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Anyway by Sebastien Giraud
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Anyway by Sebastien Giraud

Fashion New exclusive Editorial for #NumeroDigital   Team Credits: Photographer: Sebastien Giraud Fashion Editor: Joy Sinanian Casting: Corinne Patron Hair/Make-up: Mickael Jauneau @ Agence Aurelien Using GHD hair et Leonor Greyl hair Grooming with the line Boy de Chanel Digital: Matias Brigidano Assistant Fashion Editor: Manavi Dang Model: Sebastien B @ MManagement Models New exclusive Editorial for #NumeroDigital   Team Credits: Photographer: Sebastien Giraud Fashion Editor: Joy Sinanian Casting: Corinne Patron Hair/Make-up: Mickael Jauneau @ Agence Aurelien Using GHD hair et Leonor Greyl hair Grooming with the line Boy de Chanel Digital: Matias Brigidano Assistant Fashion Editor: Manavi Dang Model: Sebastien B @ MManagement Models

Max Mara releases the Whitney bag
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Max Mara releases the Whitney bag

Accessories To reinvent oneself. To continually renew the message. This is the goal of every artist and every museum. A case in point is the Whitney Museum of American Art in New York, founded in 1930 by the sculptor and art patron Gertrude Vanderbilt Whitney. A museum that emerged in 2015 as one of the cultural epicenters of downtown New York when it moved into the futuristic Renzo Piano designed building that faces the High Line at 99 Gansevoort Street and is now celebrating its 5th anniversary.   It just happens to be the anniversary shared by another notable icon, the Whitney Bag, created by Max Mara in collaboration with the Renzo Piano Building Workshop to celebrate the opening of the Whitney Museum of American Art. Crafted in soft, quality leather, the hallmark of the “Whitney Bag” – as indeed the architectural structure of the building – is its elegant surface, featuring distinctive ribbing that gradually becomes fine lines, directly recalling the steel tie- beamed exterior of the new Whitney Museum. These graphic lines are created using traditional leather craft with innovative industrial techniques. Brass plates are used to mold the strips of leather that are then topstitched together to construct the pattern on the bag. In describing the Whitney Bag, all metal detailing is based on the observation of the structural metal components of the architectural project by the Renzo Piano Building Workshop. The façade of the building is used as inspiration for the buckles, while the inside pocket and the unmistakable snap hook act as a signature feature of the bag.   “The Whitney bag has been designed to be timeless, and after five years it still represents a modern, elegant and simple way to design, where details and craftsmanship really matter.” Elisabetta Trezzani, partner RPBW.   To celebrate its 5th anniversary, the cult bag has been revived in a special edition version dedicated to the American painter Florine Stettheimer who boasts an important presence at the Whitney. A feminist and activist ante-litteram (1871-1944), Stettheimer’s work “Sun”, created in 1931, inspired the bag’s five new color variants and the design of the floral printed lining. Indeed an anniversary issue, or better yet five, to collect like works of art.   Florine Stettheimer (1871 – 1944) was a pioneer of modern art. A native New Yorker, Stettheimer embraced New York City’s emergent modern art community where she established herself as a painter, poet and theatrical designer. An early feminist, Stettheimer is credited with painting the first female nude self-portrait. She received widespread acclaim for her costume and set designs, notably for Gertrude Stein and Virgil Thomson’s opera, “Four Saints in Three Acts”. Stettheimer’s avant-garde painting style often focused on societal quirks with her family and friends as the subjects. Her work has been showcased in more than 40 international exhibitions.   The Whitney Museum of American Art, founded in 1930 by the artist and philanthropist Gertrude Vanderbilt Whitney (1875– 1942), houses the foremost collection of American art from the twentieth and twenty-first centuries. Mrs. Whitney, an early and ardent supporter of modern American art, nurtured groundbreaking artists at a time when audiences were still largely preoccupied with the Old Masters. From her vision arose the Whitney Museum of American Art, which has been championing the most innovative art of the United States for more than eighty years. The core of the Whitney’s mission is to collect, preserve, interpret, and exhibit American art of our time and serve a wide variety of audiences in celebration of the complexity and diversity of art and culture in the United States. Through this mission and a steadfast commitment to artists themselves, the Whitney has long been a powerful force in support of modern and contemporary art and continues to help define what is innovative and influential in American art today.   To reinvent oneself. To continually renew the message. This is the goal of every artist and every museum. A case in point is the Whitney Museum of American Art in New York, founded in 1930 by the sculptor and art patron Gertrude Vanderbilt Whitney. A museum that emerged in 2015 as one of the cultural epicenters of downtown New York when it moved into the futuristic Renzo Piano designed building that faces the High Line at 99 Gansevoort Street and is now celebrating its 5th anniversary.   It just happens to be the anniversary shared by another notable icon, the Whitney Bag, created by Max Mara in collaboration with the Renzo Piano Building Workshop to celebrate the opening of the Whitney Museum of American Art. Crafted in soft, quality leather, the hallmark of the “Whitney Bag” – as indeed the architectural structure of the building – is its elegant surface, featuring distinctive ribbing that gradually becomes fine lines, directly recalling the steel tie- beamed exterior of the new Whitney Museum. These graphic lines are created using traditional leather craft with innovative industrial techniques. Brass plates are used to mold the strips of leather that are then topstitched together to construct the pattern on the bag. In describing the Whitney Bag, all metal detailing is based on the observation of the structural metal components of the architectural project by the Renzo Piano Building Workshop. The façade of the building is used as inspiration for the buckles, while the inside pocket and the unmistakable snap hook act as a signature feature of the bag.   “The Whitney bag has been designed to be timeless, and after five years it still represents a modern, elegant and simple way to design, where details and craftsmanship really matter.” Elisabetta Trezzani, partner RPBW.   To celebrate its 5th anniversary, the cult bag has been revived in a special edition version dedicated to the American painter Florine Stettheimer who boasts an important presence at the Whitney. A feminist and activist ante-litteram (1871-1944), Stettheimer’s work “Sun”, created in 1931, inspired the bag’s five new color variants and the design of the floral printed lining. Indeed an anniversary issue, or better yet five, to collect like works of art.   Florine Stettheimer (1871 – 1944) was a pioneer of modern art. A native New Yorker, Stettheimer embraced New York City’s emergent modern art community where she established herself as a painter, poet and theatrical designer. An early feminist, Stettheimer is credited with painting the first female nude self-portrait. She received widespread acclaim for her costume and set designs, notably for Gertrude Stein and Virgil Thomson’s opera, “Four Saints in Three Acts”. Stettheimer’s avant-garde painting style often focused on societal quirks with her family and friends as the subjects. Her work has been showcased in more than 40 international exhibitions.   The Whitney Museum of American Art, founded in 1930 by the artist and philanthropist Gertrude Vanderbilt Whitney (1875– 1942), houses the foremost collection of American art from the twentieth and twenty-first centuries. Mrs. Whitney, an early and ardent supporter of modern American art, nurtured groundbreaking artists at a time when audiences were still largely preoccupied with the Old Masters. From her vision arose the Whitney Museum of American Art, which has been championing the most innovative art of the United States for more than eighty years. The core of the Whitney’s mission is to collect, preserve, interpret, and exhibit American art of our time and serve a wide variety of audiences in celebration of the complexity and diversity of art and culture in the United States. Through this mission and a steadfast commitment to artists themselves, the Whitney has long been a powerful force in support of modern and contemporary art and continues to help define what is innovative and influential in American art today.  

Saint Laurent in collaboration with Lomography
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Saint Laurent in collaboration with Lomography

Accessories Saint Laurent and Lomography have collaborated together on the release of two limited edition Simple Use Film Cameras.   These two cameras are available with either a star pattern preloaded with color negative film or with a black and white checkered pattern preloaded with B&W lm.   Both equipped with ash, plus creative color gels to bring new hues to your shots (for the star pattern camera), these cameras work as single use cameras, but are reusable and can be reloaded with any 35 mm lm. These Simple Use Film Cameras will capture beautiful shots in analogue style.   Available at the Saint Laurent Rive Droite stores in Paris and Los Angeles. Saint Laurent and Lomography have collaborated together on the release of two limited edition Simple Use Film Cameras.   These two cameras are available with either a star pattern preloaded with color negative film or with a black and white checkered pattern preloaded with B&W lm.   Both equipped with ash, plus creative color gels to bring new hues to your shots (for the star pattern camera), these cameras work as single use cameras, but are reusable and can be reloaded with any 35 mm lm. These Simple Use Film Cameras will capture beautiful shots in analogue style.   Available at the Saint Laurent Rive Droite stores in Paris and Los Angeles.

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Prada Exclusive Editorial
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Prada Exclusive Editorial

Fashion photographed by: Jorre Janssens styled by: Victor Vergara grooming and hair by: Wout Philippo model: Pim at Philipp Riches Management casting: Timotej Letonja production assistant: Michael Geertzen   all clothing and accessories are PRADA Spring & Summer 2020 photographed by: Jorre Janssens styled by: Victor Vergara grooming and hair by: Wout Philippo model: Pim at Philipp Riches Management casting: Timotej Letonja production assistant: Michael Geertzen   all clothing and accessories are PRADA Spring & Summer 2020

Portraits of LA
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Portraits of LA

Fashion Powered by the creative efforts of Naskademini and Marcus Troy, Parajumpers captures the movement and intensity of LA for their spirited Spring/Summer 2020 campaign of Parajumpers. The adventurous image of the brand is shaped by the grit and energy of a city that thrives on individuality and demands attention. Ready to face the challenges urban living, locals put their own spin on staple pieces and contemporary forms. Comfort is modernized and emphasized with knits, fleeces and casual wear designed for functionality, durability and high-style. Individuality and movement are source of inspiration for the models, the campaign, and the seasonal collection. Versatility and practicality are the drive behind puffers, padded parkas, featherweight and sleeveless items. Hybrids are the perfect bridge between the warmth of jackets and the freedom of knits. Oversized and relaxed pieces are a touch of the 90s in tech-fabrics. Blending contemporary forms and timeless design, colour palettes mimic night in the metropolis - khaki, midnight blue, alarm red. Like Los Angeles, Parajumpers lives in the moment, in movement. The Spring/Summer 2020 campaign is about exploring new frontiers and conquering challenges – whether it’s in a city like Los Angeles, the California wilderness, or the realm of outerwear design. Powered by the creative efforts of Naskademini and Marcus Troy, Parajumpers captures the movement and intensity of LA for their spirited Spring/Summer 2020 campaign of Parajumpers. The adventurous image of the brand is shaped by the grit and energy of a city that thrives on individuality and demands attention. Ready to face the challenges urban living, locals put their own spin on staple pieces and contemporary forms. Comfort is modernized and emphasized with knits, fleeces and casual wear designed for functionality, durability and high-style. Individuality and movement are source of inspiration for the models, the campaign, and the seasonal collection. Versatility and practicality are the drive behind puffers, padded parkas, featherweight and sleeveless items. Hybrids are the perfect bridge between the warmth of jackets and the freedom of knits. Oversized and relaxed pieces are a touch of the 90s in tech-fabrics. Blending contemporary forms and timeless design, colour palettes mimic night in the metropolis - khaki, midnight blue, alarm red. Like Los Angeles, Parajumpers lives in the moment, in movement. The Spring/Summer 2020 campaign is about exploring new frontiers and conquering challenges – whether it’s in a city like Los Angeles, the California wilderness, or the realm of outerwear design.

Here's to the next six decades
133

Here's to the next six decades

Accessories Almost exactly 60 years ago, an icon was born. There are lots of myths surrounding Dr. Martensinception. Motorcycle crashes. Skiing injuries. A giant hole in the factory oor. One thing, though, is definitely true. The original boot’s design was a collision of two worlds cutting-edge German engineering and many decades of British shoemaking heritage. This unlikely fusion was the first step in what became the brand’s incredibly diverse and unpredictable history.   Nobody could have foreseen 60's subcultures adopting Docs boot as part of their uniform. Nor Pete Townshend wearing a pair on stage at a Who gig in 1967. In a few short decades, the air-cushioned boots were taken from workshop oors through streets and onto music stages  just as likely to be seen on a fashion runway as a festival eld. The boot’s unconventional markings,  yellow welt stitching, a grooved sole and scripted heel loop  became a symbol of working-class pride and self-expression.   Fast-forward 60 years, and from the outside, little has changed. Dr. Martens boots are still made the same. From the same materials, using the same process, and often in the same factory. They’re still comfortable, durable, and designed to get better with age. The only thing that is not  and will never be  the same are the people wearing them. The innovators, rebels and freethinkers who’ve turned a humble British bootmaker into a global alternative brand.   The Docs community in 2020 is an ever evolving group of subcultures and individuals across countlesscountries and ages. The core details that once marked a simple work boot are recognised around the world as abadge for this nonconformist attitude. People that go against the grain. Fight for change. And will never accept the status quo. They are the ones who will ensure the spirit of Dr. Martens will last another 60 years. Our first pair was 1.4.60. When was yours? Let us know: @drmartensoffcial. @numero_netherlands     Almost exactly 60 years ago, an icon was born. There are lots of myths surrounding Dr. Martensinception. Motorcycle crashes. Skiing injuries. A giant hole in the factory oor. One thing, though, is definitely true. The original boot’s design was a collision of two worlds cutting-edge German engineering and many decades of British shoemaking heritage. This unlikely fusion was the first step in what became the brand’s incredibly diverse and unpredictable history.   Nobody could have foreseen 60's subcultures adopting Docs boot as part of their uniform. Nor Pete Townshend wearing a pair on stage at a Who gig in 1967. In a few short decades, the air-cushioned boots were taken from workshop oors through streets and onto music stages  just as likely to be seen on a fashion runway as a festival eld. The boot’s unconventional markings,  yellow welt stitching, a grooved sole and scripted heel loop  became a symbol of working-class pride and self-expression.   Fast-forward 60 years, and from the outside, little has changed. Dr. Martens boots are still made the same. From the same materials, using the same process, and often in the same factory. They’re still comfortable, durable, and designed to get better with age. The only thing that is not  and will never be  the same are the people wearing them. The innovators, rebels and freethinkers who’ve turned a humble British bootmaker into a global alternative brand.   The Docs community in 2020 is an ever evolving group of subcultures and individuals across countlesscountries and ages. The core details that once marked a simple work boot are recognised around the world as abadge for this nonconformist attitude. People that go against the grain. Fight for change. And will never accept the status quo. They are the ones who will ensure the spirit of Dr. Martens will last another 60 years. Our first pair was 1.4.60. When was yours? Let us know: @drmartensoffcial. @numero_netherlands    

ARKET for Spring & Summer
131

ARKET for Spring & Summer

Fashion The floral prints of ARKET’s spring 2020 draws inspiration from the island of Djurgården in central Stockholm. Covered with extensive stretches of oak forest and vibrant wildflower meadows, it is one of Stockholm’s greenest islands and one of its most beautiful parks. The floral motifs are based on botanical studies of flowers found on the island - tulips, peonies and hoary stock growing in its gardens, and a variety of foraged wild flowers from the spaces in-between. The prints are developed from field drawings, done on location last spring and ink-on-paper paintings of floral arrangements made in our design studio on Södermalm in Stockholm.  The print works as decorative motifs on fluid satin dresses as well as an all over print on denim and shirt-dresses and summer blouses. For that mini-me look, the floral print can also be found on baby bloomers and dresses as well as dresses for children. The print also appears on selected homeware items, such as pillow cases and trays. Available for purchase in all ARKET stores and online. For prices and material information, please visit www.arket.com The floral prints of ARKET’s spring 2020 draws inspiration from the island of Djurgården in central Stockholm. Covered with extensive stretches of oak forest and vibrant wildflower meadows, it is one of Stockholm’s greenest islands and one of its most beautiful parks. The floral motifs are based on botanical studies of flowers found on the island - tulips, peonies and hoary stock growing in its gardens, and a variety of foraged wild flowers from the spaces in-between. The prints are developed from field drawings, done on location last spring and ink-on-paper paintings of floral arrangements made in our design studio on Södermalm in Stockholm.  The print works as decorative motifs on fluid satin dresses as well as an all over print on denim and shirt-dresses and summer blouses. For that mini-me look, the floral print can also be found on baby bloomers and dresses as well as dresses for children. The print also appears on selected homeware items, such as pillow cases and trays. Available for purchase in all ARKET stores and online. For prices and material information, please visit www.arket.com

SAMSØE SAMSØE Spring & Summer 2020 Mid-Century's Modern collection
130

SAMSØE SAMSØE Spring & Summer 2020 Mid-Century's Modern collection

Fashion Week Building further on pre-Spring’s humancentric approach to fashion, where clean lines, high quality materials and the consideration of function converge, Spring/Summer 2020 sends a nostalgic nod to the Danish Modern design movement, characterised by these same guiding principles. As relevant today as ever, the soft modernism of Scandinavia plays out on a collection where cuts become looser for the warmer months, and elements of sportwear and workwear and their way into the everyday wardrobe. Looking to the era that gave us many of our modern wardrobe staples, the collection is lled with versatile pieces that remain sartorial building blocks: structured transitional jackets cut for aboxy  from tweedy fabrics or tactile velvet areminimally detailed with practical pockets; new renditions of the ubiquitous polo shirt are imbued with nostalgic details and cut for a closet from crisp blends; and oversized sweaters in thick ribbed knits with half-zip fastenings underpin the importance of well made clothing. Just like the design movement, new materials shape the collection’s styles: Samsøe Samsøe’s longstanding tradition of crafting garments from natural fabrics results in pieces that are celebrated as much for their quality as for their simple yet modern shapes. A trench coat for her is cut from structured linen blend and pared back to its purest form with gently rounded shoulders and raglan sleeves. Fusing workwear with streetwear, classic menswear is given utilitarian edge on cotton twill trousers, cut in a new, relaxed shape. Sustainable fabrics and blends also celebrate the shapes of the classics: the bowling shirt has an updated t so it feels in nitelymore modern, cut from soft tencel that falls ina liquid-like drape. Palazzo-style pants designedwith the working woman in mind are crafted inheavy crepe with a lustrous nish. And softlytailored shirts and blouses juxtapose sleek lines with organic shapes, using these new and natural blends to reimagine traditional styles. Purposely devoid of pattern, the collection’s singular standout is a lively bird print found in our archives and inspired by furniture designer Kay Bojesen’s iconic wooden decorations, printed on an ankle-grazing silk dress with shirred cuts. Stripes move away from varsity sensibilities to take on a more nostalgic feel, and an abundance of heritage checks reference the upholstery fabrics of the mid-century movement. Touched with the era’s signature coloursand rooted in nature, monk’s robe, midnight blue and desert sand are enlivened with misty rose and seaweed green. Blurring the lines between how pieces are worn, shirts become jackets, knits become teesand trousers and shorts resemble skirts at rstglance. It’s all about function — and wearing them with an air of studied nonchalance thatbe ts the modern urbanite. more on samsoesamsoe.com Building further on pre-Spring’s humancentric approach to fashion, where clean lines, high quality materials and the consideration of function converge, Spring/Summer 2020 sends a nostalgic nod to the Danish Modern design movement, characterised by these same guiding principles. As relevant today as ever, the soft modernism of Scandinavia plays out on a collection where cuts become looser for the warmer months, and elements of sportwear and workwear and their way into the everyday wardrobe. Looking to the era that gave us many of our modern wardrobe staples, the collection is lled with versatile pieces that remain sartorial building blocks: structured transitional jackets cut for aboxy  from tweedy fabrics or tactile velvet areminimally detailed with practical pockets; new renditions of the ubiquitous polo shirt are imbued with nostalgic details and cut for a closet from crisp blends; and oversized sweaters in thick ribbed knits with half-zip fastenings underpin the importance of well made clothing. Just like the design movement, new materials shape the collection’s styles: Samsøe Samsøe’s longstanding tradition of crafting garments from natural fabrics results in pieces that are celebrated as much for their quality as for their simple yet modern shapes. A trench coat for her is cut from structured linen blend and pared back to its purest form with gently rounded shoulders and raglan sleeves. Fusing workwear with streetwear, classic menswear is given utilitarian edge on cotton twill trousers, cut in a new, relaxed shape. Sustainable fabrics and blends also celebrate the shapes of the classics: the bowling shirt has an updated t so it feels in nitelymore modern, cut from soft tencel that falls ina liquid-like drape. Palazzo-style pants designedwith the working woman in mind are crafted inheavy crepe with a lustrous nish. And softlytailored shirts and blouses juxtapose sleek lines with organic shapes, using these new and natural blends to reimagine traditional styles. Purposely devoid of pattern, the collection’s singular standout is a lively bird print found in our archives and inspired by furniture designer Kay Bojesen’s iconic wooden decorations, printed on an ankle-grazing silk dress with shirred cuts. Stripes move away from varsity sensibilities to take on a more nostalgic feel, and an abundance of heritage checks reference the upholstery fabrics of the mid-century movement. Touched with the era’s signature coloursand rooted in nature, monk’s robe, midnight blue and desert sand are enlivened with misty rose and seaweed green. Blurring the lines between how pieces are worn, shirts become jackets, knits become teesand trousers and shorts resemble skirts at rstglance. It’s all about function — and wearing them with an air of studied nonchalance thatbe ts the modern urbanite. more on samsoesamsoe.com

BOSS  launches a new capsule collection
129

BOSS launches a new capsule collection

Fashion To celebrate the launch of the new BOSS ALIVE eau de parfum, BOSS Womenswear introduces an eight-piece capsule collection. Mirroring the contrasting masculine and feminine ingredients in the fragrance, the ALIVE capsule includes both sharp tailoring and softer silhouettes, in a palette of white, black, and shades of pink.   A relaxed, double-breasted suit in white stretch cotton is a focal point of the capsule, perfectly combined with the “Feel ALIVE” slogan-print T-shirt in tonal white or pop-color coral. An easy-fit white cotton shirt is designed to be worn with the suit, or with the capsule’s stretch-cotton wrap skirt in pale blush pink. A soft merino wool sweater in the same shade can also be effortlessly mixed and matched with other pieces, and is an essential addition to every woman’s wardrobe.   A flowing silk dress adds relaxed femininity, while a short-sleeved blouse in sheer black silk takes the collection from day into evening. With options available for whatever the day brings, every BOSS woman will find herself in this capsule of versatile, timeless designs.   The BOSS Alive Capsule Collection is available as of half April in the BOSS stores in Amsterdam and Antwerp and via boss.com To celebrate the launch of the new BOSS ALIVE eau de parfum, BOSS Womenswear introduces an eight-piece capsule collection. Mirroring the contrasting masculine and feminine ingredients in the fragrance, the ALIVE capsule includes both sharp tailoring and softer silhouettes, in a palette of white, black, and shades of pink.   A relaxed, double-breasted suit in white stretch cotton is a focal point of the capsule, perfectly combined with the “Feel ALIVE” slogan-print T-shirt in tonal white or pop-color coral. An easy-fit white cotton shirt is designed to be worn with the suit, or with the capsule’s stretch-cotton wrap skirt in pale blush pink. A soft merino wool sweater in the same shade can also be effortlessly mixed and matched with other pieces, and is an essential addition to every woman’s wardrobe.   A flowing silk dress adds relaxed femininity, while a short-sleeved blouse in sheer black silk takes the collection from day into evening. With options available for whatever the day brings, every BOSS woman will find herself in this capsule of versatile, timeless designs.   The BOSS Alive Capsule Collection is available as of half April in the BOSS stores in Amsterdam and Antwerp and via boss.com

Yasmin by Marco Van Rijt
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Yasmin by Marco Van Rijt

Fashion Fotografie: Marco van Rijt @ Link Details Styling: Koen T. Hendriks @ House of Orange Haar: Hester Wernert Rijn @ Walter Schupfer Management Make-up: Carlos Saidel Manicure: Frédérique Olthuis @ House of Orange Model: Yasmin Wijnaldum @ Elite Amsterdam Fotografie Assistent: Santiago de la Vega Styling Assistent: Nour Ezzi Casting: Timotej Letonja all clothing: SAINT LAURENT BY ANTHONY VACCARELLO - Fall & Winter 2019-2020 Fotografie: Marco van Rijt @ Link Details Styling: Koen T. Hendriks @ House of Orange Haar: Hester Wernert Rijn @ Walter Schupfer Management Make-up: Carlos Saidel Manicure: Frédérique Olthuis @ House of Orange Model: Yasmin Wijnaldum @ Elite Amsterdam Fotografie Assistent: Santiago de la Vega Styling Assistent: Nour Ezzi Casting: Timotej Letonja all clothing: SAINT LAURENT BY ANTHONY VACCARELLO - Fall & Winter 2019-2020

Exclusive Digital Editorial by Seb Giraud
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Exclusive Digital Editorial by Seb Giraud

Fashion Photographer: Seb Giraud Casting: Corinne Patron Lighting Assistant: Alex Digital: Matias Brigidano Fashion Editor: Joy Sinanian Assistant Fashion Editor: Manavi Dang Hair/Make-up: Mickael Jauneau @ Agence Aurelien Hair/Make-up Assistant: Karine Walzack Using GHD hair et Leonor Greyl hair Grooming with the line Boy de Chanel Models: Anton, Felix, Tom, Milan, Lorelle, Paul, Bartholome #NumeroDigital  Photographer: Seb Giraud Casting: Corinne Patron Lighting Assistant: Alex Digital: Matias Brigidano Fashion Editor: Joy Sinanian Assistant Fashion Editor: Manavi Dang Hair/Make-up: Mickael Jauneau @ Agence Aurelien Hair/Make-up Assistant: Karine Walzack Using GHD hair et Leonor Greyl hair Grooming with the line Boy de Chanel Models: Anton, Felix, Tom, Milan, Lorelle, Paul, Bartholome #NumeroDigital 

LIU JO  beachwear for Spring & Summer 2020
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LIU JO beachwear for Spring & Summer 2020

Fashion A new collection, a new project. Liu Jo Beachwearis re-born in a new, important dimension, driven by a major upgrade in terms of fits and product quality: actually, as from Spring/Summer 2020, the range of swimsuits and accessories for the beach or the swimming-pool will be reorganised, now staking its all on updated styles and unique fits; these are efforts that cry out for the great personality of the collection and tell about an unusual, amazing product. The figure is enhanced in the name of the search for the perfect fit, which has been specially designed in every style; so, each single item has been designed for a woman who makes self-confidence her distinctive trait, in the name of a special balance where shiny touches, trendy influences and summer glamour live together on sexy fits and special finishes.   Firstly, the next season’s inspiration nods to the iridescent world ofmetallic materials: metal effects and glossy details shineon the collection’s items, where colourful metals play with small and big sequins in matching shades and where the ‘star’ print takes centre stage, sometimes scattered all over if matched with a logoed elastic band. Next to them, there are camaieu effects and animal prints in shades of lilac – paired with neutrals, green and Tropical– for a fresh touch of lightness and transparency, flounces and romantic details.   In the midst of the season, the prints get fresh and floral; the volumes get lighter and softer, the tropical versions are matched with details of tassels, chic stripes on cotton poplin– super-feminine details spiced up by fluorescent touches. Fluorescent is the buzzword in this inspirational world, where bursts of colours and an energetic attitude live on the one-piece swimsuits and bikinis that colour up the summer, to be worn with shorts, T-shirts and mesh dresses to stand out from the crowd.   Even the more “basic” styles have been completely renewed, and now they are chic, feminine and sophisticated: made from a new Lycra, the solid-colour styles are really the go-anywhere summer pieces, brightened by metallic and gold details, ribbons and trimmings.  A new collection, a new project. Liu Jo Beachwearis re-born in a new, important dimension, driven by a major upgrade in terms of fits and product quality: actually, as from Spring/Summer 2020, the range of swimsuits and accessories for the beach or the swimming-pool will be reorganised, now staking its all on updated styles and unique fits; these are efforts that cry out for the great personality of the collection and tell about an unusual, amazing product. The figure is enhanced in the name of the search for the perfect fit, which has been specially designed in every style; so, each single item has been designed for a woman who makes self-confidence her distinctive trait, in the name of a special balance where shiny touches, trendy influences and summer glamour live together on sexy fits and special finishes.   Firstly, the next season’s inspiration nods to the iridescent world ofmetallic materials: metal effects and glossy details shineon the collection’s items, where colourful metals play with small and big sequins in matching shades and where the ‘star’ print takes centre stage, sometimes scattered all over if matched with a logoed elastic band. Next to them, there are camaieu effects and animal prints in shades of lilac – paired with neutrals, green and Tropical– for a fresh touch of lightness and transparency, flounces and romantic details.   In the midst of the season, the prints get fresh and floral; the volumes get lighter and softer, the tropical versions are matched with details of tassels, chic stripes on cotton poplin– super-feminine details spiced up by fluorescent touches. Fluorescent is the buzzword in this inspirational world, where bursts of colours and an energetic attitude live on the one-piece swimsuits and bikinis that colour up the summer, to be worn with shorts, T-shirts and mesh dresses to stand out from the crowd.   Even the more “basic” styles have been completely renewed, and now they are chic, feminine and sophisticated: made from a new Lycra, the solid-colour styles are really the go-anywhere summer pieces, brightened by metallic and gold details, ribbons and trimmings. 

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