashion as we know it. On that occasion, a twelve-hour live stream framed a narrative feature, revealing to the outside world what usually lies behind closed curtains. Here, throughout the course of one day, the Gucci design team became the hectic cast of models, captured on camera while patiently posing on set.   That intense shooting day paved the way to the campaign that is now presented. Set within two contrasting Roman locations, the grandiose, late-Mannerist Palazzo Sacchetti and the distressed, graffiti-covered Campo Boario area, the pictures bring together the Gucci design team, which worked with Alessandro Michele on the very same collection they are wearing, under a poetic play of juxtapositions and perspectives.    In an open dialogue between the external decadence and the personal extroversion of these two seemingly irreconcilable spaces, these usually anonymous faces come and go between their on-set tasks in the palazzo and the ramshackle squat. By doing so, they present a theatrical allegory that reconciles the real and the surreal, reflecting on the relationship between fashion fictional imagery and the reality of its productions.    In the words of Creative Director Alessandro Michele: “I brought together different things, which represent the messy beauty that I have always sought: the chaos of beauty. What happens to the relation between reality and fiction when prying eyes sneak into the mechanisms of the production of an image? What happens to fashion, when the true goes back to being just a moment of the false? Breaking the spell that forces my collaborators to passionately work on clothes they later have to abandon, I asked the team to wear them. And so we did a self-sufficient job, all inside our house, mixing things we had already done with things we were about to – overcoming the schemes of the time coherently with my idea of The Epilogue, the final resolution of a future that is largely present”.    Shot by Minneapolis-based photographer Alec Soth and filmed by Roman directors Damiano and Fabio D’Innocenzo, winners of the 2020 Berlin International Film Festival's Silver Bear for Best Screenplay, the campaign leads to the conclusion of the narrative arc that began in February with the An Unrepeatable Ritual show, when Alessandro Michele brought the backstage preparations to the centre stage. The tale continued in May, with the release of The Ritual campaign, a radical experimentation that blurred the lines between models and authors in search of a spontaneous, unpredicted idea of beauty. Now, following July’s live-streamed presentation, this fairy tale eventually finds its Epilogue.   CREDITS: Creative Director: Alessandro Michele Art Director: Christopher Simmonds Photographer: Alec Soth Film Directors: Damiano and Fabio D’Innocenzo Locations: Palazzo Sacchetti and Campo Boario

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FENTY releases new 10-20 Sunglasses
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FENTY releases new 10-20 Sunglasses

Accessories Communicating that FENTY audacity and design flair for which our eyewear has become known, we introduce two new styles of sunglasses for fall: the ultra-glamorous Screenplay and larger-than-life Director’s Cut.     Titled Screenplay on account of its playful lens design and old Hollywood glamour, the first new style is a classic, feminine cat-eye shape. Of course, we couldn’t leave it as a classic cat-eye without breaking a few design rules! The signature FENTY twist comes in the lenses, which extend beyond the inner border of the frame and wrap around the outside edge, adding a flash of lens color to the profile. Screenplay comes in two colorways: Jet Black with Baby Blue lenses or Shiny Ivory with Solid Green lenses, complete with FENTY monogrammed tips.     The second style is a reinterpretation of our bestselling Blockt sunglasses, following the upside down frame design with lenses cutting out just shy of the frame, creating side slits at the edge in contrast to the overhanging lens of Screenplay. Named Director’s Cut on account of the sliced lenses, this style is quintessentially FENTY with its oversized shape and uncompromising design attitude. Director’s Cut is also available in two colorways: Jet Black with matching lenses or Shiny Ivory with Solid Green lenses, gold detailing and monogrammed tips.     The campaign was captured by Arnaud Lajeunie.   Screenplay and Director’s Cut are available now at FENTY.com Communicating that FENTY audacity and design flair for which our eyewear has become known, we introduce two new styles of sunglasses for fall: the ultra-glamorous Screenplay and larger-than-life Director’s Cut.     Titled Screenplay on account of its playful lens design and old Hollywood glamour, the first new style is a classic, feminine cat-eye shape. Of course, we couldn’t leave it as a classic cat-eye without breaking a few design rules! The signature FENTY twist comes in the lenses, which extend beyond the inner border of the frame and wrap around the outside edge, adding a flash of lens color to the profile. Screenplay comes in two colorways: Jet Black with Baby Blue lenses or Shiny Ivory with Solid Green lenses, complete with FENTY monogrammed tips.     The second style is a reinterpretation of our bestselling Blockt sunglasses, following the upside down frame design with lenses cutting out just shy of the frame, creating side slits at the edge in contrast to the overhanging lens of Screenplay. Named Director’s Cut on account of the sliced lenses, this style is quintessentially FENTY with its oversized shape and uncompromising design attitude. Director’s Cut is also available in two colorways: Jet Black with matching lenses or Shiny Ivory with Solid Green lenses, gold detailing and monogrammed tips.     The campaign was captured by Arnaud Lajeunie.   Screenplay and Director’s Cut are available now at FENTY.com

The Lady D-Lite Velvet by Dior
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The Lady D-Lite Velvet by Dior

Accessories With its architectural lines and irresistible charms, the Lady D-Lite is reinvented in a new velvet version for Autumn-Winter 2020-2021 by Maria Grazia Chiuri. Adorned with this soft, plush fabric – using an exclusive three-dimensional embroidery technique – the iconic bag features a tone-on-tone cannage motif, enhanced by the use of deep shades, resulting in a uniquely vibrant signature piece that provides an instantly distinctive allure. With its architectural lines and irresistible charms, the Lady D-Lite is reinvented in a new velvet version for Autumn-Winter 2020-2021 by Maria Grazia Chiuri. Adorned with this soft, plush fabric – using an exclusive three-dimensional embroidery technique – the iconic bag features a tone-on-tone cannage motif, enhanced by the use of deep shades, resulting in a uniquely vibrant signature piece that provides an instantly distinctive allure.

DR. MARTENS X MEDICOM TOY
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DR. MARTENS X MEDICOM TOY

Accessories It’s the 60th anniversary of the 1460 boot. And to celebrate, they’ve partnered with 12 world-renowned brands, labels and creatives on a series of one-off collaborations. And number ten goes beyond our original boot. Their collection with MEDICOM TOY includes six bespoke BE@RBRICKS — inspired by each decade of Dr. Martens — as well as a one-of-a-kind 1460 boot rework.     Known for their collectable BE@RBRICKS, Japanese cult favourite MEDICOM TOY uses these canvases to channel modern creative expression. They’ve near enough taken over the fashion world. And now they’re taking over our original boot. MEDICOM TOY collaborations can span art, design and modern subcultures. For this collection, we’re shining the spotlight on all three — as we look back on DM’s six-decade heritage.     ‘THEIR FANS SHARE COMMON GROUND. BOTH COLLECTORS AND WEARERS RECOGNISE AUTHENTICITY.’     Their limited edition 1460 boot is not just a one-off. It’s a first. Co-designed by the creators of the MEDICOM TOY label, it’s one of their only non-figurine collaborations. And they’ve made a hell of an impression. A completely debossed upper and ‘@’ stamp on the side is both subtle — yet instantly recognisable to MEDICOM TOY heads. Nodding to the brand’s signature BE@RBRICKS, the boot has been crafted with a fleece lining and fluffy laces — included in both red and blue. Their instantly recognisable logo is stamped on a branded debossed upper — framed by our standout DNA.   Along with their boot, they’ve also created six bespoke BE@RBRICKS* — taking cues from our wearers in each decade. Kicking off with our 60s BE@RBRICK. Where DM’s began, it’s complete with a buzzcut and ska music on loop. The 70s BE@RBRICK is no-nonsense punk — loud, brash and ready to challenge the norm. The 80sgoth BE@RBRICK is all leather, lace and fishnets, while the 90s flannel, Docs and an unwashed attitude canonly be grunge BE@RBRICK. The vibrant Kawaii movement inspires the colourful 00s BE@RBRICK. And the 10s BE@RBRICK likes plaid, sports a beard, and knew about your favourite band way before you did. Together, they’re a tribute to the alternative subcultures that have made us the brand we are today. It’s the 60th anniversary of the 1460 boot. And to celebrate, they’ve partnered with 12 world-renowned brands, labels and creatives on a series of one-off collaborations. And number ten goes beyond our original boot. Their collection with MEDICOM TOY includes six bespoke BE@RBRICKS — inspired by each decade of Dr. Martens — as well as a one-of-a-kind 1460 boot rework.     Known for their collectable BE@RBRICKS, Japanese cult favourite MEDICOM TOY uses these canvases to channel modern creative expression. They’ve near enough taken over the fashion world. And now they’re taking over our original boot. MEDICOM TOY collaborations can span art, design and modern subcultures. For this collection, we’re shining the spotlight on all three — as we look back on DM’s six-decade heritage.     ‘THEIR FANS SHARE COMMON GROUND. BOTH COLLECTORS AND WEARERS RECOGNISE AUTHENTICITY.’     Their limited edition 1460 boot is not just a one-off. It’s a first. Co-designed by the creators of the MEDICOM TOY label, it’s one of their only non-figurine collaborations. And they’ve made a hell of an impression. A completely debossed upper and ‘@’ stamp on the side is both subtle — yet instantly recognisable to MEDICOM TOY heads. Nodding to the brand’s signature BE@RBRICKS, the boot has been crafted with a fleece lining and fluffy laces — included in both red and blue. Their instantly recognisable logo is stamped on a branded debossed upper — framed by our standout DNA.   Along with their boot, they’ve also created six bespoke BE@RBRICKS* — taking cues from our wearers in each decade. Kicking off with our 60s BE@RBRICK. Where DM’s began, it’s complete with a buzzcut and ska music on loop. The 70s BE@RBRICK is no-nonsense punk — loud, brash and ready to challenge the norm. The 80sgoth BE@RBRICK is all leather, lace and fishnets, while the 90s flannel, Docs and an unwashed attitude canonly be grunge BE@RBRICK. The vibrant Kawaii movement inspires the colourful 00s BE@RBRICK. And the 10s BE@RBRICK likes plaid, sports a beard, and knew about your favourite band way before you did. Together, they’re a tribute to the alternative subcultures that have made us the brand we are today.

Patrizia Pepe's new season's essentials
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Patrizia Pepe's new season's essentials

Fashion Patrizia Pepe turns the spotlight on garments and flagship accessories for Autumn/Winter, bringing a new exclusive combo to the centre of the stage: Coats + Boots.    A city serves as a dynamic and multi-faceted background, framed by modern architecture and historic buildings, where the Patrizia Pepe woman becomes the protagonist of a versatile and unconventional style, combining the season's iconic outerwear with different models of biker & combat boots.   Essential wardrobe elements, coats and trenches for the cold months reinterpret masculine codes with a contemporary twist, transforming comfortable and protective fabrics into highly recognisable silhouettes that reflect the very essence of the brand, along with its feminine and aware aesthetic.    Minimal, clean-cut lines of single-breasted coats discover the warmth of wool cloth and bouclé wool in tenuous nuances, whereas more structured garments, like the trench and military coats, play with dark tonalities, alternating technical chalkstripe fabric with faux leather blends.   The glam-rock spirit of Patrizia Pepe resounds in the sparkle of finishes and metal applications: gold buttons, silver eyelets and Fly buckles reflect the free and irreverent spirit of a Gentle Rebel who lives the metropolis by following the path of elegance in movement.   The distinctive twist of each look arises from the matching of outerwear with new city boots featuring a bold and assertive design, made of soft calf leather and developed in different models like the biker, the combat and Beatles boot as well as the platform ankle boot. High impact details stand out on decisive profiles, such as lug soles, Fly decorations impressed on rubber, fluorescent accents and metal finishings that once more emphasize the allure and attitude of Patrizia Pepe's new classic contemporary essence.     Patrizia Pepe turns the spotlight on garments and flagship accessories for Autumn/Winter, bringing a new exclusive combo to the centre of the stage: Coats + Boots.    A city serves as a dynamic and multi-faceted background, framed by modern architecture and historic buildings, where the Patrizia Pepe woman becomes the protagonist of a versatile and unconventional style, combining the season's iconic outerwear with different models of biker & combat boots.   Essential wardrobe elements, coats and trenches for the cold months reinterpret masculine codes with a contemporary twist, transforming comfortable and protective fabrics into highly recognisable silhouettes that reflect the very essence of the brand, along with its feminine and aware aesthetic.    Minimal, clean-cut lines of single-breasted coats discover the warmth of wool cloth and bouclé wool in tenuous nuances, whereas more structured garments, like the trench and military coats, play with dark tonalities, alternating technical chalkstripe fabric with faux leather blends.   The glam-rock spirit of Patrizia Pepe resounds in the sparkle of finishes and metal applications: gold buttons, silver eyelets and Fly buckles reflect the free and irreverent spirit of a Gentle Rebel who lives the metropolis by following the path of elegance in movement.   The distinctive twist of each look arises from the matching of outerwear with new city boots featuring a bold and assertive design, made of soft calf leather and developed in different models like the biker, the combat and Beatles boot as well as the platform ankle boot. High impact details stand out on decisive profiles, such as lug soles, Fly decorations impressed on rubber, fluorescent accents and metal finishings that once more emphasize the allure and attitude of Patrizia Pepe's new classic contemporary essence.    

Vans and MoMA Debut Second Installment of Footwear and Apparel Featuring Works of Art by Edvard Munch, Jackson Pollock, Lybov Popova and Faith Ringgold
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Vans and MoMA Debut Second Installment of Footwear and Apparel Featuring Works of Art by Edvard Munch, Jackson Pollock, Lybov Popova and Faith Ringgold

Accessories Following the September debut collaboration, Vans, the original action sports brand, and The Museum of Modern Art (MoMA) are proud to launch a second installment of footwear and apparel. The latest iteration of the Vans and MoMA collaboration takes inspiration from impactful works of art by artists Edvard Munch, Jackson Pollock, Lybov Popova and Faith Ringgold. A diverse selection of work by these artists has been thoughtfully translated onto Vans Classic Footwear and apparel styles that will be available to shop worldwide on November 11.   “Our collaboration with MoMA is a true partnership that involved working together to select both the works and footwear to ensure an authentic connection between the art and the canvas footwear models we chose,” said Angie Dita, Vans Head of Global Footwear Design for Lifestyle Footwear. “Faith Ringgold worked closely with both the Vans design and MoMA teams to story tell through the details, bringing in quilted borders to contextualize her work atop Vans.”      Edvard Munch, whose best-known work, ‘The Scream 1895’, captures the “infinite scream of nature” and angst. A print version of this work has been carefully captured on each of the canvas panels of the Vans Era in a repeat pattern that can also be found on the Old Skool backpack, short sleeve tee and pullover hoodie.    ackson Pollock was a pioneer of action painting, flinging and pouring ropes of paint onto his surfaces in a decidedly physical way. Pollock’s ‘One: Number 31, 1950’ has transformed the Vans Authentic with an all-over application atop the canvas and across the sidewalls and is complimented by a digitally printed short sleeve button-down and camper style hat.    Popova approached painting as an act of “construction” using color, line and shape to create dimensional work that expressed movement and dynamism. For the Vans MoMA collaboration, Popova’s ‘Untitled, 1917’ has been applied to the Vans Sk8-Hi using each medial and lateral side to translate her avant-garde vision across the hi-top model which is found on complimenting fleece and ringer tee options.    Faith Ringgold is an acclaimed painter, writer, sculptor, performance artist, educator and activist whose body of work highlights her experiences with racism and social injustice. Vans and MoMA. Curators worked closely with Ringgold to uplift her feminist poster art including ‘Woman Free Yourself 1971’ which brings bold type to the left side of the Vans Era while ‘Freedom Woman Now 1971’ poster art has been applied to the right side to form the affirmative demands that were called during the arrest of Angela Davis. Ringgold’s powerful words can be found on a reversible bucket hat and long sleeve tee. A second footwear style, the Classic Slip-On is inspired by Ringgold’s first series of abstract paintings, ‘The Windows of the Wedding’ which was made in the 1970’s. Inscribed on the sidewall is a quote. From Ringgold, printed in her handwriting, that states “My mother said I’d have to work twice as hard to go half as far.”   Vans and MoMA are proud to come together to instill creative expression and uplift art education through special product this fall and holiday. The second installment of the Vans and MoMA collaboration will be available globally on November 11 on Vans.euat Vans retail, MoMA Design Store locations, store.moma.org, and select retail locations where Vans are sold. To experience the collection and learn more, visit vans.eu/moma. Following the September debut collaboration, Vans, the original action sports brand, and The Museum of Modern Art (MoMA) are proud to launch a second installment of footwear and apparel. The latest iteration of the Vans and MoMA collaboration takes inspiration from impactful works of art by artists Edvard Munch, Jackson Pollock, Lybov Popova and Faith Ringgold. A diverse selection of work by these artists has been thoughtfully translated onto Vans Classic Footwear and apparel styles that will be available to shop worldwide on November 11.   “Our collaboration with MoMA is a true partnership that involved working together to select both the works and footwear to ensure an authentic connection between the art and the canvas footwear models we chose,” said Angie Dita, Vans Head of Global Footwear Design for Lifestyle Footwear. “Faith Ringgold worked closely with both the Vans design and MoMA teams to story tell through the details, bringing in quilted borders to contextualize her work atop Vans.”      Edvard Munch, whose best-known work, ‘The Scream 1895’, captures the “infinite scream of nature” and angst. A print version of this work has been carefully captured on each of the canvas panels of the Vans Era in a repeat pattern that can also be found on the Old Skool backpack, short sleeve tee and pullover hoodie.    ackson Pollock was a pioneer of action painting, flinging and pouring ropes of paint onto his surfaces in a decidedly physical way. Pollock’s ‘One: Number 31, 1950’ has transformed the Vans Authentic with an all-over application atop the canvas and across the sidewalls and is complimented by a digitally printed short sleeve button-down and camper style hat.    Popova approached painting as an act of “construction” using color, line and shape to create dimensional work that expressed movement and dynamism. For the Vans MoMA collaboration, Popova’s ‘Untitled, 1917’ has been applied to the Vans Sk8-Hi using each medial and lateral side to translate her avant-garde vision across the hi-top model which is found on complimenting fleece and ringer tee options.    Faith Ringgold is an acclaimed painter, writer, sculptor, performance artist, educator and activist whose body of work highlights her experiences with racism and social injustice. Vans and MoMA. Curators worked closely with Ringgold to uplift her feminist poster art including ‘Woman Free Yourself 1971’ which brings bold type to the left side of the Vans Era while ‘Freedom Woman Now 1971’ poster art has been applied to the right side to form the affirmative demands that were called during the arrest of Angela Davis. Ringgold’s powerful words can be found on a reversible bucket hat and long sleeve tee. A second footwear style, the Classic Slip-On is inspired by Ringgold’s first series of abstract paintings, ‘The Windows of the Wedding’ which was made in the 1970’s. Inscribed on the sidewall is a quote. From Ringgold, printed in her handwriting, that states “My mother said I’d have to work twice as hard to go half as far.”   Vans and MoMA are proud to come together to instill creative expression and uplift art education through special product this fall and holiday. The second installment of the Vans and MoMA collaboration will be available globally on November 11 on Vans.euat Vans retail, MoMA Design Store locations, store.moma.org, and select retail locations where Vans are sold. To experience the collection and learn more, visit vans.eu/moma.

Elhanati is launching a new collection, X Man at MYTHERESA.com this November
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Elhanati is launching a new collection, X Man at MYTHERESA.com this November

Jewelry For the first time, Elhanati launches new collection, X Man at MYTHERESA.com this November. X is handcrafted in 24K Gold-coated Sterling Silver in the Copenhagen atelier and is coated 3 times for a long life. Three malachite pieces will be available exclusively at mytheresa.com   Elhanati MAN X, draws on strong parallels between the Scandi minimalistic style and Elhanati’s Middle Eastern mystical universe. Featuring symbols from Elhanati’s previous collections, the sleek chains add character and feature a strong, powerful yet minimalistic expression for easy-to-wear men’s jewellery.     About Orit Elhanati, designer: I have been creating jewellery for men since I started in 2011. I have never had the need to do  men’s as I have been working from a unisex approach, we have always seen men ‘stealing’ their girlfriends and wives jewellery and vice versa. After much demand we launched our new jewellery men’s collection last year, and it was natural for me to continue X for men on a larger canvas. I used my signature symbols such as the rocks from the Sinai desert and the Malachite stone that is known to protect the bearer. For me it is a question of attitude, a question of using jewellery as something that makes a statement. It becomes of a part of your every day wardrobe, but also something that you can use for that special occasion. I love beautifying the bearer, and the X collection for me is somewhat a tribute to that raw, sexy personal expression. I love the old flashy jewellery statement from the 70ies and 80ies, but this collection is more something that becomes a part of the man’s everyday attire. I want the bearer to have a natural connection with the piece, to fall in love with the piece. For the first time, Elhanati launches new collection, X Man at MYTHERESA.com this November. X is handcrafted in 24K Gold-coated Sterling Silver in the Copenhagen atelier and is coated 3 times for a long life. Three malachite pieces will be available exclusively at mytheresa.com   Elhanati MAN X, draws on strong parallels between the Scandi minimalistic style and Elhanati’s Middle Eastern mystical universe. Featuring symbols from Elhanati’s previous collections, the sleek chains add character and feature a strong, powerful yet minimalistic expression for easy-to-wear men’s jewellery.     About Orit Elhanati, designer: I have been creating jewellery for men since I started in 2011. I have never had the need to do  men’s as I have been working from a unisex approach, we have always seen men ‘stealing’ their girlfriends and wives jewellery and vice versa. After much demand we launched our new jewellery men’s collection last year, and it was natural for me to continue X for men on a larger canvas. I used my signature symbols such as the rocks from the Sinai desert and the Malachite stone that is known to protect the bearer. For me it is a question of attitude, a question of using jewellery as something that makes a statement. It becomes of a part of your every day wardrobe, but also something that you can use for that special occasion. I love beautifying the bearer, and the X collection for me is somewhat a tribute to that raw, sexy personal expression. I love the old flashy jewellery statement from the 70ies and 80ies, but this collection is more something that becomes a part of the man’s everyday attire. I want the bearer to have a natural connection with the piece, to fall in love with the piece.

Tiffany & Co. celebrating the festive season
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Tiffany & Co. celebrating the festive season

Jewelry With the Holiday season approaching, Tiffany is planning to make your celebrations big this year. Let’s make the house even warmer than it was with Tiffany’s best home essentials. In Tiffany’s key launch this year – the T1 collection – things are all about celebrating. The T1 collection is all about being reminded of and celebrating your own successes every day. To give you some extra sparkle this Christmas and New Year's Eve, we would like to highlight the most beautiful pieces from both the Victoria and Schlumberger lines.     For the home: - Everyday Objects amazonite and wood chess and dam set, - Everyday Objects mahjong set in Tiffany Blue® leather box, - Tiffany Victoria® graduated line necklace in platinum with diamonds, - Diamond Point double old-fashioned glass in clear crystal (EU85, -), - Tiffany 1837® Maker Ice Tongs in Sterling Silver (EU620, -), - Tiffany 1837® Makers signet ring in 18k gold, 12 mm wide, - Tiffany 1837 Makers cocktail tray in sterling silver (EU3750, -).   For your four-legged friends: - Dog leash in Tiffany Blue® leather, large (EU410, -), - Drinking bowl for dogs in china, extra small (EU120, -), - Double dog bowl in china, - Nameplate for the dog in metal, extra small (EU220, -).     For celebrating your own successes:   Which year is even more suitable than this one to celebrate your own successes instead of parties? With this T1 collection, a special gift is automatically turned into a special occasion. Make your personal successes a lifelong memory by gifting these beautiful jewels so you can always carry them with you.   The T1 collection consists of rings and bracelets in rose gold, yellow gold and white gold. The entire collection is available in different widths and both with and without diamonds. The T1 collection is a modern reinterpretation of the original T line. You can distinguish the collections because the Tiffany T collection has openwork T structures, where they are always closed in the T1 collection.   Atlas X closed wide hinged bangle in 18k rose gold with pavé diamonds, Tiffany T1 wide diamond hinged bangle in 18k white gold, Tiffany T1 narrow diamond ring in 18k white gold, 2.5 mm wide, Tiffany T1 wide diamond ring in 18k rose gold, Tiffany T pavé diamond square bracelet in 18k rose gold, Tiffany HardWear link bracelet in 18k rose gold with diamonds, Tiffany T True wide ring in 18k rose gold with pavé diamonds, 5.5 mm wide, Tiffany T square bracelet in 18k gold, Tiffany T1 narrow diamond hinged bangle in 18k rose gold, Tiffany T medium smile pendant in 18k white gold with diamonds, The Tiffany® Setting engagement ring in platinum, Tiffany solitaire diamond earrings in platinum, Tiffany Victoria® diamond vine necklace in platinum, 16 ", Tiffany T1 wide diamond hinged bangle in 18k rose gold.   With the Holiday season approaching, Tiffany is planning to make your celebrations big this year. Let’s make the house even warmer than it was with Tiffany’s best home essentials. In Tiffany’s key launch this year – the T1 collection – things are all about celebrating. The T1 collection is all about being reminded of and celebrating your own successes every day. To give you some extra sparkle this Christmas and New Year's Eve, we would like to highlight the most beautiful pieces from both the Victoria and Schlumberger lines.     For the home: - Everyday Objects amazonite and wood chess and dam set, - Everyday Objects mahjong set in Tiffany Blue® leather box, - Tiffany Victoria® graduated line necklace in platinum with diamonds, - Diamond Point double old-fashioned glass in clear crystal (EU85, -), - Tiffany 1837® Maker Ice Tongs in Sterling Silver (EU620, -), - Tiffany 1837® Makers signet ring in 18k gold, 12 mm wide, - Tiffany 1837 Makers cocktail tray in sterling silver (EU3750, -).   For your four-legged friends: - Dog leash in Tiffany Blue® leather, large (EU410, -), - Drinking bowl for dogs in china, extra small (EU120, -), - Double dog bowl in china, - Nameplate for the dog in metal, extra small (EU220, -).     For celebrating your own successes:   Which year is even more suitable than this one to celebrate your own successes instead of parties? With this T1 collection, a special gift is automatically turned into a special occasion. Make your personal successes a lifelong memory by gifting these beautiful jewels so you can always carry them with you.   The T1 collection consists of rings and bracelets in rose gold, yellow gold and white gold. The entire collection is available in different widths and both with and without diamonds. The T1 collection is a modern reinterpretation of the original T line. You can distinguish the collections because the Tiffany T collection has openwork T structures, where they are always closed in the T1 collection.   Atlas X closed wide hinged bangle in 18k rose gold with pavé diamonds, Tiffany T1 wide diamond hinged bangle in 18k white gold, Tiffany T1 narrow diamond ring in 18k white gold, 2.5 mm wide, Tiffany T1 wide diamond ring in 18k rose gold, Tiffany T pavé diamond square bracelet in 18k rose gold, Tiffany HardWear link bracelet in 18k rose gold with diamonds, Tiffany T True wide ring in 18k rose gold with pavé diamonds, 5.5 mm wide, Tiffany T square bracelet in 18k gold, Tiffany T1 narrow diamond hinged bangle in 18k rose gold, Tiffany T medium smile pendant in 18k white gold with diamonds, The Tiffany® Setting engagement ring in platinum, Tiffany solitaire diamond earrings in platinum, Tiffany Victoria® diamond vine necklace in platinum, 16 ", Tiffany T1 wide diamond hinged bangle in 18k rose gold.  

THE HERMÈS FASHION ACCESSORIES PRIZE
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THE HERMÈS FASHION ACCESSORIES PRIZE

Art The 35th edition of the Festival takes place from Thursday 15th to sunday 18th october 2020 at Hyères, at the villa Noailles. The exhibitions are open to the public until 29 november 2020.     Jean-Pierre Blanc is both the founder and the director of the festival which will be presided over by Pascale Mussard. Since 1986, the festival has promoted and supported young international fashion designers, since 1997 a competition has also existed for emerging photographers and this year, for the fourth time, a competition will also recognise young fashion accessory designers. The festival is acknowledged as the oldest fashion competition aimed at young professionals.   Several prizes are awarded to the competing designers thanks to grants provided by the festival’s partners who commit, together with the festival, to provide long term support. Practical assistance is provided right from the selection stage as well as during a period of two years in various different domains: financing, production, workmanship, materials, production, legal, media, exhibitions, workshops and residencies. This year again new partners are providing their support for this young generation by joining together with the arts center.   Hermès is partnering with the International Festival of Fashion, Photography and Fashion Accessories to launch the Hermès Fashion Accessories Prize. Through this prize, Hermès is delighted to support young talent and demonstrate its commitment to boldness and innovation as drivers of creativity. Creative freedom, a constant quest for the finest materials, the transmission of exceptional know- how, innovative craftsmanship and the aesthetics of function combine to embody the uniqueness of the house which, since 1837, has supported those who learn, master and transmit creative gestures. The Hermès Fashion Accessories Prize, with a grant of €20,000, is awarded to one winner for the creation of a piece of a leather fashion accessory. The 35th edition of the Festival takes place from Thursday 15th to sunday 18th october 2020 at Hyères, at the villa Noailles. The exhibitions are open to the public until 29 november 2020.     Jean-Pierre Blanc is both the founder and the director of the festival which will be presided over by Pascale Mussard. Since 1986, the festival has promoted and supported young international fashion designers, since 1997 a competition has also existed for emerging photographers and this year, for the fourth time, a competition will also recognise young fashion accessory designers. The festival is acknowledged as the oldest fashion competition aimed at young professionals.   Several prizes are awarded to the competing designers thanks to grants provided by the festival’s partners who commit, together with the festival, to provide long term support. Practical assistance is provided right from the selection stage as well as during a period of two years in various different domains: financing, production, workmanship, materials, production, legal, media, exhibitions, workshops and residencies. This year again new partners are providing their support for this young generation by joining together with the arts center.   Hermès is partnering with the International Festival of Fashion, Photography and Fashion Accessories to launch the Hermès Fashion Accessories Prize. Through this prize, Hermès is delighted to support young talent and demonstrate its commitment to boldness and innovation as drivers of creativity. Creative freedom, a constant quest for the finest materials, the transmission of exceptional know- how, innovative craftsmanship and the aesthetics of function combine to embody the uniqueness of the house which, since 1837, has supported those who learn, master and transmit creative gestures. The Hermès Fashion Accessories Prize, with a grant of €20,000, is awarded to one winner for the creation of a piece of a leather fashion accessory.

SAINT LAURENT CARRE
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SAINT LAURENT CARRE

Accessories AS AN ICONIC BAG OF THE HOUSE, THE CARRÉ IS DRAWING ON THE BEST CRAFTSMANSHIPS AND TRADITIONS OF MAROQUINERIE. AN INTRICATE HAND-MADE TREATMENT GIVES A UNIQUE TEXTURE, BOTH RIGID AND GLOSSY TO A CAREFULLY SELECTED HIGH QUALITY BOX LEATHER. FROM THE NEWLY THINNED AND REDESIGNED EDGES TO THE PLONGÉ LAMBSKIN LINING, MADE ELASTIC AND MARKS-RESISTANT THANK TO A SPECIFIC WORK, EVERY SINGLE DETAIL MAKES THE CARRÉ A TIMELESS PIECE OF LUXURY. STARTING FROM $2 800. AS AN ICONIC BAG OF THE HOUSE, THE CARRÉ IS DRAWING ON THE BEST CRAFTSMANSHIPS AND TRADITIONS OF MAROQUINERIE. AN INTRICATE HAND-MADE TREATMENT GIVES A UNIQUE TEXTURE, BOTH RIGID AND GLOSSY TO A CAREFULLY SELECTED HIGH QUALITY BOX LEATHER. FROM THE NEWLY THINNED AND REDESIGNED EDGES TO THE PLONGÉ LAMBSKIN LINING, MADE ELASTIC AND MARKS-RESISTANT THANK TO A SPECIFIC WORK, EVERY SINGLE DETAIL MAKES THE CARRÉ A TIMELESS PIECE OF LUXURY. STARTING FROM $2 800.

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